The appeals to nostalgia can’t save Life is Strange: Reunion from seeming like a low-budget cash grab that clumsily undermines the narrative of not only the previous instalment, Double Exposure, but also the beloved first game in the series. It mostly functions on a technical level, albeit while looking pretty hideous at times, but its egregious plot leaves me wishing I could "rewind" this sloppy new entry.

All of the groundwork is there for this Hobbit life simulator to be a delightful jaunt through the rolling hills of Tolkien’s imagination, but the execution is lacking on almost every front. From bugs and poor optimization to uninspired dialogue and ill-paced progression, Tales of the Shire takes what should be a reflection on the lessons we might learn from Middle-earth’s most humble of races and mangles it into a bleak reminder that the “simple life” is no fun at all.

A cobbled-together walking simulator with a dead world and poorly paced linear narrative that’s unconvincingly pretending to be an action RPG. Vampire: The Masquerade – Bloodlines 2 is a disaster and not the sequel its legendary predecessor needed or deserved.

Star Wars: Beyond Victory has all the parts required to be an amazing VR game. It just assembles these components in an unsatisfying way that leads to an experience I can’t recommend, even to a mega fan.

Tamagotchi Plaza is a painful slog, with embarrassingly basic minigames that fail to provide even a slither of entertainment. Grinding for hours in order to unlock upgrades for its miniscule hub world is incredibly unsatisfying and ultimately a huge waste of time.

Mowing down poorly paced waves of the same handful of enemies in repetitive, cramped environments is a chore in this ill-conceived Control spin-off, even when you add two friends to the equation. With no story to speak of and sluggish progression, FBC: Firebreak is a disappointing mess.

Failing to take the franchise into new territory and held back by its ties of the past, there’s simply nowhere for Life is Strange: Double Exposure to go except aimlessly in circles.

I can’t help but wish Nintendo offered a skew for the game in the West similar to what has been offered in Japan, where players had the chance to buy the otherwise Switch Online-only NES/Famicom replica controllers with the game in a package not too dissimilar to what we see with controller bundles for Super Mario Party. As a freebie with a controller, this game would feel like a neat curio, and while still not wholly satisfying as a standalone experience would likely offer just about enough to satisfy as a pack-in title. Otherwise, this feels more like a first-round knockout than a championship-winning shot at glory.

Alone in the Dark squanders the promise of its compelling source material with ropey design, awful combat, and choppy presentation.

Cute characters and a handful of promising ideas in its multiplayer matches do little to redeem Foamstars, which is spoiled by terrible solo missions, a lack of maps, and excessive monetization.

Suicide Squad: Kill The Justice League is a superhero third-person shooter that has some interesting ideas and excellent writing, but is intent instead on subjecting players to death via live service nonsense.

Phantom Abyss is a mediocre-at-best roguelike 3D platformer. If you’re desperate to grind an unforgiving game, then you may want to give this a go, but, if not, then this may not be for you.

Avatar: Frontiers of Pandora is frustrating. I’ve never seen a game that looks as brilliant as this, but the game’s art direction is let down by so-so combat, awful AI, and weapons that just aren’t satisfying.

Gangs of Sherwood is a bog standard co-op game with generic abilities and some dull fights. However, the only thing that lifts this action game up from the trenches is its fantastic art style and scenery.

Call of Duty: Modern Warfare 3 misses more than it hits. A fun zombies mode and the return of fan-favorite maps from 2009’s Modern Warfare 2 can’t save Call of Duty: Modern Warfare 3 from its awful campaign and a multiplayer that feels like a step back from the rest of the reimagined Modern Warfare trilogy.

You Will Die Here Tonight is not particularly scary or thrilling, and it can get very frustrating. From the get-go, you’re pushed into a storyline that isn’t fully explained with mechanics that you don’t fully understand; solving things through trial and error can then get cumbersome.

I’d love nothing more than to play as Dwarves retaking their homeland alongside friends, but sadly, this is not the game to do that in. Besides the setting, there’s not much else to celebrate in Return to Moria.

Endless Dungeon may look sleek and polished, but this isometric rogue-like offers little depth. Despite a strong opening, the paper-thin narrative, stock characters, and repetitive combat mechanics do little to maintain interest.