Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. Lynn Shelton's film firmly resists supplying its main characters with easy, you-can-have-it-all answers.
  2. The documentary is determined not to be a typical rock-god story with predictable rise-and-fall arcs.
  3. Peter Pan, in retrospect, seems much more a footnote among the studio’s 1950s output.
  4. It brims with empathy and righteous outrage at the treatment of trans people, but with only a vague organizational structure, it ultimately feels scattershot, passionately covering a number of important issues without quite unifying them into a coherent whole.
  5. A unique, audacious studio movie, kicking off as a star-driven spectacle before whittling itself down to a raw and riveting character study.
  6. Ramin Bahrani's talent for orchestrating sequences of tightly wound tension is in full bloom here, as is his complementary knack for quieter grace notes.
  7. It pulses with relevancy in a time when debates over authoritarianism, protests, and the necessity of radicalism are convulsing America.
  8. Kurosawa Kiyoshi is an empathetic yet pitiless poet of the modern void.
  9. Alonso Ruizpalacios voices a profound sense of powerlessness on the part of the police without sentimentalizing the abuses and biases of the profession.
  10. Flora and Son is far more invested in making its characters likable and cute rather than risking audience sympathies.
  11. The patience in mercurially presenting the characters' backstories and desires is matched by the film's genuine curiosity about the healing power of sharing stories.
  12. While the film is deeply romantic and nostalgic, possessing a genuine reverence for youth and rebellion, it's also something of a tragedy.
  13. Its discursiveness does have the intriguing effect of leaving behind a myriad of impressions about its subjects rather than settling on pat interpretations.
  14. Catalan prankster Albert Serra's film ultimately emerges as a compact, improbably riveting viewing experience.
  15. Rebel Ridge never rises to the panic-infused heights of its opening, but Jeremy Saulnier is still able to maintain a baseline of oppressive tension as we watch a man navigate the deep-seated corruption of a sundown town.
  16. One of the greatest films of the Soviet era.
  17. A stunning work of war reportage nestled within a creaky study of ideological purity.
  18. The film is held together by the universal strength of its performances, particularly James and Smollett, and the elegance with which it veers between dreamy interludes and poetic flourishes stemming from Malik’s imagination and the more quotidian presentation of the small world he lives in, warts and all.
  19. Though uneven, the film is clever about avoiding age-old conundrums regarding the disavowal of the language of horror.
  20. The film understands that money is a defining element of art-making, whether or not we wish to admit it.
  21. Through her use of recreation, Asmae El Moudir suggests that the act of documentary filmmaking can turn historical truths into fiction, in which everyone becomes an active participant.
  22. You grow to feel as if you're arbitrarily changing the channel back and forth from a diverting horror film to a promising odd-couple comedy.
  23. The documentary shrewdly illustrates how media savvy can turn a fledgling protest into an international cause célèbre.
  24. Fatih Akin’s Amrum is a delicate coming-of-age parable tracking national identity and violence to their most intimate origin points during the waning days of the Third Reich.
  25. Corneliu Porumboiu’s film is very much a genre exercise, and a particularly Soderberghian one at that.
  26. It's informed with a subtle but disquieting subtext that insists on the pitfalls of allowing ideology to steer you away from common sense.
  27. Janicza Bravo prioritizes character and personal eccentricity, in the process truly earning the screenplay’s cutting observations about how social media encapsulates culture’s ability to commercialize anything, especially ourselves.
  28. The film has a free-floating, nearly intangible sense of unease that greatly serves it.
  29. It starts off as a dynamic parable about faith before wilting into a glum and rather disingenuous paean to the family.
  30. It recombines elements of the emigrant saga and the coming-of-age story into a searching, fresh-faced portrait.

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