For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
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Reviewed by
Keith Watson
Lynn Shelton's film firmly resists supplying its main characters with easy, you-can-have-it-all answers.- Slant Magazine
- Posted Mar 25, 2018
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Reviewed by
Chris Barsanti
The documentary is determined not to be a typical rock-god story with predictable rise-and-fall arcs.- Slant Magazine
- Posted Nov 9, 2020
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Reviewed by
Eric Henderson
Peter Pan, in retrospect, seems much more a footnote among the studio’s 1950s output.- Slant Magazine
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Reviewed by
Keith Watson
It brims with empathy and righteous outrage at the treatment of trans people, but with only a vague organizational structure, it ultimately feels scattershot, passionately covering a number of important issues without quite unifying them into a coherent whole.- Slant Magazine
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R. Kurt Osenlund
A unique, audacious studio movie, kicking off as a star-driven spectacle before whittling itself down to a raw and riveting character study.- Slant Magazine
- Posted Oct 17, 2012
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Reviewed by
Carson Lund
Ramin Bahrani's talent for orchestrating sequences of tightly wound tension is in full bloom here, as is his complementary knack for quieter grace notes.- Slant Magazine
- Posted Sep 21, 2015
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Reviewed by
Chris Barsanti
It pulses with relevancy in a time when debates over authoritarianism, protests, and the necessity of radicalism are convulsing America.- Slant Magazine
- Posted Sep 24, 2020
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Reviewed by
Chuck Bowen
Kurosawa Kiyoshi is an empathetic yet pitiless poet of the modern void.- Slant Magazine
- Posted Aug 31, 2024
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Reviewed by
Chuck Bowen
Alonso Ruizpalacios voices a profound sense of powerlessness on the part of the police without sentimentalizing the abuses and biases of the profession.- Slant Magazine
- Posted Mar 9, 2021
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Reviewed by
Steven Scaife
Flora and Son is far more invested in making its characters likable and cute rather than risking audience sympathies.- Slant Magazine
- Posted Sep 21, 2023
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Nick McCarthy
The patience in mercurially presenting the characters' backstories and desires is matched by the film's genuine curiosity about the healing power of sharing stories.- Slant Magazine
- Posted Feb 26, 2014
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Drew Hunt
While the film is deeply romantic and nostalgic, possessing a genuine reverence for youth and rebellion, it's also something of a tragedy.- Slant Magazine
- Posted Apr 8, 2013
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Kenji Fujishima
Its discursiveness does have the intriguing effect of leaving behind a myriad of impressions about its subjects rather than settling on pat interpretations.- Slant Magazine
- Posted Aug 24, 2013
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Reviewed by
Carson Lund
Catalan prankster Albert Serra's film ultimately emerges as a compact, improbably riveting viewing experience.- Slant Magazine
- Posted Mar 28, 2017
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Reviewed by
Justin Clark
Rebel Ridge never rises to the panic-infused heights of its opening, but Jeremy Saulnier is still able to maintain a baseline of oppressive tension as we watch a man navigate the deep-seated corruption of a sundown town.- Slant Magazine
- Posted Sep 4, 2024
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- Slant Magazine
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Reviewed by
Christopher Gray
A stunning work of war reportage nestled within a creaky study of ideological purity.- Slant Magazine
- Posted Jun 28, 2015
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Reviewed by
Derek Smith
The film is held together by the universal strength of its performances, particularly James and Smollett, and the elegance with which it veers between dreamy interludes and poetic flourishes stemming from Malik’s imagination and the more quotidian presentation of the small world he lives in, warts and all.- Slant Magazine
- Posted Apr 15, 2024
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Reviewed by
Diego Semerene
Though uneven, the film is clever about avoiding age-old conundrums regarding the disavowal of the language of horror.- Slant Magazine
- Posted Aug 10, 2021
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Reviewed by
Chuck Bowen
The film understands that money is a defining element of art-making, whether or not we wish to admit it.- Slant Magazine
- Posted Oct 19, 2018
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Reviewed by
Gregory Nussen
Through her use of recreation, Asmae El Moudir suggests that the act of documentary filmmaking can turn historical truths into fiction, in which everyone becomes an active participant.- Slant Magazine
- Posted Aug 31, 2024
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Reviewed by
Chuck Bowen
You grow to feel as if you're arbitrarily changing the channel back and forth from a diverting horror film to a promising odd-couple comedy.- Slant Magazine
- Posted Oct 12, 2014
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Reviewed by
Christopher Gray
The documentary shrewdly illustrates how media savvy can turn a fledgling protest into an international cause célèbre.- Slant Magazine
- Posted Apr 15, 2019
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Eli Friedberg
Fatih Akin’s Amrum is a delicate coming-of-age parable tracking national identity and violence to their most intimate origin points during the waning days of the Third Reich.- Slant Magazine
- Posted Apr 14, 2026
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Reviewed by
Christopher Gray
Corneliu Porumboiu’s film is very much a genre exercise, and a particularly Soderberghian one at that.- Slant Magazine
- Posted Sep 6, 2019
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Reviewed by
Chuck Bowen
It's informed with a subtle but disquieting subtext that insists on the pitfalls of allowing ideology to steer you away from common sense.- Slant Magazine
- Posted Aug 4, 2014
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Reviewed by
Chuck Bowen
Janicza Bravo prioritizes character and personal eccentricity, in the process truly earning the screenplay’s cutting observations about how social media encapsulates culture’s ability to commercialize anything, especially ourselves.- Slant Magazine
- Posted Jun 30, 2021
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Reviewed by
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Reviewed by
Chuck Bowen
The film has a free-floating, nearly intangible sense of unease that greatly serves it.- Slant Magazine
- Posted Jan 28, 2023
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Reviewed by
Christopher Gray
It starts off as a dynamic parable about faith before wilting into a glum and rather disingenuous paean to the family.- Slant Magazine
- Posted Mar 16, 2016
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Reviewed by
Matt Brennan
It recombines elements of the emigrant saga and the coming-of-age story into a searching, fresh-faced portrait.- Slant Magazine
- Posted Aug 15, 2016
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Reviewed by