The A.V. Club's Scores

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For 10,427 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
  1. Positive: 5,576 out of 10427
  2. Mixed: 3,741 out of 10427
  3. Negative: 1,110 out of 10427
10427 movie reviews
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  1. The Back-up Plan
    A film divided against itself. It’s really two movies, one silly and one serious. Too bad neither is particularly compelling.
  2. The Losers
    There isn’t a whiff of humility or self-deprecation to Clay, Roque, Jensen, Cougar, and Pooch, a collection of black-ops douchebags and our ostensible heroes.
  3. Best Worst Movie
    Though it's a ramshackle piece of filmmaking, Best Worst Movie is an honest one, too, staying open to awkward, humbling moments while still making a solid case for the film's immortal badness.
  4. The Good, the Bad, the Weird
    The story’s many advances and reversals can be hard to follow at times, but this isn’t really a movie where plot is paramount. Everything boils down to the action, and what that action means.
  5. Oceans
    It comes to American theaters saddled with narration by Pierce Brosnan, who purrs through the gratingly vague script like the world’s plummiest old half-drunken uncle.
  6. Death at a Funeral
    Rock acquits himself nicely as the responsible brother and resident straight man, but everyone else in the cast has apparently been advised to mug shamelessly and yell their lines as loudly as possible.
  7. Kick-Ass
    Vaughn opts for comic-book bigness—big fights, big laugh lines, big explosions—but without a Spider-Man or Batman at the front of the action, Kick-Ass’s heroes and villains look smaller-than-life in a larger-than-life world.
  8. The Joneses
    The inevitable breakdown on this commercial façade might have led The Joneses into more disturbing territory, but Borte goes the other direction, away from jagged comedy and toward well-meaning homilies. No sale.
  9. The Cartel
    The Cartel frequently veers into the realm of black comedy, as Bowdon uncovers instances of nightmarish teacher behavior, but the dark comic elements would be better served by deadpan detachment.
  10. The City of Your Final Destination
    It’s a frustratingly oblique film where few events connect, and fewer moments matter.
  11. Exit Through the Gift Shop
    A documentary that doubles as a comic thriller, and it’s as entertaining as it is thought-provoking.
  12. No One Knows About Persian Cats
    The movie comes to life whenever Hamed Behdad appears.
  13. The Perfect Game
    Few of the scenes in The Perfect Game feel authentic, but the ones in Monterrey are especially lacking in flavor.
  14. The Secret in Their Eyes
    The film sprawls across two decades and 127 minutes, but there isn't a memorable image in it.
  15. Date Night
    There’s something genuine and more than a little sad at the core of Levy’s poorly staged, modestly amusing comedy, but it isn’t the part that involves flash drives, blackmail, and glowering, gun-toting bad guys.
  16. After.Life
    Caught in a pretentious no-man’s land between horror and melodrama.
  17. Everyone Else
    It isn't pretty to witness, but the pain of it smarts.
  18. La mission
    Bratt’s character is stuck in old ways of thinking, and the movie, for all its well-meaning social intent, is right there with him.
  19. The Square
    The occasional missteps (some overly precious symbolism, the grimy DV look) rarely get in the way of the film’s many winces, gasps, and breathless, cringing anticipation.
  20. When You're Strange
    Director Tom DiCillo does his damnedest to make his documentary about The Doors unwatchable, but the subject matter is too compelling--and the vintage footage too electrifying--to be completely worthless.
  21. Who Do You Love
    Works best when it isn’t about freezing time and explaining moments in pop-music history, but is instead about guys playing music together.
  22. Women Without Men
    The movie moves fluidly back and forth between these women's stories, as well as between reality and a kind of dream-state, as all four find their way into a walled orchard where they share fellowship and temporary refuge from the demands of men.
  23. The Greatest
    It’s when the small moments become large ones that Feste overreaches and the shaky performances don’t bail her out.
  24. The Thorn in the Heart
    If he’d pulled back more, Gondry might’ve seen the real story here: how maternal figures often look better to people who don’t actually have them for a mother.
  25. Why Did I Get Married Too?
    The movie’s like an old sofa, overstuffed and misshapen, but so familiar that it gives comfort all the same.
  26. Warlords
    The Warlords relies too much on combat movie clichés and corny sentiment, weighted down by speeches about heroism and hypocrisy.
  27. Clash of the Titans
    Modestly entertaining by the low standards of spring blockbusters. As with "Transporter 2" and "The Incredible Hulk," Leterrier aims no higher than competence and achieves just that.
  28. The Last Song
    Offers a taming-of-the-shrew scenario so relentlessly bland and old-fashioned it makes "Dear John," the Sparks adaptation from two months ago, look like "Last Tango In Paris."
  29. Hot Tub Time Machine
    Engaging enough, but its characters’ path to redemption would be more satisfying if it weren’t greased with authentically ’80s-style casual sexism, gay panic, and frat-comedy clichés.
  30. Chloe
    It all goes awry in the end, but for a good stretch, Chloe neatly fixes Egoyan’s career-long obsessions with identity and communication to the familiar framework of the erotic thriller.
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