The A.V. Club's Scores

For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10422 movie reviews
  1. The Fly movies could be a metaphor for sequels: Always go for the real article, not the freakishly mutated copy one telepod over.
  2. An improvement on its predecessor insofar as it takes place in Athens rather than small-town Texas, meaning the scenery is better.
  3. The director’s grim commitment to shocking his audience is fanatical to the point of being enthralling, as he dramatizes one bit of extreme, rancid cruelty after another for little reason other than to turn viewers’ stomachs. It’s far from a noble goal, but there’s no denying its effectiveness.
  4. With Over The Top, Stallone had clearly exploited the Rocky formula once too often and audiences rebelled against its condescending family melodrama and heavy-handed working-class trappings.
  5. Star Maps rather transparently equates prostitution with show business; both exploit the impoverished and do no favors to minorities. It's a valid equation, but once the point is made, Star Maps has no place to go.
    • 66 Metascore
    • 40 Critic Score
    Downey seems subdued in the film's central role, as if he's out of his league when it comes to dramatically stretching as an actor. Even when all decked out in foppish finery, looking absolutely ridiculous to the objective eye, he can't find a way to focus your attention on him. Instead, in looking at him, all you can do is wonder: How much did those duds cost?
  6. The Pirate Movie suggests what Gilbert & Sullivan's original would look and sound like if it were rewritten by a boy-crazed middle-schooler who'd rather drool over John Travolta in Grease for the 50th time than suffer through anything close to opera.
  7. Dillon comes off as a whiny, unlikable brat, the premise's comic potential goes unrealized, and the spy stuff feels familiar and halfhearted. Good as he is, Hackman can't transform the second-rate into a masterpiece.
  8. It’s The Love Boat in the air, basically.
  9. A cartoonishly grim supernatural thriller that could stand a lot less talk and a lot more thrills.
  10. Throw out the presence of Dennis Quaid, and the new science-fiction/horror snoozer Pandorum could easily pass for a Roger Corman cheapie.
  11. Features a running gag about a little boy in the midst of potty training who doesn’t always go where it’s appropriate. In a nutshell, that subplot explains everything that’s wrong about the film.
  12. With Cop Out, Smith works from a script other than his own for the first time--this one penned by siblings Mark and Robb Cullen--but his slack direction siphons the energy out of this tongue-in-cheek throwback to ’80s mismatched-buddy comedies.
  13. Cody’s script fails in the fundamentals.
  14. If director Jaume Collet-Serra (House Of Wax) set out to make a parody of horror-film clichés, he succeeded brilliantly.
  15. As long it sticks to that chase, Babylon A.D. remains a sub-passable lead-footed action film with neat scenery.
  16. Rock acquits himself nicely as the responsible brother and resident straight man, but everyone else in the cast has apparently been advised to mug shamelessly and yell their lines as loudly as possible.
  17. Dunmore creates a memorably grimy London, but the moral grime covering the film proves less memorable.
  18. Grandma's Boy aspires to nothing more than the frathouse goofiness and juvenile high spirits of early Sandler vehicles, but it possesses the energy of a funeral dirge played at half-speed.
  19. With minimal flare and maximal gore, Boll simply delivers the turgid drama and incompetently staged action sequences that have made him the unstoppable Big Boss of the gaming community.
  20. Okay, so when does the fun start?
  21. There may be nothing new under the sun, but there are at least films that dress up old tropes in new ways. This isn't one of them.
  22. A lot of The Break-Up doesn't work. Actually, apart from some funny moments between old Swingers sparring partners Favreau and Vaughn, and a nice scene with Jason Bateman as the couple's realtor, virtually none of it works.
  23. Though he labors endlessly to account for her behavior, which is explained away by flashbacks to her decadent parents and a glamorous mother-figure played under Vaseline lens by an uncredited Sandra Bullock, Bacon fails to make her seem human.
  24. It's seldom a good sign when a Rob Schneider cameo elevates a comedy, but Little Man aims so low and fires so often that it can't miss all the time.
  25. Arriving late to the scene, Another Gay Movie coughs up the same awkward gags about coming of age via false starts and sexual humiliation, only the genuine sweetness and camaraderie that made the first "Pie" movie bearable has been replaced by glib self-awareness.
  26. Turns a cultishly creepy classic into a dull and windy farce.
    • 19 Metascore
    • 33 Critic Score
    Okay, so it isn't challenging. There are worse things for a horror-thriller about supernatural high-schoolers to not be. Like not scary. Or not thrilling. Or not as entertaining as an episode of "Charmed."
  27. The movie's more damnable problem is it irrelevance.
  28. No one makes it out of this laughless mess unscathed.

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