Slant Magazine's Scores

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For 7,769 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
  1. Positive: 4,345 out of 7769
  2. Mixed: 1,491 out of 7769
  3. Negative: 1,933 out of 7769
7769 movie reviews
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  1. Last Knights
    Another macho celebration of fighting for "freedom" because someone else told you to, devoid of any acknowledgement of the inherent irony of that ideology.
  2. Effie Gray
    It spins the narrative of one of the Victorian art world's most mysterious marriages into a study of life lived and life merely examined, a fecund fairy tale in reverse.
  3. That Guy Dick Miller
    A fawning tribute to the cult legend, enriched by a subtle current of sadness that prevents the documentary from turning into a glorified DVD supplement.
  4. Get Hard
    The filmmakers largely stand out of Will Ferrell and Kevin Hart's way, but they also refuse to modulate the story's racial humor with any sense of subversion.
  5. The Salt of the Earth
    It evolves into an intimate reverie on family and aesthetics, while remaining sporadically attuned to the reflexive and ethical dimensions of ethnographic discovery.
  6. 52 Tuesdays
    Sophie Hyde barely elaborates on the toll James's transition takes on him and only superficially as it affects Billie's psyche.
  7. Home
    Home's exposition is a mess of forced zaniness, which leaves the rest of the film with a Swiss-cheese foundation.
  8. While We're Young
    Noah Baumbach lobs jokes with hectic editing and a Sturgesian velocity, but much of this cross-generational comedy is frantic and wearisomely superficial.
  9. Marfa Girl
    The film finds the actors' performance deficiencies functioning less as signs of authentic teenage behavior than as an incompetent carrier of plot.
  10. The Kidnapping of Michel Houellebecq
    Even though the film takes on a more overtly fictive aesthetic after he's kidnapped, Michel Houellebecq's understated presence lends the proceedings a factual quality throughout.
  11. A Wolf at the Door
    It finds its strength in painting a portrait of Brazilian heterosexual gender relations as an always-volatile symbiosis between feminine hysteria and ruthless machismo.
  12. Welcome to New York
    The film's peculiarly exhilarating effect can be attributed to a sense of social outrage that's transcended for the sake of metaphoric social clarity.
  13. The Riot Club
    The thinly sketched characters of the film are numerous and inconsequential, with director Lone Scherfig giving sparse attention to humanizing or deepening them.
  14. Serena
    The film can't reconcile Ron Rash's apocalyptic tenderness with its own eagerness to revel in romantic star allure.
  15. Ex Machina
    In the end, more than just the machine remains an enigma.
  16. Goodnight Mommy
    In the third act, the film devolves into an extremely unsettling series of sadistic tortures, the kind of stuff that would appeal largely to fans of Funny Games.
  17. The Tribe
    The film is more interested in performance and symbolism than in the meaning of its characters' words or their substitutive gestures.
  18. The Divergent Series: Insurgent
    A Little Golden Book version of drastically simplified socialism accompanied with a healthy dose of warmongering bravado.
  19. Lily & Kat
    It passive-aggressively seems to suggest that anyone who isn't exactly interested in monogamy may be some kind of selfish, intolerable sociopath.
  20. Backcountry
    After a surprising development, the film grows slack and sentimental, reverting to the survival-movie platitude about hardship making you a better human.
  21. Cupcakes
    Eytan Fox opts for a thoroughly hollow rumination on pop-culture mechanics as they pertain to young, aspiring professionals.
  22. Entertainment
    It conjures a menacing perspective on how the titular occupation hulls out empathy and cultivates a particularly unsettling strain of cynicism.
  23. The Gunman
    The lack of any visual ingenuity, reflexivity, or awareness of genre tropes diminishes the intermittent pleasures of the action's slightly involving kineticism.
  24. Danny Collins
    The chemistry between Pacino and his cast mates gives this lightly amusing contrivance surprising emotional resonance.
  25. Amour Fou
    Jessica Hausner is less interested in historical revisionism than mining this real-life tragedy for its existential thrust.
  26. Court
    Chaitanya Tamhane's grand canvas is Indian society as represented by its legal system, and what it reveals is none too flattering.
  27. The Diary of a Teenage Girl
    True to its title, Marielle Heller's adaptation of Phoebe Gloeckner's semi-autobiographical novel has the loosely structured, unfiltered feel of a young person's diary.
  28. White God
    It affects a general air of artistically inclined realism, but it's mostly concerned with building tension via a steady accumulation of flatly conceived misery.
  29. Christmas, Again
    Charles Poekel displays an assured directorial hand and maintains a modest, appealing, even droll sensibility throughout.
  30. The Walking Deceased
    This juvenile horror-comedy spoof is primarily, if unintentionally, a cautionary tale about the perils of allowing brahs to make movies.
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