The A.V. Club's Scores

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For 10,422 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,575 out of 10422
  2. Mixed: 3,739 out of 10422
  3. Negative: 1,108 out of 10422
10422 movie reviews
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  1. Gilles' Wife
    An impeccable minimalist drama that's tailored specifically to Devos' expressive capabilities, which say more than the sparse dialogue.
  2. The Syrian Bride
    Ultimately, The Syrian Bride becomes an overtly political movie, but with all its loose threads and random directions, it feels more like the pilot for an unmade miniseries.
  3. Pride & Prejudice
    Most importantly, the director, script, and cast (rounded out by Judi Dench and well-placed imports Donald Sutherland and Jena Malone) all recognize that Austen is about much more than pretty costumes and knowing looks.
  4. Derailed
    Much of the second half is spent waiting for the other shoe to drop, though you don't have to have 20/20 vision in order to see the big twist coming from miles away. Once it arrives, the film officially disembarks from reality with an over-the-top climax and denouement that play shamelessly to the bloodthirsty masses.
  5. Zathura: A Space Adventure
    Director Jon Favreau, who dipped profitably into family entertainment with 2003's "Elf," effectively recreates the illustrative universe of a good children's book, but he's stuck with a story that noisily grinds its gears.
  6. Bee Season
    Everyone in Bee Season is chasing spiritual peace and falling behind, and McGehee and Siegel catch them at their most worn-out and static.
  7. Ellie Parker
    It almost seems that Watts made a movie this intentionally scuzzy and low-rent as a severe form of penance to the gods of authenticity for the sin of making millions jet-setting around the world appearing in big, glamorous super-productions. But she goes too far in making the audience suffer as well.
  8. Sarah Silverman: Jesus Is Magic
    Though Silverman's edginess never quite crosses into social consequence, she's a brilliant craftswoman on stage, blessed with crack timing and an ability to massage each line to maximum effect.
  9. Good Morning, Night
    Bellocchio's film, which enlivens the grim realities of months in a stuffy apartment with striking bursts of lyricism, is often a powerful cautionary tale about the dangers of becoming a slave to ideology.
  10. Duane Hopwood
    Duane Hopwood is suffused with hangdog dreariness, equivalent to a unsoled shoe treading rainwater.
  11. Get Rich or Die Tryin'
    Parts of Get Rich Or Die Tryin' crackle with energy, vitality, and texture, like the prison-shower fight that descends into a weird sort of slapstick farce. But 50's leaden turn drags the film down. Scenes celebrating his personal and professional triumph ring hollow, since Rich never really gets under his skin.
  12. The Swenkas
    It all feels formal and unreal, the product of high ritual. But it also feels like one of the few rituals they're playing out entirely for themselves rather than for the sake of Rønde's neatly packaged modern fairy tale.
  13. Chicken Little
    Turning brief fairy tales into sweeping mini-epics has long been Disney's hallmark, but even for a fable, Chicken Little is thin stuff; it's a brief cautionary tale against alarmism, essentially "The Boy Who Cried Wolf" without any of the poetic irony.
  14. Jarhead
    Screenwriter William Broyles, Jr., a former Vietnam pilot and "Newsweek" editor, connects reasonably well with the material, but "American Beauty" director Sam Mendes has a tendency to smooth out the rough edges, and the film goes flat as month-old soda.
  15. The Dying Gaul
    Lucas' beautiful script and a trio of first-rate performances carry the material with an intermittently breathtaking urgency.
  16. Gay Sex in the 70s
    Lively, impassioned, well-structured documentary.
  17. Derailroaded
    Having a Rutgers psychology professor comment on Fischer's general symptoms is downright amateurish. In a documentary about a living subject, conclusions are better drawn through rigorous observation, not explained away in some tidy pop-psychological portraiture.
  18. The Legend of Zorro
    Feels like a half-hearted shrug of a sequel, an attempt to put a lucrative franchise on life support.
  19. Prime
    Greenberg and Thurman are both engaging, but they can't quite compensate for their characters' shallowness. Streep, on the other hand, just can't stop compensating. Her oy-vey-can-you-believe-the-kid-and-his-shiksa performance is all studied mannerisms with no real heart.
  20. Saw II
    Stripped down to the barest genre essentials, Saw is a spring-loaded killing machine, packed with sadistic little deathtraps and ludicrous macabre twists, and its quickie sequel offers more of the same, which should again appease viewers who enjoy being jerked around.
  21. The Weather Man
    The scenes between Cage and Caine are by far the film's most affecting. The two men don't seem to share the same gene pool, which only helps their dynamic.
  22. New York Doll
    Unexpectedly heartwarming documentary.
  23. Paradise Now
    While "War Within" takes a deeper, more personal look at its protagonist, Paradise Now is a more ambitious film that better contextualizes its central characters and their politics.
  24. Three... Extremes
    Few directors are as "extreme" as Miike, but ironically, his entry in Three... Extremes is the least explicit; its suggestive tale of envy and guilt resembles Edgar Allen Poe's "The Tell-Tale Heart" more than Miike's usual six-per-year gorefests.
  25. little man
    While Conn's story is inherently compelling, it's pretty much ruined in the telling thanks to her unnerving choice to fill it with a twinkling piano-heavy score, florid narration, and trembling slow-motion.
  26. Ballets Russes
    Geller and Goldfine have assembled a vital historical document, covering a cultural era now mostly lost, corrupted imperceptibly but permanently when fledgling ballerinas started dreaming about Broadway and Hollywood instead of Swan Lake.
  27. 71 Fragments of a Chronology of Chance
    The trilogy's conclusion, 71 Fragments, doesn't quite fit the glaciation theme, but it does show Haneke's willingness to experiment with the form and challenge the way audiences receive information. The film's radical deconstruction of various narrative strands questions the way such information is delivered and received.
  28. Doom
    If he (The Rock) can keep those wandering eyebrows in check, his future as an action hero appears unlimited--that is, provided he can resist taking roles in movies like this one.
  29. Dreamer: Inspired by a True Story
    There are no surprises in Dreamer--except that for all its visible and unselfconscious schmaltz, it's actually pretty enjoyable.
  30. Shopgirl
    "Hilary And Jackie" director Anand Tucker establishes and maintains an appropriately delicate tone, apart from the presence of cartoonish, jarring man-eater Bridgette Wilson, who seems to have wandered in from a much cruder comedy.
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