For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Justin Clark
The human struggles at play are too dire and relatable for us to say that these people don’t deserve that level of grace, but making the audience generally sympathize with them doesn’t make spending time with them particularly pleasant either.- Slant Magazine
- Posted Jun 16, 2025
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Reviewed by
Rocco T. Thompson
Set to the rhythms of a pulsing, ultramodern New York milieu, the film, at its best, wrings real tension and excitement out of the simple exchanging of clandestine messages and sensitive information.- Slant Magazine
- Posted Jun 9, 2025
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Reviewed by
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Reviewed by
Justin Clark
As heartwarming as this story remains at its core, it’s hard to shake that you already know how it will play out.- Slant Magazine
- Posted Jun 9, 2025
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Reviewed by
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Reviewed by
Ed Gonzalez
As its second half begins to focus more on Lucy’s dating dilemma, and how she’s forced to confront her firmly established beliefs and rules about dating, the film hews increasingly close to the narrative expectations of the traditional rom-com.- Slant Magazine
- Posted Jun 9, 2025
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Reviewed by
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Reviewed by
Clayton Dillard
The film’s microcosm of dysfunction is convincing for how it depicts an ongoing, even never-ending, struggle to define oneself.- Slant Magazine
- Posted Jun 8, 2025
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Reviewed by
Gregory Nussen
The film is comic yet vicious and cynically bleak in its portraiture of Japan’s silent plague.- Slant Magazine
- Posted Jun 8, 2025
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Reviewed by
Chris Barsanti
Rithy Panh’s film is hard-hitting yet illusive, much like the story its characters are hunting.- Slant Magazine
- Posted Jun 8, 2025
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Reviewed by
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Reviewed by
Chris Barsanti
A story that might have been benefited by being allowed to breathe over a six-episode arc instead feels rushed and schematic rather than lived-in.- Slant Magazine
- Posted Jun 8, 2025
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Reviewed by
Ross McIndoe
Charles Williams’s feature-length directorial debut, Inside, centers on a trio of dangerous men who are forced into each other’s orbit, leading to an outcome that’s both violently chaotic and tragically predictable.- Slant Magazine
- Posted Jun 6, 2025
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Reviewed by
Justin Clark
Killer of Killers only gives us just enough to get by, get invested, and get to the goods.- Slant Magazine
- Posted Jun 5, 2025
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Reviewed by
Justin Clark
Sans a mythology of its own, or any substantive ties into where the John Wick films go chronologically after this, Ballerina is just another 87Eleven joint.- Slant Magazine
- Posted Jun 4, 2025
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Reviewed by
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Reviewed by
Mark Hanson
Like any number of Exorcist wannabes, David Midell’s film is a special kind of hell.- Slant Magazine
- Posted Jun 3, 2025
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Reviewed by
William Repass
This film essay grapples with the ethical and political considerations raised in the effort to retrieve Césaire from oblivion.- Slant Magazine
- Posted Jun 1, 2025
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Reviewed by
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Reviewed by
Marshall Shaffer
Mike Flanagan’s film doesn’t escape the mires of unpersuasive pop psychology.- Slant Magazine
- Posted Jun 1, 2025
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- Critic Score
Tornado’s winking theatricality, thematic fixations with myth and avarice, and pared-down plotting add up to a heady concoction, but it’s more conducive to reflection than engagement.- Slant Magazine
- Posted May 27, 2025
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Reviewed by
Marshall Shaffer
Jonathan Millet’s film is unconvincing and unnaturally contorted into its shape.- Slant Magazine
- Posted May 27, 2025
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Reviewed by
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Reviewed by
Marshall Shaffer
The raw emotion underlying The Phoenician Scheme peeks out at unexpected times.- Slant Magazine
- Posted May 25, 2025
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Reviewed by
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Reviewed by
Chris Barsanti
If there’s a moral here, it might be that the only thing worse than a competitive billionaire is a bored one.- Slant Magazine
- Posted May 23, 2025
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Reviewed by
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Reviewed by
Derek Smith
Like its predecessors, the film is an often awkward mix of YA drama and R-rated gore.- Slant Magazine
- Posted May 23, 2025
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Reviewed by
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Reviewed by
Justin Clark
Here, “ohana” doesn’t just mean family but community, and the film does moving and spirited work in showcasing how crucial it is for us to lift each other up.- Slant Magazine
- Posted May 20, 2025
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Reviewed by
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Reviewed by
Rocco T. Thompson
The film has a white-hot nerve of pain running inside it that burns right through the screen.- Slant Magazine
- Posted May 16, 2025
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Reviewed by
Mark Hanson
The film desperately tries to convince us that it’s peeling back the layers of the Weeknd’s persona in order to show you what’s really going on inside his head. But, in defiance of Anima’s wishes, Hurry Up Tomorrow lacks the honesty to confront what’s there.- Slant Magazine
- Posted May 15, 2025
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Reviewed by
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Reviewed by
William Repass
The film is so welded to its main character’s perspective that it, too, shies away from understanding, tragic and frustrating in equal measure.- Slant Magazine
- Posted May 15, 2025
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Reviewed by
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Reviewed by
Jake Cole
The film is a showcase for preposterous (and mostly practical) action and an unabashed sentimentality that Ethan feels for the makeshift family of spies he’s assembled over the course of the series.- Slant Magazine
- Posted May 14, 2025
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Reviewed by
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Reviewed by
Marshall Shaffer
Bloodlines finds frights and fun alike in a string of gory kills.- Slant Magazine
- Posted May 13, 2025
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Reviewed by
David Robb
Ultimately, Henry Johnson’s cynical assertions about society and human nature are the only aspects that end up resonating, for better or worse.- Slant Magazine
- Posted May 7, 2025
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Reviewed by
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Reviewed by
Ross McIndoe
Eli Craig’s film works precisely because it plays things straight.- Slant Magazine
- Posted May 7, 2025
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Reviewed by
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Reviewed by
Marshall Shaffer
The film plays right into Tim Robinson’s sweet spot of surrealistic and satirical comedy.- Slant Magazine
- Posted May 2, 2025
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Reviewed by