The A.V. Club's Scores

For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10422 movie reviews
  1. This movie loves big, operatic gestures. At least visually, it lands them all.
  2. Director Carter Smith suffers from another, more common problem: In trying to squeeze every plot point from the book into a 90-minute movie, he failed to capture its chilling essence.
  3. This is a headache-inducing spectacle that raises more questions than it answers, and does little to inspire viewers to go find the answers themselves. But hey, at least it’s too loud to fall asleep to.
  4. Written and directed by Robert Shallcross, and seemingly misdirected into theaters from its natural home on the ABC Family Channel, Uncle Nino is a sweet but not particularly distinguished effort.
  5. Clumsy, ephemeral, and wholly unnecessary.
  6. On the plus side, Collins (Mirror Mirror, The Blind Side) and Claflin (Finnick Odair in the Hunger Games franchise) are both appealing enough, even if their chemistry makes Rosie and Alex’s we’re-just-pals stance appear even more ludicrous than intended.
  7. Offers a smattering of big laughs and an overall tone of ramshackle likability, but considering Rock's talent and the film's potential for smart satire, Head Of State registers as a somewhat wasted opportunity.
  8. Into The Storm is an uncanny valley disaster movie — not as consciously cheesy and cheap as something like "Sharknado 2," but built around a similar equation of unreality and gratification.
    • 44 Metascore
    • 25 Critic Score
    Someone involved in the making of this movie is clearly insane; it should be just a standard buddy/action movie, but aside from lots of kickboxing and shooting and a big fight at the end, it doesn't follow any of the genre's chimp-simple conventions. It may be the worst Van Damme movie ever made.
  9. Poe was a flawed figure, but his greatest strength was in avoiding convention, or reinterpreting it to create something new. The Raven aspires to both, but abandons those ambitions to lie limply on the floor - only this, and nothing more.
  10. Out-and-out dud, underlining how far the mighty have fallen.
  11. Loud and annoying? Occasionally. Funny? Sometimes. Likely to be noticed by filmgoers six months from now? Not really.
  12. Damn! would be a more insightful condemnation of the exploitation process if it didn't reek so strongly of exploitation itself.
  13. Never as edgy as it imagines itself to be. Bangkok may swallow innocents whole, but director Todd Phillips has a lucrative franchise to protect, so the film's flirtation with the comic abyss gets compromised into something that looks more like a rock-solid mainstream comedy with a prominent dark side.
  14. For all of this ersatz panache, the plot of Hot Summer Nights is both groan-inducingly contrived and vapid, its talented young cast wasted on an incoherent script—less a web of betrayal, greed, and adolescent desire than a few dangling threads.
  15. It's a squeaky clean pre-John Hughes, pre-Farrelly brothers throwback to an era where the words "Disney film" meant something: a movie free of crotch slams, gross-out gags, and tittery innuendo.
  16. The Old Guard 2 is broader, zippier, and more caught up in explaining the rules of its immortal superheroes rather than simply living in their complex emotional reality.
  17. With a cast this gifted, some of the throwaway jokes stick, but when Along Came Polly goes for its biggest, grossest laughs, the strings show well in advance.
    • 44 Metascore
    • 75 Critic Score
    Director Millicent Shelton, a veteran of dozens of music videos and television shows (including two episodes of Latifah’s series Star), wisely builds tension while exploring their family dynamic, and then stomps on the gas to bring it all home.
  18. While incapable of comprehensively contextualizing the craze and only somewhat convincing in its portrait of the power of cocktails to reenergize the traditional local-dive scene, the documentary remains a succinct and lively tribute to the art of the drink—not to mention a handy compendium for those seeking a prime NYC joint to quench their thirst.
  19. It's passably gripping and occasionally lively.
  20. Despite its numerous missteps and miscalculations, What Dreams May Come is often a powerful, affecting piece of filmmaking.
  21. Still, no matter how Grebin and Nigro are selling it, American Cannibal isn't about the horrors of reality TV. It's about guys like Roberts and Ripley, who convince themselves that ANY job in show business would be preferable to waiting tables.
  22. McLean puts the pedal to the metal from the start, forgoing suspense in favor of instant, gruesome gratification.
  23. Alas, there’s no covert greatness to the just-plain-underwhelming Resident Evil: Welcome To Raccoon City, a reboot totally bereft of the visual distinction or creative personality that often made its predecessors intriguing diamonds in the rough.
  24. Forever Mine explores many of Schrader's pet themes—obsession, revenge, jealousy, betrayal, guilt—but they've seldom felt as empty, shallow, or ridiculous.
  25. Barney's Great Adventure will bore adults to tears.
  26. Unknown manages a hat trick by making its march toward the climax so tedious and unlikely that it unravels even as it gets off the ground.
  27. Batman V Superman takes a title fight kids of all ages have been speculating about for decades—costumed titan from the cosmos, meet costumed vigilante from the city—and invests it with all the fun of a protracted custody battle.
  28. This Is Where I Leave You demonstrates, a great cast is a terrible thing to waste.

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