The A.V. Club's Scores

For 10,425 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10425 movie reviews
  1. Pleasing low-key comedy.
  2. Has enough atmosphere for three films, enough colorful grotesques for several more, and not enough of a script for one.
  3. The scenes of death, starvation, and destruction are affecting, but they don't say much about the actual subject of the film.
  4. So audaciously bad it's good, which is about as close to quality as Seagal is likely to get these days.
  5. Well-crafted but frustratingly superficial documentary.
  6. Though harmless and reasonably good-natured, Where's The Party Yaar? ("yaar" translates as "dude") doesn't add many novel touches to its predictable formula, except for a couple of limp nods to Bollywood song-and-dance numbers.
  7. However much the film may mirror the truth, dramatically it feels like a cheat. It omits the human spark that would make it work as a film, rather than a collection of dramatized issues.
  8. The fact that the story makes sense at all remains Coppola and his butchers' sole achievement.
  9. A supremely unhurried filmmaker, Duvall lets the story meander sleepily en route to a conclusion as ho-hum as everything preceding it.
  10. Though woefully oblique and underdeveloped, writer-director Tim McCann's Revolution #9 attempts the difficult task of burrowing into the fractured mind of a modern man who loses his grip on reality.
  11. Wang loses himself in an old-fashioned script that tries to recall the classic screwball ensembles of Golden Age Hollywood, but lacks the cascading wit to pull it off.
  12. A skillfully acted and psychologically well-crafted but ultimately disappointing thriller.
  13. The trouble is that while Chaiken's community is nuanced, it's not exactly a warm, inviting place to spend time. It's dingy and dismal, and though not exactly humorless, Margarita Happy Hour misses many chances to be funny, at times when a laugh or two would open the picture up.
  14. Offers plenty of eye candy, if little else. Ultimately, the film is clearly superior to its predecessor, but that's mostly because the first Tomb Raider left so much room for improvement.
  15. Fortunately, no one seems to have clued Bardem in on the game plan, and the fierceness and complexity he brings to his role nearly saves Mondays In The Sun.
  16. A voyeuristic look at voyeurs, Cinemania never seems sure whether it's a comedy or a tragedy. Instead, the film just seems intent on depicting its subjects as lovable kooks, a reductive portrayal that does little to acknowledge the desperation and loneliness that permeates every frame.
  17. Andrew Davis ("The Fugitive," "Steal Big Steal Little") has made a technically competent thriller that's not only thrill-less, but dull.
  18. Though haphazardly put together, The Medallion stays fairly entertaining until it kills Chan off and resurrects him as an immortal being.
  19. It works for a little while, but an Irons-narrated slideshow of the region would have worked just as well.
  20. In a way, Collateral Damage is redeemed by its implausibility, because the closer it comes to reality, the more disturbing it gets. For once, viewers have reason to be grateful for having their intelligence insulted.
  21. Lawrence is fortunate to have appealing pros like Grant and Bullock around to bail him out with romantic chemistry and enough crisply delivered one-liners to survive the barren stretches of script.
  22. In Jet Lag, Jean Reno is pressed into leading-man duty, with depressingly mediocre results.
  23. At once too real for escapism and too ridiculous for a credible espionage thriller, The Sum Of All Fears unfolds like a cruel joke and treats imagined human tragedy as the punchline.
  24. A clean, tasteful drama (sex scenes aside) that's designed to attract Anglophiles who can't resist green lawns, falling leaves, precise diction, and a clean sound mix.
  25. In spite of Frieda Hughes' objections, a few snippets of Plath's poetry slip into Sylvia, but they don't do the movie any favors--they just add more weight to a story that already buckles at the knees.
    • 65 Metascore
    • 50 Critic Score
    All accusatory fingers should be pointed at director Robert Altman, who further drains his reputation surplus with this unoriginal and uninteresting piece of exploitation.
  26. The characters are funny and the cast's characterizations right on, but the movie repeatedly lets them down.
  27. Director Blair Treu hails from Brigham Young University, and while there's nothing explicitly religious about Little Secrets, his primary influence seems to be those LDS public-service announcements in which nice people learn to become even nicer.
  28. Has an agreeable air of anything-goes vulgarity, which is so transcendentally idiotic that it's impossible to tell whether the film is a brilliant, deadpan parody of raunchy lowbrow farces from the '70s and '80s, or one of the stupidest, most regressive films ever made. Or, more likely, it's a little of both.
  29. Asks for sympathy for deplorable behavior.

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