The A.V. Club's Scores

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For 10,425 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,575 out of 10425
  2. Mixed: 3,741 out of 10425
  3. Negative: 1,109 out of 10425
10425 movie reviews
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  1. CJ7
    C7J isn't as cutesy as "Batteries Not Included" or "Short Circuit," or as grim as "Gremlins," though it resembles them all in its jerky, semi-comic look at the havoc and helpfulness of weirdo artificial life.
  2. Girls Rock!
    Girls Rock! is cutesy and quick-cut, emphasizing the absurd while trying to keep the audience's interest with animated interludes and footage from corny old industrial films.
  3. City of Men
    City Of Men has its share of problems, but being too entertaining isn't one of them.
  4. Chicago 10
    Chicago 10 is a lot of fun, but it could stand to take its subjects a little more seriously, if only because they themselves are so frequently goofy that mocking them is complete overkill.
  5. The Other Boleyn Girl
    The film looks terrific, all Vermeer-style light/dark interplay and sleek design. And Portman is fantastic as the tempestuous Anne.
  6. Penelope
    First-time director Mark Palansky is trying for a deft, hip, modern fairy-tale feel, but the odd material, sprawling story, and complicated tonal balancing act get away from him, and the film winds up as a poorly paced tug-of-war between sweet quirk and sloppy camp.
  7. Semi-Pro
    Deserves credit for attempting something more emotional and dramatic than the typical Ferrell gagfest, but Harrelson and Benjamin's earnest subplots cost the film comic momentum and big laughs without adding much in return.
  8. The Unforeseen
    Although the parts of The Unforeseen dealing with the anti-development movement are pure go-team agitprop, Dunn lends the movie a lyrical cast by combining aerial shots of the transformed countryside with the voice of Wendell Berry, reading from his poem "Sabbaths."
  9. Jar City
    Eventually, some mysteries become clear, but Kormákur's attempts to be crafty are too often clumsy, and the movie's unmotivated time leaps are close to a cheat.
  10. Chop Shop
    Though Chop Shop is an American film, it feels more like an Iranian movie or the Dardenne Brothers’ "Rosetta"; Bahrani introduces something like a plot point in the late-going, but he mostly focuses, to riveting effect, on how his young hero hustles and claws through everyday life.
  11. Charlie Bartlett
    Watching Charlie Bartlett only makes Wes Anderson's work seem more accomplished by comparison, because it underscores that thin line separating the agreeably fanciful from the overbearingly precious.
  12. The Signal
    The gimmicky yet strangely moving new fright flick The Signal distinguishes itself not through originality, but by smartly integrating just about every popular trend afflicting contemporary horror films.
  13. Be Kind Rewind
    The visual wit, game performances, and overflowing humanity have more than made up for the shortcomings by the time the film finds a final moment that's simultaneously abrupt and magical.
  14. The Counterfeiters
    Markovics largely rescues the film with his mesmerizingly layered, steady performance as a man who solves the problem of compromise by refusing to admit that he's compromising.
  15. Vantage Point
    The loaded cast does what it can with the paper-thin characterizations, but Vantage Point gets hijacked early by its high-concept premise, and it quickly devolves into a by-the-numbers thriller with the numbers out of order.
    • 17 Metascore
    • 0 Critic Score
    Witless Protection
    Larry The Cable Guy is a cancerous boil on the ass of comedy, but it's still sort of shocking how little effort he puts into his movies.
  17. The Duchess of Langeais
    Though not exactly a "comedy" of manners, since it's more melancholy than funny, The Duchess Of Langeais is very much concerned with how the rules of social etiquette interfere with raw human need.
  18. Diary of the Dead
    As in the more successful "Land Of The Dead," Romero makes an admirable attempt to update his beloved franchise for contemporary audiences. But this time out, his heavy-handed intellectual concerns get in the way of a perfectly good fright flick.
  19. Definitely, Maybe
    Put simply, the film excels most at not being awful.
  20. Jumper
    No exciting action can cover the film's profound shallowness and repulsive attitude toward everyone but Christensen.
  21. The Spiderwick Chronicles
    Anyone looking for handsomely presented, kid-friendly thrills need look no further.
  22. Step Up 2: The Streets
    The central romance is terminally bland, while Evigan's woozy family melodrama seems borrowed from countless superior dance movies.
  23. The Band's Visit
    Tonally, The Band's Visit steps gingerly on the line between “sweetly humane” and “cloyingly quirky.”
  24. Fool's Gold
    Tennant keeps his extravagantly stupid new comedy breezing along affably on the strength of photogenic locales, obscenely beautiful stars, a laid-back soundtrack, and a wholesale unwillingness to take itself the least bit seriously.
  25. The Hottie & the Nottie
    How is Paris Hilton in her first starring role to receive a national release? Pretty bad, actually. She's limited to a single, all-too-familiar expression of smug self-satisfaction, and she delivers her lines in a tone somewhere between "seductive" and "dish-soap commercial."
  26. In Bruges
    When it's funny, it's hilarious; when it's serious, it's powerful; and either way, it's an endless pleasant surprise.
  27. Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland
    West is heavy on Vaughn, at least initially, but woefully short on comedy.
  28. Welcome Home, Roscoe Jenkins
    The film has a warmth and raucousness that's surprisingly disarming.
  29. Caramel
    At its best, Caramel boasts a quietly engaging slice-of-slice casualness.
  30. The Eye
    The major problem is the death of a horror film: It's startling, but not particularly scary.
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