The A.V. Club's Scores

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For 10,425 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,575 out of 10425
  2. Mixed: 3,741 out of 10425
  3. Negative: 1,109 out of 10425
10425 movie reviews
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  1. The Time Traveler's Wife
    The story is still mostly fabulous, and its novelty helps carry the film, but this still comes across like a poor high-school stage version: sincere and kind of sweet, but endlessly clumsy.
  2. Bandslam
    Throughout its first two acts, Bandslam is charming, sweet, and funny enough to merit inclusion in the upper echelon of teen comedies. Then comes a third act weighed down with arbitrary romantic conflicts, leaden melodrama, and a tiresome subplot.
  3. The Goods: Live Hard, Sell Hard
    About Piven: When did it go wrong? When did the caustic character actor guaranteed to liven up even the dullest movie turn into a walking black hole of smarm from which no joy can escape?
  4. Earth Days
    Nearly a quarter of the way through Earth Days, the movie seems on-track to being just another tongue-clucking “Isn’t it a pity” doc, painted in broad strokes.
  5. It Might Get Loud
    The resulting jam session ought to be a music geek’s wet dream, but there isn’t enough common ground to produce more than a few flashes of inspiration.
  6. Taxidermia
    Frequently funny, for those who can stomach it.
  7. The Way We Get By
    Neither pro- nor anti-war; it’s a somber study of perpetually unsettled lives.
  8. A Perfect Getaway
    Even if you know what’s coming, it’s a neat bit of meta-thriller filmmaking, as much about the mechanics of storytelling as a reasonably satisfying example of it.
  9. Julie & Julia
    Two movies in one. That’s one more movie than it needs to be.
  10. Cold Souls
    The premise seems profound, but the claustrophobically inert execution lacks reach or imagination.
  11. G.I. Joe: The Rise of Cobra
    The Rise Of Cobra holds to a thrill-ride sensibility that’s unchallenging and more than a little goofy, but exciting and consistently well-managed.
  12. Beeswax
    Bujalski’s funny, diverting character piece has a lived-in quality that’s no small achievement.
  13. I Sell the Dead
    The movie goes out on a high, but until then, it plays almost like the pilot for a TV series. But it would be a GOOD TV series.
  14. Paper Heart
    This isn’t a movie. It’s a MySpace page.
  15. Funny People
    It's refreshingly unformulaic, but a rambling mess. It's also tremendously funny.
  16. The Cove
    The Cove's ultimate message gets muddled, especially since Psihoyos limits all counter-arguments to a few inarticulate or thuggish boobs.
  17. Thirst
    Thirst never picks up the momentum of Park’s best-known work. But its turgid pace creates a queasy fascination all its own, drawing viewers into an ever-darkening locus of sin and obsession where even the wish for redemption comes at a terrible cost.
  18. Aliens in the Attic
    Like those mild old Disney comedies of the ’60s and ’70s, it seems perfectly content with being a harmless distraction.
  19. The Collector
    For his directorial debut, The Collector, Dunstan streamlines the "Saw" concept slightly by silencing the killer and focusing more intently on a house that’s been converted into a jury-rigged deathtrap.
  20. Lorna's Silence
    Lorna's Silence feels like a refinement, even a repetition, of earlier themes. But the brothers are repeating themselves at such a high level that the redundancies are more than welcome.
  21. Not Quite Hollywood: The Wild, Untold Story of Ozploitation!
    Think of Not Quite Hollywood as a vividly illustrated catalogue of astonishing smut.
  22. Flame and Citron
    One of the most expensive Danish movies ever made, and at times, it's glossy to a fault.
  23. Adam
    Dancy’s character has difficulty processing information and dealing with emotion, but even he could probably see through this schmaltz.
  24. You, the Living
    You, The Living, if only by virtue of a more intimate scale than Songs, benefits from a lightness of touch and even a thin sliver of optimism in some sequences.
  25. In the Loop
    In The Loop floats above its chaotic world on wave after wave of beautifully profane dialogue.
  26. Orphan
    If director Jaume Collet-Serra (House Of Wax) set out to make a parody of horror-film clichés, he succeeded brilliantly.
  27. The Ugly Truth
    The sort of rom-com apparatus that no relationship can overcome.
  28. G-Force
    Pointing out G-Force’s plot holes would be redundant; it’s more hole than plot, and more videogame commercial and exhausted-old-trope clearinghouse than film.
  29. The Answer Man
    Unoriginality is the greatest and most flagrant of its many sins.
  30. Shrink
    Shrink is exactly like virtually all his (Spacey) post-"American Beauty" vehicles: flashy, phony, nakedly melodramatic, and full of big actorly moments disconnected from real life.
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