For 7,767 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,344 out of 7767
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Mixed: 1,490 out of 7767
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Negative: 1,933 out of 7767
7767
movie
reviews
- By Date
- By Critic Score
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Reviewed by
William Repass
Though as fresh and conceptually far-reaching as a David Cronenberg film, it traffics in body ambivalence more than body horror, striking an eerie, wistful tone.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
Clayton Dillard
It’s Argento who consistently makes the most compelling and incisive on-screen presence throughout Simone Scafidi’s documentary.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
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Reviewed by
Gregory Nussen
The film instinctively and lucidly shows how sometimes a coming of age can be thrust upon a person against their will.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
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Reviewed by
Justin Clark
There’s considerable emotional truth on display throughout Benjamin Ree’s documentary.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
Chuck Bowen
The film’s pregnant foreshadowing is revealed to be misdirection, the promise of a thriller offered as candy to lure us into a consideration of the tensions that can cast a pall over family life.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
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Reviewed by
Chris Barsanti
The further Love Me develops its scenario, the less plausible it becomes, even by lovelorn sci-fi standards.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
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Reviewed by
Chris Barsanti
The film is levitated by a truly joyful sense of humor that puts up a good fight against the story’s darker moments without trying to joke them into irrelevance.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
Derek Smith
Suncoast spends much of its runtime trafficking in tiresome coming-of-age tropes, until the resulting crowd-pleaser has snuffed out much of what’s so singular about its central story.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
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Reviewed by
Justin Clark
The things that elevate Chiwetel Ejiofor’s film are those that elevated Rob Peace’s life overall.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
Ross McIndoe
True to its name, the film puts the concept of forgiveness on display and asks us to spend some time in front of it and consider it from all angles.- Slant Magazine
- Posted Jan 26, 2024
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Reviewed by
Ross McIndoe
The film is one that fully recognizes the power of a lingering gaze, a suppressed smile, the slightest movement of the littlest finger, and one which uses them all to maximum effect.- Slant Magazine
- Posted Jan 25, 2024
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Reviewed by
Eric Henderson
There’s only so much that director Charles Stone III can do with the script’s “head held high” cornpone.- Slant Magazine
- Posted Jan 25, 2024
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Reviewed by
Steven Scaife
Befitting the unseen forces that seem to drive the characters, writer-directors Fernanda Valadez and Astrid Rondero bring a haunted, dreamlike undercurrent to the film similar to sequences from their prior collaboration, Identifying Features.- Slant Magazine
- Posted Jan 22, 2024
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Reviewed by
Steven Scaife
The film isn’t designed to challenge what you think you know about the Church of Satan.- Slant Magazine
- Posted Jan 22, 2024
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Reviewed by
Wes Greene
Ironically for a film that unfolds almost entirely in a single, contained location, The Seeding is all over the place.- Slant Magazine
- Posted Jan 21, 2024
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Reviewed by
Derek Smith
The film approaches a new tech frontier with an objective, responsibly apprehensive, eye.- Slant Magazine
- Posted Jan 21, 2024
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Reviewed by
Clayton Dillard
How to Have Sex winds up delivering on the promise of its title, as this is a truly instructive film about sexual politics, though a remarkable one for largely leaving emotions unresolved and relationships feeling messy.- Slant Magazine
- Posted Jan 17, 2024
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Reviewed by
Gregory Nussen
The Breaking Ice is fixated on intense in-between states that work to separate people from each other and from themselves, as if to say self-acceptance and love aren’t destinations so much as journeys, at once formidable and worthwhile.- Slant Magazine
- Posted Jan 16, 2024
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Reviewed by
Justin Clark
The film is in such a rush to get to the bloodshed, deception, and panic that most of the fertile ground of its premise goes unexplored.- Slant Magazine
- Posted Jan 14, 2024
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Reviewed by
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- Critic Score
If you’re a longtime fan of the truly iconoclastic essayist...expecting to learn what makes her tick then Public Speaking, Martin Scorsese’s loving profile of the early bloomer who subsequently spent a decade with “writer’s blockade,” is certain to disappoint.- Slant Magazine
- Posted Jan 10, 2024
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Reviewed by
Derek Smith
It’s not unlike a partially completed sketch whose occasional flashes of color only serve to remind us how incomplete and lazily constructed the rest of it is.- Slant Magazine
- Posted Jan 10, 2024
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Reviewed by
Dan Rubins
If this Mean Girls thrives too much on its relationship to the original, more tribute with songs than independent adaptation, its enjoyability is also a testament to the original’s staying power, as well as to Fey’s decades-long faith in the recyclability of her own material.- Slant Magazine
- Posted Jan 10, 2024
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Reviewed by
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Reviewed by
Justin Clark
The film does keep the smirking undercurrent of the first half present in the more serious second, but, slowly but surely, it starts asking big questions about the nature of God, what measure of divinity lies in us all, and the value of basic humanity and grace in a world where God’s intervention isn’t a given.- Slant Magazine
- Posted Jan 9, 2024
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Reviewed by
Ross McIndoe
There’s never any danger of Self Reliance’s reach exceeding its grasp, but it gets a firm handle on the things it does want to achieve: tell good jokes, craft likeable characters, and strike a lighthearted tone that’s always just a little bit odder than you may be expecting.- Slant Magazine
- Posted Jan 5, 2024
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Reviewed by
Gregory Nussen
There’s an elegiac beauty to many of Night Swim’s pool scenes, but everything that surrounds them is leaden, from Wyatt Russell’s comatose performance to the baseball metaphors that have been unsubtly shoehorned into the impossibly routine narrative.- Slant Magazine
- Posted Jan 4, 2024
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Reviewed by
Steven Scaife
Whenever Mayhem! makes any attempt at character building, it feels as if we’re watching a trashy DTV movie, and as a result reveals itself as a run-of-the-mill revenge flick that practically crawls toward its preordained destination.- Slant Magazine
- Posted Jan 2, 2024
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Reviewed by
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Reviewed by
Justin Clark
The film hits its plot milestones as fast as humanly possible, cohesion or depth be damned.- Slant Magazine
- Posted Dec 22, 2023
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Reviewed by
Jake Cole
The relative grace of A Child of Fire’s action direction only underscores how disjointed and generic the rest of the film is.- Slant Magazine
- Posted Dec 21, 2023
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Reviewed by
Derek Smith
Will Gluck’s rom-com doesn’t bother to create a compelling world around its charming leads.- Slant Magazine
- Posted Dec 21, 2023
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Reviewed by
Keith Uhlich
The film knows the words and tunes but, with rare exception, lacks the passion and the perspective to make them truly resonate.- Slant Magazine
- Posted Dec 19, 2023
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Reviewed by