The A.V. Club's Scores

For 10,443 reviews, this publication has graded:
  • 51% higher than the average critic
  • 3% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Badlands
Lowest review score: 0 A Life Less Ordinary
Score distribution:
10443 movie reviews
  1. Rather than push this character or story forward, the film cravenly hits the reset button, doing more of the same with much less passion and skill.
  2. Love Liza needs more than mood on its side. A moment of recognizable human behavior would have been a fine place to start.
  3. The film begins as a delicate duet between Rush and Davis, but as Rush spirals out of control, his performance becomes a flashy, over-the-top solo akin to his hammy turns in "Shine" and "Quills."
  4. Nocturne, like its brittle protagonist, is good enough at what it does to make you wish it were a little better.
  5. Garcia delivers a standout turn as Richard. It helps that he’s not yet a household name, so he isn’t carrying the baggage of any external frames of reference. His earnest and engrossing performance absolutely carries Flamin’ Hot.
  6. It’s just another piece of well-decorated regal real estate.
  7. The 100-Year-Old Man surely won’t conquer the U.S. box office, but it’s a nice change of pace to see a foreign film that isn’t deadly serious. We could use more subtitled belly laughs.
  8. The movie attempts to serve multiple narrative masters, but ends up coming across as vague and indistinct.
  9. At its heart, No Stone Unturned is a simple story shrouded in sad facts of the bigger one that surrounds it.
  10. It sets out to take the viewer on a journey, but ends up giving them little more than a pleasantly diverting sight-seeing tour. There are worse ways to spend two hours. Better ones, too.
  11. Do you like montages, but grow bored with the tedious plot bits in between? Then Pirate Radio is the movie for you.
  12. Kross and Winslet's intense performances and Daldry's deliberately placid control of tone make the material work as a love (and hate) story as well as a metaphor.
  13. That the movie is “only” a silly romp makes it all the more charming to watch Boden and Fleck find a less mechanical, less programmatic way to have fun.
    • 58 Metascore
    • 80 Critic Score
    The concept is not so much nihilistic as it is realistic, and the fact that Benigni has made such fine distinctions so powerfully clear is amazing and moving.
  14. The sequences without Chucky are as stock as they come, and so are all the flesh-and-blood characters around him, but he's still a hugely entertaining mischief-maker, and what he lacks in physical gifts, he compensates for in sneakiness.
  15. Anyone already planning on seeing Stoker, the English-language film debut of Oldboy and Thirst director Park Chan-wook, shouldn’t read this review. Or watch a trailer. Or read anything about it at all, really...It’s best taken one tense, exhilarating moment at a time, without anticipation or expectation.
  16. The King's perception of religion is hardly friendly, but it's only one aspect of a terrific drama, one that ultimately admits that people can be as much of a terrifying mystery as their creator.
  17. In Trouble With The Curve, Eastwood plays a reminder of an older way of doing things, a professional whose likes the world won't see again once he's gone. The role isn't much of a stretch.
  18. Had they ended 20 minutes in, "Wedding Crashers" would qualify as a gut-busting triumph, and Hard Candy would be a miniature masterpiece.
  19. Like much of Mann's work, it's an unabashed love letter to the counterculture. But this time out, Mann has made an unintentionally vicious satire of the fuzzyheaded self-intoxication and impracticality of the progressive left, a film that's far more scathing than anything Tom Wolfe could dream up.
  20. There are lots of movies about Jews suffering, dying, and surviving in Europe during World War II, but precious few about Jews fighting back. So why does everything in Defiance feel so doggedly familiar?
  21. Like most films about technology, Nerve will endure as a time capsule, fascinating future generations with either its prescience or its quaintness.
  22. By sidestepping the sharper, tougher questions about matters of the heart, the film still plays it too safe. Freyne may love all three characters, but what he doesn’t do is make his audience care deeply enough about which of them will get their happy ending—and which one won’t.
  23. Like Barber’s London-set vigilante movie "Harry Brown," it’s another lurid exploitation film classed up with moody lighting and character monologues, with none of the authentic regional flavor or amateur energy that gave real grindhouse flicks their tang.
  24. After noble and varied entries like "Jack Reacher," "Hell Or High Water," and "The Old Man & The Gun," The Highwaymen is a crucial reminder that good Dad Movies aren’t as easy to make as they look.
  25. Rogen’s comedies have often layered broad laughs with humanity and thematic ambition. Here, like Herschel and Ben, they aren’t especially convincing sharing the frame.
  26. Efron imbues his handsome-dope routine with such nuance that Teddy is not only funny but also touching in his sincere desire for brotherhood, in short supply postgraduation. What could have been simplistic self-parody becomes a genuinely, almost confusingly terrific performance.
  27. The Bridge packs a visceral emotional wallop. How could it not? But along with plenty of difficult questions, Steel's film leaves a sour, disturbing aftertaste.
  28. A good cast, terrific soundtrack, and genial spirit all help the film go down smoothly.
  29. Duck Butter is clever without being all that hilarious, and personal without being all that revealing.

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