For 10,425 reviews, this publication has graded:
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51% higher than the average critic
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3% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | Badlands | |
|---|---|---|
| Lowest review score: | A Life Less Ordinary |
Score distribution:
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Positive: 5,575 out of 10425
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Mixed: 3,741 out of 10425
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Negative: 1,109 out of 10425
10425
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Nathan Rabin
Proyas is a veteran music-video director, and for its first half the film feels like one long video, albeit in a good way. He initially lets music and images tell his story rather than words, but in its second half, Garage Days succumbs to its overreaching, convoluted plot.- The A.V. Club
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- The A.V. Club
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Reviewed by
Scott Tobias
Eventually finds its rhythm with late flashes of dark humor and bedroom hijinks, but it takes too much time to get there.- The A.V. Club
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Reviewed by
Nathan Rabin
This indignant attack on the way the Iraqi war was marketed and covered feels about as timely and relevant as yesterday's newspaper.- The A.V. Club
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Reviewed by
Scott Tobias
Singleton abandons the underground racing subculture that gave the first film its allure, relying instead on lazy thriller plotting that's only a bag of donuts and a freeze-frame away from the average TV cop show.- The A.V. Club
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Reviewed by
Scott Tobias
Working with non-professional actors, Seidl emphasizes their ordinariness to the point of cartoonish ridicule, putting them in scenarios either banal, perverse, or both at the same time.- The A.V. Club
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Reviewed by
Keith Phipps
At least Dennis Franz, as a former angel, livens up his scenes, and Ryan is less intolerable than usual. Meanwhile, the always-interesting Cage does a good job pretending he's in a better movie. But he's not.- The A.V. Club
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Reviewed by
Scott Tobias
Eastwood's down-the-middle police procedural Blood Work ranks as his least ambitious work in a decade, anonymous save for his iconic screen presence and a tasteful selection of jazz on the soundtrack.- The A.V. Club
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Reviewed by
Nathan Rabin
It's a clammy, odd duck of a movie, a black comedy that seems strangely content with merely being morbid.- The A.V. Club
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Reviewed by
Keith Phipps
A sophomore film major would be lucky to get a passing grade with such material.- The A.V. Club
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Scott Tobias
The scattered insights in This So-Called Disaster aren't worth the sifting it takes to find them.- The A.V. Club
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Keith Phipps
Mostly, Dodgeball just feels off--never consistently funny, but also never dire. It's as if Thurber resigned himself to making a dumb, formula-bound movie with a dusting of smart gags instead of a smart movie in dumb-movie clothes.- The A.V. Club
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Scott Tobias
Too often, Saints And Soldiers confuses bravery for faith.- The A.V. Club
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Reviewed by
Keith Phipps
Hartley's most ambitious film, but it's also among his most uneven, shifting away at moments when its characters should be allowed to connect, underemphasizing some themes, overemphasizing others, and letting a general clash of ideas stand in for momentum.- The A.V. Club
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Reviewed by
Keith Phipps
Less a film than a terror delivery system, The Grudge repeatedly shows off Shimizu's technical chops, but never gives viewers a reason to care about or identify with the victims.- The A.V. Club
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Reviewed by
Keith Phipps
When the halves of the film collide in the courtroom climax, it looks like a misbegotten pilot for Law & Order: Usury Victims Unit.- The A.V. Club
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Noel Murray
Anyone who thinks Beyond The Sea is a movie about Bobby Darin isn't paying close enough attention.- The A.V. Club
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Reviewed by
Scott Tobias
If Porter's songs are so timeless, why does the movie sound like something that might have played on VH1 five years ago?- The A.V. Club
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Reviewed by
Scott Tobias
Contains all the elements of a satisfying teen genre picture, but they've been compromised out of existence.- The A.V. Club
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Reviewed by
Keith Phipps
Kids won't mind a bit, but adults accustomed to "Shrek" and Pixar will have no trouble spotting what's missing.- The A.V. Club
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Reviewed by
Nathan Rabin
Only when it wraps up all its loose ends with a feel-good sitcom conclusion does it finally reveal itself: It's an interesting failure rendered all the more disappointing for veering so close to success.- The A.V. Club
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Keith Phipps
As a spectacle, The Polar Express looks remarkable. As a film, however, it's the equivalent of an elaborately wrapped Christmas present containing a nice new pair of socks.- The A.V. Club
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Nathan Rabin
As Ray nears its abrupt ending, it veers into camp silliness, complete with a psychedelic freak-out withdrawal sequence straight out of a Roger Corman LSD epic.- The A.V. Club
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Scott Tobias
When pinned mostly in the man's bedroom, Amenábar's flashier instincts are stifled by a bolted camera and a procession of issue-of-the-week clichés.- The A.V. Club
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Noel Murray
Taking Sides is really no less simplistic than "Sunshine," but its predecessor succeeded because of its length and scope. Taking Sides stays rooted in one place and one discussion, and never gets anywhere.- The A.V. Club
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Reviewed by
Keith Phipps
After a sentimental opening sequence, he (Kang) scarcely lets the film pause to breathe, which dulls its effectiveness.- The A.V. Club
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Scott Tobias
Though thirteen too often mistakes hard realism for overheated spectacle, the heightened drama brings out the best in Wood and Hunter, who turn their climactic scene into an actors' workshop, charged with raw emotion. As the film barrels toward the outrageously histrionic, they nearly pull it back from the brink.- The A.V. Club
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Reviewed by
Noel Murray
Though Robbins acts a little stiff, Morton remains stunning throughout, playing a mixture of her wide-eyed, deeply sensitive characters from "Morvern Callar" and "Minority Report." She suggests worlds within worlds.- The A.V. Club
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Scott Tobias
Casual moviegoers looking for a bubbly romantic comedy with Brittany Murphy will get more than they bargained for in Little Black Book, which builds to a nasty twist that's more Lars von Trier than Meg Ryan.- The A.V. Club
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Nathan Rabin
Writer-director Chris Kentis has dreamed up an ingenious premise, but he botches its execution. Every once in a while, the film stumbles upon a twist that ratchets up the tension, but then haphazardly discards it.- The A.V. Club
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