For 10,413 reviews, this publication has graded:
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51% higher than the average critic
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3% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.5 points lower than other critics.
(0-100 point scale)
Average Movie review score: 62
| Highest review score: | Badlands | |
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| Lowest review score: | A Life Less Ordinary |
Score distribution:
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Positive: 5,571 out of 10413
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Mixed: 3,735 out of 10413
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Negative: 1,107 out of 10413
10413
movie
reviews
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- By Critic Score
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Reviewed by
Keith Phipps
When it does work, it's very funny, and worth a look both as an example of Allen's still-developing talent and—thanks to The Lovin' Spoonful—as the source of one of the greatest rock 'n' roll title songs ever to come out of a decade filled with excellent rock 'n' roll title songs.- The A.V. Club
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Reviewed by
Keith Phipps
Mackenzie's film could almost use one or two lurid touches in place of its stately distance. Then again, a more stylized approach might have allowed less room for Richardson, whose unsparing performance makes other elements almost irrelevant.- The A.V. Club
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Scott Tobias
Solomon handles their crises of conscience with a studied compassion that hangs over scenes like a lead weight, though the actors (particularly Dunst) do their best to bring more range to his gray palette.- The A.V. Club
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Reviewed by
Scott Tobias
The cast wrings laughs out of David Berenbaum's script as if it were a damp washcloth.- The A.V. Club
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Reviewed by
Keith Phipps
Roberts' script and direction show sparks of wit, but the plot comes lifted from countless heist films.- The A.V. Club
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Reviewed by
Keith Phipps
The lovable characters remain, but they never do much of interest in a sequel that's safely above average but superfluous.- The A.V. Club
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Noel Murray
Though its milieu is often ugly and its story fairly soft, You'll Get Over It gets by thanks to its cast. The French film industry has a knack for finding attractive, expressive young actors, and this movie is no exception.- The A.V. Club
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Noel Murray
Jacobs focuses almost exclusively on Dobson's theories and mission, which he illustrates by contrasting jaw-dropping images of the sun's surface with people ignoring Dobson's entreaties to "Come look at the sun."- The A.V. Club
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Reviewed by
Keith Phipps
As an action movie, Red Dawn is a repetitive headache, and anyone with Blue State sympathies will be appalled at its manipulations and exaggerations. But there's smart subtext beneath the big dumb explosions.- The A.V. Club
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Keith Phipps
Machine makes its look-to-the-future-not-the-past message as clear as a Grammy acceptance speech, but as an exploration of regret and the elusive quality of time, it falls well short of "Memento," another film starring a sad-eyed Pearce.- The A.V. Club
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Tasha Robinson
Unlike so many "Seven" followers, it makes its missteps memorably, and offers a variety of stylistic rewards by way of compensation.- The A.V. Club
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As a cute diversion, it's a pleasant, painless, wonderfully forgettable surprise.- The A.V. Club
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Reviewed by
Noel Murray
The Take tells a compelling story of courageous, industrious people, but it begs for a second act.- The A.V. Club
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Reviewed by
Noel Murray
The sensual sex scenes and raw violence of God's Sandbox make it pretty much an exploitation film, and as an exploitation film, it isn't bad.- The A.V. Club
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Keith Phipps
Though he never quite rescues the film, Bardem continually suggests the tensions bubbling under the surface that Dancer itself never penetrates.- The A.V. Club
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Nathan Rabin
Entrapment is ostensibly some sort of action film, but perhaps out of deference to its sleepwalking star, it moves slowly and contains very little actual action.- The A.V. Club
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Tasha Robinson
A gorgeous film, framed with an eye that makes every country seem beautiful in one way or another. It's probably fitting that the human element seems fragile and flat by comparison, but the contrast leaves Beautiful Country fairly bland.- The A.V. Club
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Nathan Rabin
Johnny English's international popularity may or may not translate here, but in a sequel-glutted summer, even a mildly amusing time-waster can't help but stand out.- The A.V. Club
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Scott Tobias
As her character resorts to increasingly cruel and devious pranks, Hudson only seems funnier and more endearing.- The A.V. Club
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Noel Murray
The absence of style can be numbing, but it serves a purpose, positioning the documentary as a public record, not a work of art. As such, the film is eye-opening.- The A.V. Club
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Noel Murray
When El Bola isn't drawing cheap sentiment from the sight of a bruised and scarred little boy, Mañas raises vexing questions about how and why parents leave lasting impressions on their children, and whether good intentions really matter.- The A.V. Club
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Scott Tobias
Given an irresistible premise, Nathanson doesn't trust his material enough to follow through without excessive mugging, but his sense of the absurd leads to amusing digressions along the way.- The A.V. Club
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Scott Tobias
The connection between Hu and Liu seems more scripted than real, founded on musty allegorical clichés about innocent country folk and corrupt city slickers.- The A.V. Club
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Reviewed by
Keith Phipps
A slow, meditative movie-an appropriate choice given the subject matter-that ultimately fails, in spite of clearly heartfelt good intentions, because of its almost inhuman detachment.- The A.V. Club
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Deserves credit for supplementing its special effects with a breezy script and genuinely charismatic performances by Will Smith and Tommy Lee Jones.- The A.V. Club
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Reviewed by
Scott Tobias
Carries a potent statement about the superficialities of appearance, and how they're more meaningful to people than anyone likes to acknowledge. But when the players themselves are conceived this superficially, LaBute winds up invalidating his own point.- The A.V. Club
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Reviewed by
Keith Phipps
Love Liza needs more than mood on its side. A moment of recognizable human behavior would have been a fine place to start.- The A.V. Club
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Scott Tobias
Moves forward on the conviction of its performances. Brody, in particular, shows uncommon sensitivity as a politically committed and temperamental photographer who responds to MacDowell's half-crazed resolution with heartbreaking zeal.- The A.V. Club
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Noel Murray
If the people in Chrystal are intended to be authentic, why do none of them look like they've ever seen the inside of a Wal-Mart?- The A.V. Club
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Keith Phipps
Though it's tough to find much fault with a film so sweet, Piglet's Big Movie never lives up to its title.- The A.V. Club
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