Tampa Bay Times' Scores

  • Movies
For 1,471 reviews, this publication has graded:
  • 59% higher than the average critic
  • 2% same as the average critic
  • 39% lower than the average critic
On average, this publication grades 0.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 64
Highest review score: 100 Fruitvale Station
Lowest review score: 0 Blair Witch
Score distribution:
1471 movie reviews
  1. There hasn't been a great Muppet movie since the first one, in 1979. Muppets From Space is the most entertaining of five sequels since then, although it isn't anything special. Yet we can all appreciate the way it's packaged, with one adorably round eye on the kid market and the other focused on grown-ups buying the tickets. [14 July 1999, p.1D]
    • Tampa Bay Times
  2. When the fadeout comes, viewers may feel as unsatisfied with the movie as these characters are with their lives.
  3. The movie maintains its posture of mystery long after the solution is evident, and the best suggestion is to just smirk with the flow.
  4. The relevant question now isn't who John Galt is, but how much demand there will be for what the producers supply.
  5. Fifty Shades of Grey isn't the howling pornucopia it could be, but it's sexy enough, spank you very much.
  6. Renoir is beautifully filmed and scored, yet with the emotional pull of watching exquisitely textured oil paint dry.
  7. So many oddities are thrown in our faces that The Frighteners becomes measured by its occasional imaginative moments, rather than as a complete entertainment. [19 July 1996, p.5]
    • Tampa Bay Times
    • 42 Metascore
    • 67 Critic Score
    Leave It to Beaver turns out to be a pleasant time-waster and a future video babysitter. [22 Aug 1997, p.8]
    • Tampa Bay Times
  8. Even stock characters -- Zoe's tirelessly supportive friends and relatives -- get style points for giving jobs to old pros Klein, Linda Lavin (Alice) and "Mr. C" himself, Tom Bosley. Of course, the babies are adorable.
  9. Hocus Pocus is a sweet-spirited romp that could give clean-minded silliness a good name once again. [16 July 1993, p.6]
    • Tampa Bay Times
  10. It's as slick and fun as summertime entertainment should be. Downey is still an arresting presence, glib to the nth degree and supremely confident that he's smarter than anyone else.
  11. Never thought I'd type this about a comic book movie, but Ant-Man needs to take itself more seriously.
  12. It's occasional fun, but that's about all, folks.
    • 46 Metascore
    • 67 Critic Score
    Some prime stiff-upper-lip comedy surfaces above a messy morality tale. [09 Sep 1994, p.10]
    • Tampa Bay Times
  13. Plenty of ideas float through Ender's Game but the notion of honing a child into a war machine is one that sticks. Writer-director Gavin Hood's adaptation of Orson Scott Card's novel doesn't offer much else, bottled up with battle jargon and special effects debris as it is.
  14. The heist movie genre gets a hip-hop makeover in Takers, a movie loaded with as much style as ammunition.
  15. I learned a total of two things from watching Evil Dead: No camping kit is complete without duct tape, and sometimes end credits are worth sitting through for a movie's best gag.
  16. Espinosa overcomes any shortcomings in originality and logic with one of the most satisfying finales in recent memory. First impressions are important but a clever last impression makes Life worthwhile.
  17. Escape Plan is so dumb it's adorable, as any movie pitting Sylvester Stallone's grunt against Arnold Schwarzenegger's accent should be.
  18. Strange Days - on and off screen - should be a lesson to filmmakers not to use virulent, touchy subjects for entertainment shortcuts. Bigelow has created a state-of-the-art movie machine, with all the moral and political complexity of an Etch-a-Sketch. [13 Oct 1995, p.10]
    • Tampa Bay Times
  19. Despicable Me 3 doubles down on Steve Carell's silly way with words, a smart idea after too much Minions gibberish spoiled Part 2. They're still here, in smaller doses and somewhat funnier for it.
  20. Linklater tinkers with Ponicsan’s memorable characters while asking practically the same performances of his actors that Ashby did. Of course, if a viewer isn’t familiar with The Last Detail then Last Flag Flying gets by as an okay grumpy old soldiers tragicomedy. The rest of us know better because we’ve seen far better.
  21. All that director Kenneth Branagh must do with Thor is not mess it up, and he succeeds. But that isn't enough. The results aren't as exhilarating as the first "Iron Man," but Downey can't play every superhero.
  22. An imagined conversation between Liam Neeson and Ralph Fiennes, after the premiere of Wrath of the Titans...
  23. America's foremost smart aleck Dennis Miller adds grand giggles to familiar gore in Bordello of Blood. [17 August 1996, p.2B]
    • Tampa Bay Times
  24. Set It Off doesn't say anything especially original, but it says it loud and proud. [06 Nov 1996, p.1D]
    • Tampa Bay Times
  25. Somehow, the loose ends fit together, as rag-tag plucky as Eddie himself. What Eddie the Eagle has that last week's more historically accurate Race didn't is charm to spare, especially in Egerton's performance.
  26. Director Baltasar Kormakur (2 Guns) essentially made a faux documentary with big stars and better lighting.
  27. It's a valuable history lesson crammed into a creatively uninspired movie. Wiki-cinema, if you will.
  28. It took brains to create such a sumptuous fantasia with pixels and keyboard swipes. Now, if it only had a heart.

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