The A.V. Club's Scores

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For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,571 out of 10414
  2. Mixed: 3,736 out of 10414
  3. Negative: 1,107 out of 10414
10414 movie reviews
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  1. The Acid House
    The Acid House comes across as a shadow of "Trainspotting," albeit a vibrant, noisy, frantic shadow.
  2. The Sixth Sense
    Teeters on the brink of New Age ludicrousness, but it never goes over: Like Kieslowski and others, Shyamalan knows that what makes for lousy metaphysics can make for powerful metaphor, and in the end he creates a deeply, surprisingly affecting film out of a little bit of smoke and brimstone.
  3. Runaway Bride
    Another contrived, unconvincing romantic comedy that once again mixes stale sitcom humor with laughable attempts at pathos and emotional depth.
  4. Deep Blue Sea
    It's every bit as silly as it sounds, sillier really.
  5. Drop Dead Gorgeous
    It's like a cross between "Heathers" and "Waiting For Guffman," had those movies been made by morons, for morons, and the cinematic equivalent of cow-tipping, only less graceful.
  6. Inspector Gadget
    Anyone older than eight is likely to find it a ridiculously extravagant exercise in stupidity.
  7. The Haunting
    You can buy the special effects, but if that's all you have to offer, it won't amount to much.
    • 34 Metascore
    • 20 Critic Score
    Lake Placid
    It doesn't help that, at 80 or so minutes, it feels like there's a reel missing—you know, the one with the finale that's even slightly more pulse-pounding than any of the four or five other scenes in which the big, impressive-looking monster attacks the heroes as their legs dangle in the water.
  9. The Wood
    A mess, a poorly paced, poorly structured, lukewarm comedy-drama that fails even to capitalize on the cheap nostalgia inherent in its plot.
  10. Eyes Wide Shut
    Above all a masterpiece of sustained tone, a tightrope act that pays off in rich and unexpected ways.
  11. The Blair Witch Project
    A truly scary horror film, something akin to a lost art these days.
    • 53 Metascore
    • 50 Critic Score
    Muppets from Space
    The cavalcade of guest spots does give viewers the rare opportunity to see Andie MacDowell getting punched in the stomach by Miss Piggy, as well as the chance to watch Dawson's Creek star Katie Holmes reject the amorous advances of a wise-cracking prawn, but they also undermine Muppets From Space's attempts to transcend its dull, plodding shenanigans.
  13. Late August, Early September
    Late August, Early September is a resolutely minor work, a quiet departure from the brash showiness of Irma Vep, but it's crafted with the sure hand of a major director.
  14. Summer of Sam
    Lee at his best, a virtuoso piece of filmmaking that's stylish, substantial, and rich in detail.
  15. South Park: Bigger Longer & Uncut
    When it's on its game, and it frequently is, South Park's portrayal of its foul-mouthed, pre-teen, construction-paper-like protagonists' navigation of the absurd adult world around them cuts as deeply as any other current comedy.
  16. The Dinner Game
    Adapted from a long-running stage play, The Dinner Game has been refined to peak comic efficiency, with every misunderstanding and hare-brained scheme neatly cascading into bigger and bigger catastrophes.
  17. Big Daddy
    Sandler's best movie, a surprisingly touching and consistent comedy that finds him reaching out to new audiences without abandoning the transgressive meanness that has enlivened his best work.
  18. Tarzan
    The main problem with Tarzan is its story, which, after a strong start, finds a steady groove and stays with it, offering no particular highs or lows.
    • 79 Metascore
    • 50 Critic Score
    Run Lola Run
    May be all Eurotrash flash, but it's not often that a film packs this much visceral punch.
  20. The General's Daughter
    The General's Daughter isn't a poorly made or acted film, but it's so shallow, hypocritical, and sleazy that it's difficult not to find it repulsive.
  21. The Red Violin
    As pleasant stimulation for the eye and ear, it's two hours of sumptuousness, but anyone looking for more won't find it here.
  22. Austin Powers: The Spy Who Shagged Me
    The most consistently funny studio sequel in some time, and the rare blockbuster that actually delivers on what it promises.
  23. Instinct
    A mushy-headed, unintentionally funny inspirational drama that plays like a clumsy attempt to crossbreed "The Shawshank Redemption" and "One Flew Over The Cuckoo's Nest."
  24. Limbo
    The weaknesses in Sayles' story and his occasional bouts with didacticism are far outweighed by the film's exceptional intimacy and humanity.
  25. The Thirteenth Floor
    A solid, interesting B-movie, in another season it would seem a good deal fresher.
  26. Notting Hill
    It may boil down to little more than a minor variation on Four Weddings' formula, but it's an interesting and entertaining one.
  27. Eternity and a Day
    Eternity And A Day occasionally lapses into navel-gazing ennui, and Ganz's reluctant kinship with the adorable moppet courts cliché, but Angelopoulos strings together so many haunting, exquisitely choreographed sequences that even his worst ideas are emotionally resonant.
  28. Star Wars: Episode I - The Phantom Menace
    Despite a shaky start and the presence of questionable elements throughout, by the time it arrives at its finale -- which copies Return Of The Jedi's triple-climax structure -- The Phantom Menace has won its place alongside the original Star Wars trilogy.
  29. A Midsummer Night's Dream
    Hoffman (Soapdish, One Fine Day) leads a first-rate cast in an intelligent, fully realized adaptation of Shakespeare's most popular comedy that's at once highly cinematic and true to its source.
  30. Tea with Mussolini
    While Zeffirelli couldn't have assembled a more capable cast, none of them, except Cher, are given characters colorful enough to make the film worthwhile; almost everyone gets lost amidst the Tuscan scenery.
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