St. Louis Post-Dispatch's Scores

  • Movies
  • TV
For 1,847 reviews, this publication has graded:
  • 66% higher than the average critic
  • 2% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Asteroid City
Lowest review score: 0 The Divergent Series: Insurgent
Score distribution:
1847 movie reviews
  1. Another “Jurassic” flick wasn’t necessary, but it’s a fantastic ride all the same.
  2. A marvelous piece of work.
  3. Writers Barry Berman and Leslie McNeil and director Jeremiah Chechik tell the story with tenderness and humor. And - miracle of miracles, in this day of endless endings - when the story is over, the movie is over, too. [16 Apr 1993, p.3G]
    • St. Louis Post-Dispatch
  4. A refreshingly down-to-earth comedy-drama about family, ambition and the liberating power of music.
  5. This is a “Game” that couldn’t be more fun to watch.
  6. Do yourself and your kids a favor. On the way to multiplex to see "The Avengers," tell them The Fairy is about an all-powerful superheroine. Someday, they'll find the words to thank you.
  7. A blast, the best action movie of the summer.
    • 61 Metascore
    • 88 Critic Score
    Snappy writing, excellent acting and sharp editing make this comedy zing as the Addams family finds love, lust and lichen growing in its midst. [19 Nov 1993, p.3F]
    • St. Louis Post-Dispatch
  8. Fury is a guided tour through a manmade hell.
  9. Lean on Pete is not the sentimental boy-and-his-horse flick that audiences might expect, and it’s certainly not for children. It’s a contemplative art film of subtle beauty.
  10. For a nation at war with its own values, Fair Game is a compelling, pertinent and scrupulously true political thriller in the honorable tradition of "All the President's Men."
  11. This is analog filmmaking at its most daring.
  12. Co-directors Andrew Droz Palermo and Tracy Droz Tragos let the painful stories emerge naturally, without prodding questions or talking-head experts who place the boys’ grim lives in the larger context of the post-industrial economy.
  13. An old-fashioned film that slyly nods to contemporary sensibilities, Allied is an engaging showcase for Pitt and Cotillard.
  14. Everything you would want in a summer action-suspense movie - and just a little bit more. The movie delivers enough thrills to satisfy all but the most hard-core adrenaline addicts. And several touches, especially the lead performance of Harrison Ford, elevate this film above the standard summer suspense offerings.[9 June 1992, p.4D]
    • St. Louis Post-Dispatch
  15. Shannon's powerfully imploded performance ignites one of the best films of the year.
  16. When a place and its people are this stylish, we can't help but be drawn to them.
  17. Clear-eyed, fearless and ferociously funny, Young Adult is mature filmmaking.
  18. Richly photographed and featuring an attractive cast, Farewell, My Queen is a layer cake of royal pleasures, rote protocols and revolutionary politics. For skeptics who thought this story had grown stale, let them eat their words.
  19. Smart, sexy and outrageous, Deadpool delivers.
  20. For the many mavens who aren't familiar with Varda, this autobiographical documentary will be puzzling, in the best and most literal sense.
  21. One of the best films of the year, Gett: the Trial of Viviane Amsalem is bound to be compared to the Oscar-winning Iranian drama “A Separation”; but if anything, Gett is an even more artful evocation of a bureaucratic nightmare.
  22. The Hedgehog sneaks up on you with its heartfelt storytelling and sophisticated wit.
  23. With spot-on vocal performances from Thewlis, Leigh and Tom Noonan, the film is nothing less than mesmerizing — and must viewing for serious cinephiles.
  24. Where to Invade Next isn’t his funniest documentary, but it may be his most poignant.
    • 76 Metascore
    • 88 Critic Score
    Marguerite is a shining star, a film that will set you laughing and thinking in equal measure.
  25. One of Pixar’s most charming achievements.
  26. Burton delivers his most ambitious and engaging film since “Sweeney Todd” (2007). Although the story becomes increasingly complex as it goes along, the emotional payoff is more than worth it.
  27. Nolte gives a superlative performance, rich and full, packed with emotion and yet not overly hysterical. [25 Dec 1991, p.3F]
    • St. Louis Post-Dispatch
  28. This is very much an ensemble film, with Wahlberg, Hudson and Russell turning in performances that get the job done without begging for attention.

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