For 7,772 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,346 out of 7772
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Mixed: 1,493 out of 7772
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Negative: 1,933 out of 7772
7772
movie
reviews
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Reviewed by
R. Kurt Osenlund
One for the Money is like The Bounty Hunter by Andy Tennant, if you dipped it in self-tanner and strapped some Four Loko on it.- Slant Magazine
- Posted Jan 27, 2012
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Reviewed by
Eric Henderson
Even the most desensitized, ghoulishly amoral gleaners of deviant cinema can’t just stare down the nastiness on display in Cannibal Holocaust and just shrug it off.- Slant Magazine
- Read full review
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Reviewed by
Chris Cabin
Maniac simply exists as a wretched yet unforgettable succession of scenes meant to corrupt even the purest of minds, if you can help yourself from laughing uncontrollably at its overwhelming amount of inconsistencies.- Slant Magazine
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Reviewed by
Oleg Ivanov
Yell the word "independent" loud and long enough and people might forget that they're seeing the same old, patronizing Hollywood clichés, recycled, rebranded, and regurgitated for their gullible, eager consumption.- Slant Magazine
- Posted Nov 17, 2014
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- Critic Score
Under even the best of circumstances, Saving Lincoln would have to inevitably face the scrutiny of potential redundancy.- Slant Magazine
- Posted Feb 15, 2013
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Reviewed by
Drew Hunt
Robin Williams once again proves he can insufferably crank the energy to 11 without batting an eye, only this time his frenzied comic demeanor is replaced with equally harried contempt.- Slant Magazine
- Posted May 22, 2014
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Reviewed by
Abhimanyu Das
It careens from one tonal extreme to the next, uncertain about whether it wants to be a gritty drama, camp artifact, or violent prison-sploitation flick.- Slant Magazine
- Posted Mar 12, 2013
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Reviewed by
Chuck Bowen
Any pretense of satire collapses by the film's midpoint, leaving only the contempt.- Slant Magazine
- Posted Jan 3, 2015
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Reviewed by
Clayton Dillard
As in Judd Apatow's films, crassness is boasted as shamelessness, and calculated sentimentality is dressed up as empathy.- Slant Magazine
- Posted Jan 22, 2016
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Reviewed by
Chuck Bowen
The film relegates Nicolas Cage to a supporting player and crowds him with considerably less charismatic performers.- Slant Magazine
- Posted Jun 2, 2018
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Reviewed by
Drew Hunt
Amateurish and hyperbolic, this animated feature directed by Pasha Roberts makes quite clear his political leanings.- Slant Magazine
- Posted Mar 18, 2013
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Reviewed by
Keith Watson
Though it pretends to stick up for all the schmucks in the world, the film is really just laughing along with the assholes.- Slant Magazine
- Posted Jan 21, 2018
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Reviewed by
Nick Schager
Too derivative to be amusing and too earnest to be parodic, it assumes the form of countless other teen comedies minus any wit or drama.- Slant Magazine
- Posted Aug 19, 2012
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Reviewed by
Derek Smith
Despite its title, Life Itself doesn’t revel so much in the joys and travails of life as it does in the shameless emotional manipulation stemming from the ham-fisted tendencies of its own maker.- Slant Magazine
- Posted Sep 20, 2018
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Reviewed by
Chuck Bowen
So flimsily constructed, visually and narratively, that it resembles a middle-school play that's been hastily filmed on an antique camcorder.- Slant Magazine
- Posted Feb 13, 2015
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Reviewed by
Mark Hanson
In the end, Nicolas Cage can only do so much to bring this hastily assembled oater to life.- Slant Magazine
- Posted Apr 9, 2025
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Reviewed by
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Reviewed by
Nick Schager
Roberto Faenza shoots his Manhattan-set action with a glossiness that's as bland as the soundtrack ballads.- Slant Magazine
- Posted Oct 3, 2012
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If you're wondering why A Haunted House exists alongside the upcoming Scary Movie 5 rather than instead of it, you may already have given the subject more thought than Marlon Wayans had hoped.- Slant Magazine
- Posted Jan 11, 2013
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Reviewed by
Diego Semerene
While it lends itself to some interesting insight on the politics of non-exclusive, fuck-buddy dynamics, its characters are ultimately too one-dimensional and their dialogue too theatrical to sustain an involving cinematic experience.- Slant Magazine
- Posted Jul 19, 2012
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Reviewed by
Steve Macfarlane
A shrill Indiewood torture porn that, despite promised shocks and revulsions, doesn't even have the conviction to hold its camera on the story's most appalling twists.- Slant Magazine
- Posted Feb 7, 2013
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Reviewed by
Andrew Schenker
What most rankles about the film is the way that its insistence on paternal instincts as the principal signifier of male adulthood leads it to sanction the most childlike behavior of all.- Slant Magazine
- Posted Jun 9, 2013
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Reviewed by
Chuck Bowen
The tension almost immediately leaks out of the narrative once we realize we're watching a found-footage horror movie.- Slant Magazine
- Posted Jul 1, 2013
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The film offers Tom Sizemore the perfect opportunity to prove himself worthy of a comeback. Alas, he fails spectacularly.- Slant Magazine
- Posted May 29, 2012
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Reviewed by
Glenn Heath Jr.
Isaac Florentine's film is maligned with gaping plot holes, terrible expository dialogue, and obvious moments of foreshadowing.- Slant Magazine
- Posted Jul 30, 2012
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Reviewed by
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Reviewed by
Chuck Bowen
The film's method of admitting its own hypocrisy so as to enable it to further indulge said hypocrisy grows more grating than if it were merely indifferently conceived junk like Falling Down.- Slant Magazine
- Posted Dec 1, 2013
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Reviewed by
Pat Brown
Reprisal is at pains to profess its faith in the symbols of law and order, but it cannot fully repress its almost erotic longing for the unfettered violence of the terrorist.- Slant Magazine
- Posted Aug 26, 2018
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Reviewed by
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Reviewed by
Glenn Heath Jr.
One can’t mistake I Spit in Your Grave for anything other than a raging political text, a rigorous reminder to the power of a disturbed imagination, be it victimizer or victim.- Slant Magazine
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Reviewed by
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Reviewed by
Nick Schager
Hardboiled noir play-acting doesn't get more sluggish than in this leaden tale that blurs the line between reality and delusion in a way that's less intriguing than simply confusing.- Slant Magazine
- Posted Mar 31, 2013
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Reviewed by
Chris Cabin
The obvious amount of hard work that went into this out-of-touch sequel is partly what makes it so irritating.- Slant Magazine
- Posted Jul 11, 2013
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Reviewed by
Nick McCarthy
Cavemen is an apt title considering how the sensibility and maturity of the film's characters don't seem to have developed beyond primal, alpha-man impulses.- Slant Magazine
- Posted Feb 6, 2014
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Reviewed by