The A.V. Club's Scores

For 10,419 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10419 movie reviews
  1. At heart, it's just the latest from one-man industry Luc Besson, so even though it looks like art, it plays like schlock.
  2. It goes without saying that Evan Almighty, a kid-friendly follow-up to the Jim Carrey vehicle "Bruce Almighty," is more Ronald McDonald than Holy Bible, but it didn't have to be this epically trite.
  3. Evening proves that there are such things as mistakes, by featuring two hours of bad choices and half-executed ideas.
    • 25 Metascore
    • 25 Critic Score
    With its complete lack of empathy for early Mormons and simplistic rendering of historical figures, September Dawn is that rare movie that actually deserves whatever condemnation might come from religious groups.
  4. The 11th Hour is slick and passionate, but neither persuasive nor helpful; it's a headache of a film directed like an Errol Morris project, but with half the substance. It's clearly preaching to the choir, but even they may find it off-key.
  5. Sometimes the actors lip-sync, but more often, they're singing along with the original vocal tracks, trying to out-belt Elvis Presley and Bruce Springsteen, like a cadre of enthusiastic shower singers joining in with the radio. The resulting cacophony is generally harsh and sloppy, and the film follows suit.
  6. There's an audience out there for this kind of thing--Cook is obviously a populist, and Norbit made bushels of money--but if this is what passes for funny, what in the world of comedy DOESN'T qualify?
  7. Reggaeton has officially come of age: The burgeoning subgenre now has a terrible, opportunistic exploitation movie to call its own.
  8. All talk and zero characterization, it doesn't even feel like a real movie.
  9. Ritchie has said that it takes several viewings to fully understand what's going on in Revolver, but once will be enough for most to agree to take his word for it.
  10. Cultists will be happy to discover that In The Name Of The King bears all the so-bad-it's-good hallmarks of a classic Boll production.
  11. The almost perversely colorblind College Road Trip represents a strange milestone in black film.
  12. Currently stopping by theaters briefly en route to DVD, the film tries to position Jameson as the next Linnea Quigley, the B-movie queen behind such enduring titles as "Hollywood Chainsaw Hookers" and "Sorority Babes In The Slimeball Bowl-O-Rama."
  13. The overall experience is manic, juvenile, and hit-or-miss, as if the auteurs behind "Epic Movie" were trying to remake "Wag The Dog." It's too soon to laugh about Iraq, and it'll never be time to laugh about it with this kind of maladroit humor.
  14. If the movie had greater style, it might approach the delirious badness of "The Valley Of The Dolls," but it's too dull to qualify as camp.
  15. A witless reprise of '60s and '70s biker movies.
  16. The Spirit feels like the follow-up to "Batman & Robin" no one wanted.
  17. The film still suffers from cheap plasticky design, a klutzy overall look, dim preschooler humor, and a nearly impact-free story that thinks it's clever when it steals cues from 2001.
  18. Dimly lit, emotionally empty, and devoid of thrills, Bangkok Dangerous should disappoint Cage fans looking for Wicker Man-style camp thrills just as thoroughly as action buffs looking for a passable thriller. It's never close to good, and it can't even get bad right.
  19. It'd probably feel just a little bit timelier and more relevant if it took place in a universe that bore even the faintest resemblance to our own.
  20. Madonna presents the three leads as flawed but essentially decent and redeemable, but they're bound up in a story that's meant to affirm a vague set of values. If she needs to justify the "Sex" book by charting her own contrived path from filth to heavenly wisdom, that's fine. But she should do it on her own time.
  21. People's title proves prophetic, only this time the people being alienated are the suckers in the paying audience.
  22. Devotes so much time and energy to flashbacks and recycling footage from its predecessors that it threatens to implode.
  23. Norton is infamous for rewriting scripts and acting as a de facto director on his movies yet he seems lost and defeated here.
  24. When it comes to time-wasting memory games, crossword puzzles are more fun than this movie.
  25. This is junk, a bunch of hard-R action scenes kept together by the thinnest of plots.
  26. Sandler’s laziness, sloppiness, and cynical pandering are all over Bedtime Stories, and it turns what’s intended to be a graceful intersection of fairytale whimsy and real-world slapstick into an ugly, head-on collision.
  27. For a film shamelessly trumpeting the importance of staying together through the hard times, Broken makes a disconcertingly convincing case for divorce.
  28. What darkness the movie achieves comes solely from the lighting.
  29. It's almost charming in its sheer lack of ambition, but the lack of creativity in its by-the-numbers shocks is harder to excuse.

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