Slant Magazine's Scores

For 7,775 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7775 movie reviews
  1. Robert Eggers’s sublimely severe remake of the oft-told tale of a bloodsucker wreaking unholy havoc is less a composition for full ensemble and more a moody piece of chamber music, equally as orchestrated as the Murnau, but uncomfortably intimate in its effects.
  2. An empowering narrative of one woman who refuses to see age as a ceiling, the film serves as a potent warning for viewers about the marginalization of the elderly.
  3. A Quiet Passion's accomplishment is in fleshing out the stark context behind Emily Dickinson's ethereal words.
  4. Tracy Droz Tragos's documentary examines its titular subject with a compassionate eye for regional detail.
  5. The film is affectingly poignant in its frequently uncomfortable presentation of Shane MacGowan’s physical ruination.
  6. Its expositional crutch proves most inadequate when the team ascends the final pitch to the top after years of preparation in no more than a minute of screen time.
  7. It’s not hard to parallel David/Dickens’s head-spinningly intricate descriptors with Iannucci’s own prodding, poetically vulgar rhetoric.
  8. Chinonye Chukwu’s film is a morality play with a true sense of contradiction and melancholia.
  9. Robert Kenner's stylistic choices amplify the film's fetishistic fascination with the nuclear weaponry itself.
  10. Erica Tremblay’s granular attention to place makes sure that you take note of the root causes of the defeat felt by the Native characters.
  11. The film is a haunting portrait of the island as a purgatorial realm between the poles of isolation and liberation.
  12. Because of Chinonye Chukwu’s willingness to let small-scale, ancillary scenes play out unhurried and at length, Till taps into to a deeper well of emotions than most biopics.
  13. Magnificent Obsession was a decisive turning point for Douglas Sirk, kicking off a beloved string of loopy ’50s melodramatic masterpieces.
  14. The documentary lingers on silences and reveals its subjects only through moments of quotidian behavior.
  15. The film captures our world as systematic yet miraculous, evolving toward more elaborate and resilient forms.
    • 77 Metascore
    • 75 Critic Score
    Breillat's scripting of Maud as fatally distant from her family, willfully independent, but more believably abandoned, is haunting.
  16. Obsession’s big set-piece sequences are as chilling in their effect as they are confident in their execution.
  17. Charles Poekel displays an assured directorial hand and maintains a modest, appealing, even droll sensibility throughout.
  18. The film's pale-hued, Flash-like animation is abundant in detailed backgrounds that make the characters stand out like placards, allowing for Jian's critique of modern China to land with maximum force.
    • 77 Metascore
    • 63 Critic Score
    Director Alex Gibney does this vital material a disservice, giving it an air of deflated pomposity.
  19. The film’s fantastical meta-commentaries don’t completely cohere but have a winning go-for-it audaciousness.
  20. Director Mahmoud Kaabour is Fatima's grandson, and she instantly seizes on--lightly, in her way--the guilt and panic that's inspired him to make this film.
    • Slant Magazine
  21. A perplexing misfire more than a complete dud, The Misfits‘s true legacy remains in the personal histories of those involved with the production rather than in the far more exceptional careers of the artists who brought it to its dull fruition.
  22. Morgan Neville understands Orson Welles's art to pivot on an ongoing quest to bring about self-destruction so as to contrive to transcend it.
  23. Finding Dory follows its predecessor in being broadly concerned with comforting notions of home and family.
  24. If you watch Clockwork Orange and see that this is the game Kubrick is playing with us, giving us an avenue into understanding a corrosion of society, the film may be appreciated as his finest masterwork in a career full of them. Certainly, it’s his most human film, right next to Lolita in its refusal to judge its central character’s sickness.
    • 77 Metascore
    • 63 Critic Score
    Although we never really get to know He or Miao, despite following them around vérité-style, director Yung Chang expertly captures the rays of Western culture bouncing off them.
  25. Devos's impressive debut bores into the mourning process and its piquant combination of emotional numbness and sensory vulnerability, rigorously avoiding finding an easy way out of this quagmire.
  26. Director David Gelb details, among other things, the painstaking process that goes into creating mouthwatering pieces of sushi.
  27. This is a sturdily constructed horror film with a foundation sneakily built on shifting sands.

Top Trailers