For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
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Reviewed by
Keith Uhlich
Robert Eggers’s sublimely severe remake of the oft-told tale of a bloodsucker wreaking unholy havoc is less a composition for full ensemble and more a moody piece of chamber music, equally as orchestrated as the Murnau, but uncomfortably intimate in its effects.- Slant Magazine
- Posted Dec 4, 2024
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Reviewed by
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Reviewed by
Marshall Shaffer
An empowering narrative of one woman who refuses to see age as a ceiling, the film serves as a potent warning for viewers about the marginalization of the elderly.- Slant Magazine
- Posted Feb 26, 2025
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Reviewed by
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Reviewed by
Carson Lund
A Quiet Passion's accomplishment is in fleshing out the stark context behind Emily Dickinson's ethereal words.- Slant Magazine
- Posted Apr 12, 2017
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Reviewed by
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Reviewed by
Clayton Dillard
Tracy Droz Tragos's documentary examines its titular subject with a compassionate eye for regional detail.- Slant Magazine
- Posted Aug 8, 2016
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Reviewed by
Chris Barsanti
The film is affectingly poignant in its frequently uncomfortable presentation of Shane MacGowan’s physical ruination.- Slant Magazine
- Posted Nov 24, 2020
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Reviewed by
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Reviewed by
Carson Lund
Its expositional crutch proves most inadequate when the team ascends the final pitch to the top after years of preparation in no more than a minute of screen time.- Slant Magazine
- Posted Aug 12, 2015
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Reviewed by
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Reviewed by
Keith Uhlich
It’s not hard to parallel David/Dickens’s head-spinningly intricate descriptors with Iannucci’s own prodding, poetically vulgar rhetoric.- Slant Magazine
- Posted Sep 6, 2019
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Reviewed by
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Reviewed by
Chuck Bowen
Chinonye Chukwu’s film is a morality play with a true sense of contradiction and melancholia.- Slant Magazine
- Posted Dec 17, 2019
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Reviewed by
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Reviewed by
Clayton Dillard
Robert Kenner's stylistic choices amplify the film's fetishistic fascination with the nuclear weaponry itself.- Slant Magazine
- Posted Sep 11, 2016
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Reviewed by
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Reviewed by
Jake Cole
Erica Tremblay’s granular attention to place makes sure that you take note of the root causes of the defeat felt by the Native characters.- Slant Magazine
- Posted Jun 18, 2024
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Reviewed by
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Reviewed by
Ed Gonzalez
The film is a haunting portrait of the island as a purgatorial realm between the poles of isolation and liberation.- Slant Magazine
- Posted Mar 4, 2019
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Reviewed by
Derek Smith
Because of Chinonye Chukwu’s willingness to let small-scale, ancillary scenes play out unhurried and at length, Till taps into to a deeper well of emotions than most biopics.- Slant Magazine
- Posted Oct 1, 2022
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Reviewed by
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Reviewed by
Eric Henderson
Magnificent Obsession was a decisive turning point for Douglas Sirk, kicking off a beloved string of loopy ’50s melodramatic masterpieces.- Slant Magazine
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Reviewed by
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Reviewed by
Clayton Dillard
The documentary lingers on silences and reveals its subjects only through moments of quotidian behavior.- Slant Magazine
- Posted Apr 10, 2016
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Reviewed by
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Reviewed by
Christopher Gray
The film captures our world as systematic yet miraculous, evolving toward more elaborate and resilient forms.- Slant Magazine
- Posted Sep 27, 2016
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- Critic Score
Breillat's scripting of Maud as fatally distant from her family, willfully independent, but more believably abandoned, is haunting.- Slant Magazine
- Posted Jul 24, 2014
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Reviewed by
Marshall Shaffer
Obsession’s big set-piece sequences are as chilling in their effect as they are confident in their execution.- Slant Magazine
- Posted May 11, 2026
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Reviewed by
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Reviewed by
Clayton Dillard
Charles Poekel displays an assured directorial hand and maintains a modest, appealing, even droll sensibility throughout.- Slant Magazine
- Posted Mar 14, 2015
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Reviewed by
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Reviewed by
Wes Greene
The film's pale-hued, Flash-like animation is abundant in detailed backgrounds that make the characters stand out like placards, allowing for Jian's critique of modern China to land with maximum force.- Slant Magazine
- Posted Jan 22, 2018
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Reviewed by
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- Critic Score
Director Alex Gibney does this vital material a disservice, giving it an air of deflated pomposity.- Slant Magazine
- Posted Jul 7, 2016
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Reviewed by
Chris Barsanti
The film’s fantastical meta-commentaries don’t completely cohere but have a winning go-for-it audaciousness.- Slant Magazine
- Posted Jul 20, 2022
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Reviewed by
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Reviewed by
Chuck Bowen
Director Mahmoud Kaabour is Fatima's grandson, and she instantly seizes on--lightly, in her way--the guilt and panic that's inspired him to make this film.- Slant Magazine
Posted Feb 11, 2012 -
Reviewed by
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Reviewed by
Chris Cabin
A perplexing misfire more than a complete dud, The Misfits‘s true legacy remains in the personal histories of those involved with the production rather than in the far more exceptional careers of the artists who brought it to its dull fruition.- Slant Magazine
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Reviewed by
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Reviewed by
Chuck Bowen
Morgan Neville understands Orson Welles's art to pivot on an ongoing quest to bring about self-destruction so as to contrive to transcend it.- Slant Magazine
- Posted Oct 30, 2018
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Reviewed by
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Reviewed by
Christopher Gray
Finding Dory follows its predecessor in being broadly concerned with comforting notions of home and family.- Slant Magazine
- Posted Jun 15, 2016
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Reviewed by
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Reviewed by
Jeremiah Kipp
If you watch Clockwork Orange and see that this is the game Kubrick is playing with us, giving us an avenue into understanding a corrosion of society, the film may be appreciated as his finest masterwork in a career full of them. Certainly, it’s his most human film, right next to Lolita in its refusal to judge its central character’s sickness.- Slant Magazine
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Reviewed by
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- Critic Score
Although we never really get to know He or Miao, despite following them around vérité-style, director Yung Chang expertly captures the rays of Western culture bouncing off them.- Slant Magazine
- Posted Jul 6, 2012
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Reviewed by
Christopher Gray
Devos's impressive debut bores into the mourning process and its piquant combination of emotional numbness and sensory vulnerability, rigorously avoiding finding an easy way out of this quagmire.- Slant Magazine
- Posted May 11, 2017
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Reviewed by
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Reviewed by
Kenji Fujishima
Director David Gelb details, among other things, the painstaking process that goes into creating mouthwatering pieces of sushi.- Slant Magazine
- Posted Mar 4, 2012
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Reviewed by
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Reviewed by
Marshall Shaffer
This is a sturdily constructed horror film with a foundation sneakily built on shifting sands.- Slant Magazine
- Posted Jul 7, 2024
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Reviewed by