Slant Magazine's Scores

For 7,772 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7772 movie reviews
  1. One small, shrewd decision after another allows Preparation for the Next Life to sustain its naturalism to the end.
  2. The film pokes fun at the conventions of detective stories but never becomes so self-aware that you stop taking it seriously.
  3. Young Mothers is a welcome return to form for the Dardenne brothers, balancing social observation with character study.
    • 80 Metascore
    • 63 Critic Score
    Mona Fastvold’s protean fable is tremulous, tricky, and intrepid, much like its pious protagonist.
  4. An immersive drama that bridges real-life details with the catharses of parables with expressionistic on-the-fly camerawork, a blend of the textural and the poetic that’s hallucinatory and profound.
  5. X
    While still intermittently thrilling as a basic retro-outfitted slasher, X ultimately comes off in a way that no porn (or horror) film should: like a tease.
  6. The film embodies the idiosyncratic, tongue-in-cheek sensibilities of Ron and Russell Mael’s long-running cult American pop band.
  7. The film metatextually insists that we not be taken in by new, more sophisticated methods of obfuscation.
  8. Climaxing with a tableau that’s as iconic as it is melodramatic, The Roaring Twenties revels in a relativism that keeps its momentum fresh and elusive.
  9. Rachel Lears’s film is a rebuttal to the position that Alexandria Ocasio Cortez's election victory was an incidental event in American politics.
  10. The Train makes unmistakably clear to us that heroism isn’t always black and white—that sometimes it’s simply about doing what’s right even if you don’t understand why.
  11. Once Taghi Amirani turns his attention to the coup itself, his film snaps into shape, with Walter Murch skillfully knitting together new and old interviews to lay out the story in highly dramatic form.
  12. Dean Fleischer-Camp’s Marcel the Shell with Shoes On convincingly proves that bigger sometimes is better.
  13. Billy Ray unfurls the parallel time structure with the same flat, procedural monotony applied by Juan José Campanella to the original film.
  14. The Safdies play with time like it’s an accordion, stretching out notes of bliss and anxiety while compressing the daily lives of their characters in order to convey the constant state of hustle and stresses necessitated by being poor and hungry for drugs, cash, or a bite to eat in New York City.
  15. Offers exactly what its title promises, unveiling this secret milieu through thoroughly meticulous animation.
    • 80 Metascore
    • 63 Critic Score
    The Mastermind marks a new chapter in Kelly Reichardt’s ongoing tapestry of American life through the eyes of its eccentric outsiders, specifically capping off a trilogy about the intersection of art and commerce at differing stages of American capitalism.
  16. It grows increasingly hopeless as it contrasts the alien paradise of the opening with the wastelands that resemble corporate dump sites.
  17. Though the film settles into a familiar coming-of-age trajectory, it's always enlivened by John Trengove's intimate, inquiring eye.
  18. The film’s diligent script and nuanced performances are such that the depressing material stops short of turning into a depressing experience.
  19. The film’s details collectively grow absurd and pompous.
  20. A fascinating metacommentary courses beneath the film’s emotional storytelling surface.
  21. The film blooms in moments where, instead of literally addressing Coco's gender trouble, we’re simply allowed to inhabit it.
  22. While there’s much acute pain in this compact but resonant drama, it can also be funny in a way that smacks of self-deprecation.
    • 80 Metascore
    • 75 Critic Score
    Lauren Greenfield's film evolves from an ode to entitled obliviousness to a more evenhanded character study, tracing the fault lines that develop within the Siegel family.
  23. Theeb insists on the importance of preserving cultural difference against the totalizing vision of racial and religious hegemony.
  24. An enormously effective piece of filmmaking, Incdendies unfolds as a series of eye-opening disclosures which Villeneuve plays as much for (admittedly enthralling) sensation as for any kind of wider-ranging inquiry, a questionable approach given the thorny nature of the material.
  25. It goes a long way toward complicating our moral assumptions about trophy hunting, as well as a host of other wildlife issues, including conservation, poaching, rhino farms, and the proper balance between man and nature.
  26. Everything in Incredibles 2 is inexorably driven toward a big final blowout. That sequence is suitably grand and eye-popping, but haven’t we seen all of this before?
  27. It has an irritating habit of depending on our natural reactions, letting the subject matter do the heavy lifting.

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