The A.V. Club's Scores

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For 10,414 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,571 out of 10414
  2. Mixed: 3,736 out of 10414
  3. Negative: 1,107 out of 10414
10414 movie reviews
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  1. The Other Side of Heaven
    Movies don't get much more wholesome and earnest than The Other Side Of Heaven, a handsomely mounted but empty-headed drama that attempts to do for fresh-faced Mormon missionaries what Top Gun did for cocky fighter pilots.
  2. Changing Lanes
    Out of that clever setup, Changing Lanes pulls both the promised taut suspense and a much deeper film: an ethics thriller.
  3. New Best Friend
    A lurid, unsavory mix of Reefer Madness hysteria, drive-in sleaze, and the queasy morality of '80s slasher film.
  4. The Sweetest Thing
    Diaz does what she can under adverse circumstances, but she doesn't come close to salvaging this ramshackle vehicle.
  5. Run Ronnie Run
    With its obligatory plot points, character arcs, and forced resolution, the narrative's demands tax Cross and Odenkirk's sensibility by limiting their freedom of movement. Yet even in its current bastardized form, the film still flickers with moments of great inspiration and vitality, providing isolated hints at the groundbreaking comedy that might have been.
  6. Karmen Gei
    The film offers plenty of powerful impressionism to make up for its lack of a coherent statement.
  7. Lucky Break
    The big musical setpiece, rife with possibilities for humor and uplift, needed to be funnier and more energetic than the half-hearted lyrics and choreography bother to muster.
  8. High Crimes
    A major disappointment that lacks the courage to follow through on its premise's themes.
  9. American Chai
    The ethnicity of its leads is the only novel aspect of an otherwise bland exercise.
  10. Big Trouble
    It's a tribute to the film's goofy, inconsequential charm that it's still possible to laugh as someone sneaks a bomb past airport security.
  11. The Komediant
    The Komediant's most deeply moving aspect lies in its misty memories of the glory years of the Yiddish theater, when an ethnic group rallied against its attempted decimation by forming allegiances and openly celebrating its culture.
  12. Van Wilder
    Reynolds and Reid's white-bread romance begs to be left on the cutting-room floor, but then again, so does just about every other scene in Van Wilder, which distinguishes itself only in featuring a level of ejaculate rarely found outside of hardcore porn.
  13. Crush
    Never good, Crush takes a turn for the worse when it takes a turn for the serious. Its attempt to drop cartoon comedy for cartoon tragedy essentially thrusts the characters from Cathy into the panels of Mary Worth.
  14. The Rookie
    Touching and wise, with fine performances and impeccable widescreen photography, The Rookie is a rare family film that encourages kids to pursue their dreams, but not before giving full weight to the consequences.
  15. The Piano Teacher
    A viscerally punishing study of repression and masochism, carried out with the utmost discretion and chilling reserve.
  16. Time Out
    Cantet's masterful study of a white-collar businessman in decline.
  17. Death to Smoochy
    An aggressive black comedy that seeks to satisfy a bloodlust already quelled many times over.
  18. Panic Room
    An old-house thriller retrofitted for the 21st century without any touch of unneeded flash, Panic Room is scary enough to do for downtown living what Jaws did for beaches.
  19. No Such Thing
    Hartley's most ambitious film, but it's also among his most uneven, shifting away at moments when its characters should be allowed to connect, underemphasizing some themes, overemphasizing others, and letting a general clash of ideas stand in for momentum.
  20. Clockstoppers
    Botches what could be the most mischievous power since Scott Baio's telekinesis in the 1982 comedy "Zapped!": a wristwatch that speeds up time for the user until the rest of the world seems to be standing still.
  21. Shot in the Heart
    There's a tight, urgent, and timely film hidden inside Shot In The Heart, but it's not always worth forging through all the gratuitous bells and whistles to find it.
  22. Margarita Happy Hour
    The trouble is that while Chaiken's community is nuanced, it's not exactly a warm, inviting place to spend time. It's dingy and dismal, and though not exactly humorless, Margarita Happy Hour misses many chances to be funny, at times when a laugh or two would open the picture up.
  23. Sorority Boys
    A shockingly inane college comedy that accomplishes the nearly impossible feat of being far worse than it looks.
  24. Son of the Bride
    The best that can be said of Son Of The Bride is that it's attractively photographed. But, then, so was the Hindenburg explosion, and this packs far less excitement into its two shapeless hours.
  25. Jim Brown: All American
    Brown sounds guarded throughout, and as a result, Jim Brown: All-American provides a curiously remote portrait that's often compelling, but seems to conceal as much as it reveals.
  26. Blade II
    Everything "Blade" should have been but wasn't: stylish, fast-paced, and comfortable with its own ridiculousness.
  27. Pauline and Paulette
    Debrauwer's characterization is as sharp and incisive as a butter knife.
  28. Harrison's Flowers
    Moves forward on the conviction of its performances. Brody, in particular, shows uncommon sensitivity as a politically committed and temperamental photographer who responds to MacDowell's half-crazed resolution with heartbreaking zeal.
  29. Showtime
    De Niro and Murphy are visibly uncomfortable with each other. Their improvisation seems chaotic and mismanaged, and the movie follows in kind.
  30. Y Tu Mamá También
    In the wild and consistently surprising Y Tu Mamá También, anything isn't the half of it.
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