There’s artificiality to Emma. that, while it makes it a joy to watch and admire, doesn’t leave us with much of a lasting impact. But despite all that, it is refreshing to see an Austen adaptation that finally captures the author’s witty, satirical talents.

By the time The Caine Mutiny Court-Martial comes to its somewhat startling conclusion, I was saddened by Friedkin's passing all over again. What a loss. But at least he left us one final stunner.

Though the flavors of past genres are present in Lucky Grandma, all those ingredients add up to a truly unique, unforgettable dish that brings a familiar formula to a whole new level.

J.D. Dillard's Sweetheart is fierce aquatic horror without any frills.

The genius of Sundown is how little it tells us while keeping us glued to what we're seeing.

Moviegoers often cry out that they want fresh, original films instead of more endless remakes and sequels. Well, here you go. Companion is exactly what you're looking for. Don't miss it.

A Complete Unknown doesn't break new ground, but it knows how to play the hits. 

Heroes Rising is an impressive piece of fan-service with beautiful character work and some of the most inventive and dazzling fight sequences that the series has ever seen. But a recycled plot and villain threaten to doom the film to the lower echelons of forgettable anime movies.

Molli and Max in the Future is the textbook definition of an indie darling that executes well above its obvious production restraints, as unique and boundlessly ingenious a film you'll find in today's media landscape.

The overall experience is chilling to the extreme. The type of chill that seeps its way into your bones and leaves you unprotected and unbalanced.

The Young Wife" is a movie that could not have been made by anyone other than Tayarisha Poe. Thanks to her near-perfect direction and writing, everything about its reminder to embrace love, both inner and outer, signals a deserved shift into auteurism for the director.

Rodeo is a daring and impressive debut feature that accomplishes something wonderful about movies: it explores a world that few know with a bracing intimacy and genuine respect for the subject. While it typically succeeds, it's thin plot and weak characters outside of Julia, as well as a reliance on repetition, prevent the film from being truly brilliant.

In the end, Emilia Pérez can't help but feel like a half-completed thought experiment, anchored by the performances of a trio of women all but willing this past the finish line.

It's an action movie for progressive-minded audiences who need some kind of relief in an era of instability and terror as well as an action movie for folks who just want to watch Dev Patel decimate every single person who dares cross his path.

The comedy on display here is so forced and without charm that it made me wish Beckwith and company had abandoned any attempt at humor and instead tried to make Together Together more of a straightforward drama with occasionally funny moments. That’s the better version of this film, and you can see it trying to claw its way out from beneath all the quirks.

Scrambled has razor-sharp wit, with McKendrick driving the film with an energy that is both feisty and vulnerable, reminding one of Portia DeRossi in "Arrested Development," but with a thoughtfulness that evokes "Sex and the City."

The Harbinger is observant, relatable, scare-ya-silly horror. Andy Mitton uses ominous imagery, sorrowful atmospheres, reliable templates, and resonating paranoias to so effortlessly hit upon those feelings we all felt under lockdown: insignificance, loneliness, and worst of all, our social disappearance.

A wickedly enjoyable tale of freak shows, dark and stormy nights, innocent dames, morally bankrupt schemers, and a femme fatale to die for.

It's been 26 years, but Judge hasn't missed a beat. The movie pokes fun at the ridiculousness of our modern world without ever making overt political statements or heavily referencing pop culture, making it a refreshing little escape from our own real-world stupidity.

All of this unfolds at a rather brisk pace, but sooner or later, "Weird" starts to run dry. While the film is consistently funny — I laughed out loud, and I mean really loud, on more than one occasion — the narrative begins to drag, giving one the sense that Appel was right to make this a short film first, and that maybe, just maybe, it should've stayed that way.

Unfortunately, whenever the action stops, The Old Guard sags, with emotional moments that never really land, and big dramatic scenes that lack any genuine drama.

As things grow more dire and mad for the Gardners, don’t be surprised if you find your eyes starting to water and your head starting to pound. It’s not an altogether pleasant experience, but it’s probably the exact sort of nightmarish, unquantifiable situation that would make H.P. Lovecraft proud.

Despite some storytelling stumbles, Standing Up, Falling Down manages to stay upright thanks to knockout performances from Schwartz and Crystal.

It’s a soulful slice of life movie, but one that has so many slices that you end up with multiple pizzas by the time the end credits roll. And hey, everyone loves pizza, right? But when you have a belly full of it, you can look back and realize that there is such a thing as too much. One thing’s for sure: you won’t see another movie like it this year.

There's a bit of quiet courageousness to the movie in its commitment to depth over trying to nakedly appeal to others, and that's a quality which makes any person — and any film — more desirable. So, I'll follow the film's bravery by admitting, right here and now, that I'm in love with it.

This is a brutally honest look at a community seldom portrayed on screen with care or honesty, with a simple story that may not pack much in terms of plot, but packs a whole lot of authenticity and empathy, with a stellar cast of mostly first-time actors.

If You Were The Last succeeds in being sensually aware, wholesomely funny, and emotionally fulfilling.

The film belongs to Del Toro and Threapleton, each of whom steal the film in disparate ways.