St. Louis Post-Dispatch's Scores
- Movies
- TV
For 1,847 reviews, this publication has graded:
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66% higher than the average critic
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2% same as the average critic
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32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 68
| Highest review score: | Asteroid City | |
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| Lowest review score: | The Divergent Series: Insurgent |
Score distribution:
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Positive: 1,361 out of 1847
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Mixed: 317 out of 1847
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Negative: 169 out of 1847
1847
movie
reviews
- By Date
- By Critic Score
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- Critic Score
Brightly narrated by Kristen Bell, the documentary illustrates the challenges of saving the endangered animals with the story of one bear born in the captive breeding program at Chengdu Panda Base in China.- St. Louis Post-Dispatch
- Posted Apr 5, 2018
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Reviewed by
Calvin Wilson
The Big Sick has a lot of charm. Just don’t expect the revolution in romantic comedy that its aggressive hype would suggest.- St. Louis Post-Dispatch
- Posted Jul 6, 2017
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Joe Williams
Beautifully but simply wrought by director Cindy Meehl, this deft documentary is a poignant reappraisal of what it means to be human.- St. Louis Post-Dispatch
- Posted Jun 24, 2011
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Calvin Wilson
Keaton, who deserved an Oscar for his performance in “Birdman,” brings to Robinson a bracing blend of humor and authority. Ruffalo is the essence of the newsman who just won’t quit, and McAdams is just as effective as his more low-key colleague.- St. Louis Post-Dispatch
- Posted Nov 19, 2015
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Joe Williams
This is a kaleidoscopic valentine to a great city from a director who knows and loves his subject.- St. Louis Post-Dispatch
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Calvin Wilson
The story unfolds not as contrived drama, but with all the surprise and inevitability of real life.- St. Louis Post-Dispatch
- Posted Feb 25, 2016
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Calvin Wilson
Bernie could easily have gone horribly wrong. But Black and Linklater finesse this tricky material with as much virtuosity as Bernie brings to that broccoli.- St. Louis Post-Dispatch
- Posted May 18, 2012
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Harper Barnes
A beautiful movie, probably more erotic than any mainstream film ever made and yet never remotely pornographic, at other times hilariously funny. [05 Oct 1990, p.3F]- St. Louis Post-Dispatch
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Joe Williams
The reason District 9 reverberates so loudly is because its moral indignation is cranked to 11.- St. Louis Post-Dispatch
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Calvin Wilson
Daringly unsentimental, 45 Years makes a persuasive case that marriage demands not only patience, but guts.- St. Louis Post-Dispatch
- Posted Jan 28, 2016
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Most of all, it’s a magical feat, one that turns puppets into personalities and an English meadow into Anderson’s world.- St. Louis Post-Dispatch
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Joe Williams
Among recent documentaries, First Position soars to the head of the class.- St. Louis Post-Dispatch
- Posted May 18, 2012
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Harper Barnes
One of the best adult suspense films of the year. [28 Sept 1990, p.3F]- St. Louis Post-Dispatch
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Harper Barnes
Farewell My Concubine is a work of passion and compassion, another great work by one of the so-called fifth-generation of directors who are making the Chinese cinema one of the best in the world. [29 Oct 1993, p.3F]- St. Louis Post-Dispatch
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Calvin Wilson
Director Matthew Heineman (“Cartel Land”) sticks with the group as it moves from strategy meetings to safe houses, documenting not only its political commitment but also intimate moments of reflection.- St. Louis Post-Dispatch
- Posted Aug 3, 2017
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Harper Barnes
Unlike many action-flick heroes, Snake Plissken is more than welcome the second time around. [09 Aug 1996, p.5E]- St. Louis Post-Dispatch
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Calvin Wilson
The film is hard to watch, but its timeliness is impossible to ignore. Still, a case could be made that Bigelow dwells on the violence a bit too obsessively.- St. Louis Post-Dispatch
- Posted Aug 3, 2017
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Calvin Wilson
Particularly memorable are scenes in which Calvin loses his cool as Ruby holds onto her calm. It all adds up to a movie that's sparklingly entertaining.- St. Louis Post-Dispatch
- Posted Aug 3, 2012
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Joe Williams
May be too cute to qualify as high art, but it's highly entertaining.- St. Louis Post-Dispatch
- Posted Dec 22, 2011
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Harper Barnes
There are no false Hollywood dramatics, no musical cues telling us how we should feel about this boy's battle for dignity and a place in the world. The director lets complex emotions flow naturally out of believable action and dialogue in this very faithful adaptation of a fascinating memoir. [20 August 1993, p.3F]- St. Louis Post-Dispatch
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Joe Williams
Although it's slow to unfold, this courtroom drama is so timelessly humane and even-handed it feels like it came from the dockets of Solomon - by way of Sidney Lumet.- St. Louis Post-Dispatch
- Posted Feb 17, 2012
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Calvin Wilson
Tatum is terrific as a sort of anti-Clooney, and Driver complements him perfectly.- St. Louis Post-Dispatch
- Posted Aug 17, 2017
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Calvin Wilson
Bursting with style and imagination, The Incredibles 2 sets a standard that few superhero flicks — animated or live-action — can match.- St. Louis Post-Dispatch
- Posted Jun 14, 2018
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Joe Williams
Gilroy vividly evokes both the LA exteriors and newsroom interiors, and the action sequences are fraught with tension.- St. Louis Post-Dispatch
- Posted Oct 30, 2014
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Calvin Wilson
Rogers has been criticized by conservative pundits and parodied by comedian Eddie Murphy. But those backhanded acknowledgments only confirmed his status as a force to be reckoned with.- St. Louis Post-Dispatch
- Posted Jun 14, 2018
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Calvin Wilson
Not just another biopic, The Founder is a morality tale that raises provocative questions about consumer culture, its benefits and its consequences. You won’t look at a Big Mac the same way again.- St. Louis Post-Dispatch
- Posted Jan 19, 2017
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Joe Williams
Nowhere Boy is too astutely written and directed to go to predictably melodramatic extremes.- St. Louis Post-Dispatch
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Calvin Wilson
20th Century Women doesn’t have much of a plot — if it has one at all. But the film beautifully evokes the era just before Ronald Reagan entered the Oval Office.- St. Louis Post-Dispatch
- Posted Jan 19, 2017
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Calvin Wilson
Allen has been criticized for leaving some of the plot lines up in the air and several characters in the lurch. But he seems to be making a point: Neat Hollywood endings are as phony and dangerous as Cristal's ramblings.- St. Louis Post-Dispatch
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Joe Holleman
An entertaining and sometimes exceptional look at the short life of the man who singlehandedly brought about the boom of martial arts in this country. Starring Jason Scott Lee (no relation), "Dragon" covers Lee's life from his early days in Hong Kong to his final scene from "Enter The Dragon," Lee's only big-budget American movie. [12 May 1993, p.6F]- St. Louis Post-Dispatch
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