For 7,789 reviews, this publication has graded:
-
33% higher than the average critic
-
3% same as the average critic
-
64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
-
Positive: 4,359 out of 7789
-
Mixed: 1,496 out of 7789
-
Negative: 1,934 out of 7789
7789
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Jesse Cataldo
Rather than organically develop its characters, it charts their evolution via silly outfit changes, treating the early '80s as a costume bin for flavor-of-the-week aping gags, with the band going from Gary Numan style shirts and skinny ties to lavish glam-rock costumes.- Slant Magazine
- Posted Nov 1, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Chris Cabin
Gavin Hood relays a vague sense of what it's like to live in duty, and yet at a distance from one's home, but this vision of the future never rouses, never asks to be remembered.- Slant Magazine
- Posted Oct 31, 2013
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrew Schenker
The first half of the film is a virtual compendium of high-culture references, topical concerns addressed almost in passing, and narrative fracturing devices.- Slant Magazine
- Posted Jan 17, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
A slice of slight character-driven conventionality in which directorial sensitivity and drama rooted in tense conversations and intermittent blow-ups prove incapable of imparting depth to a tale that plays like a series of simplistic stock gestures.- Slant Magazine
- Posted Jan 4, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
The Tickells' style is a predictable grab bag of interviews with outraged experts and journalists, TV news footage, and scenes in which the filmmakers (and, during one trip, fellow activists Peter Fonda and Amy Smart) make faux-daring journeys into the fray to bring back supposed realities that corporate America seeks to hide.- Slant Magazine
- Posted Nov 28, 2011
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
The apparent byproduct of watching too much Bad Boys II, The Viral Factor is a cops-and-criminals saga slathered in glossy Michael Bay-isms.- Slant Magazine
- Posted Jan 18, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Andrew Schenker
Nuri Bilge Ceylan has to be the least kinetic of working filmmakers - and not simply in the sense of static camerawork or lack of narrative momentum.- Slant Magazine
- Posted Dec 31, 2011
- Read full review
-
Reviewed by
-
- Critic Score
This insipidly inspirational biopic of the two-term Brazilian president is a safe, bourgeois vision of proletarian struggle.- Slant Magazine
- Posted Jan 9, 2012
- Read full review
-
-
Reviewed by
Andrew Schenker
A predictable, drawn-out romantic comedy that happens to be set in the shadow of impending apocalypse.- Slant Magazine
- Posted Jun 18, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
R. Kurt Osenlund
The filmmakers bite off far more than they're able to chew, resulting in an odd blend of touched-upon topics.- Slant Magazine
- Posted Nov 25, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Chuck Bowen
Paranormal Activity 4 sadly continues the series' downslide, most drearily with a mid-film twist that enables the filmmakers to go about essentially remaking the second entry.- Slant Magazine
- Posted Oct 19, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
Tim Burton's sense of playfulness feels forced throughout, and as the film progresses, any humor or inventiveness takes a backseat to tumultuous set pieces that reference Frankenstein.- Slant Magazine
- Posted Sep 29, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
The icy fatalism of film noir is turned to slush by Thin Ice, a crime saga that reduces its chosen genre to a series of atonal, old-hat clichés.- Slant Magazine
- Posted Feb 13, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
If both good and evil characters don't behave in ways that make sense vis-à-vis their circumstances, any sense of terror quickly dissipates.- Slant Magazine
- Posted Mar 29, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Jaime N. Christley
It's a road movie of sorts, like the Steve Coogan/Bob Brydon comedy The Trip, only with fewer expert impressions and more inept executions, but lovely scenery just the same.- Slant Magazine
- Posted Jan 30, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
A coming-of-age tale that, with every landscape cutaway and twinkling note from its xylophone-heavy score, begs to be taken as a dreamy slice of countryside profundity.- Slant Magazine
- Posted Jan 24, 2012
- Read full review
-
Reviewed by
-
- Critic Score
In Bad Fever, Dustin Guy Defa's sad-sack indie drama about loneliness and urban ennui, a stand-up routine becomes an outlet for personal pain, the stage a place to unload baggage.- Slant Magazine
- Posted Jan 31, 2012
- Read full review
-
-
Reviewed by
Chuck Bowen
Yoav Factor can't decide whether he wants to play his broad scenario as an exaggerated farce or as a heartwarming testament to blood ties.- Slant Magazine
- Posted Mar 11, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Bill Weber
The movie's deathblow is the casting of poet-artist Miss Ming as Mammuth's affectless niece, whose twee verse and sculpture make Miranda July seem like a bearer of gravitas.- Slant Magazine
- Posted Feb 13, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Joseph Jon Lanthier
Oh, the things that money can buy.- Slant Magazine
- Posted Feb 10, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Chris Cabin
Tina Gordon Chism's film collapses into a series of clumsy improvisatory sketches, tied up in cheap, risibly sentimental catharsis.- Slant Magazine
- Posted May 7, 2013
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
Doesn't waste a moment on recognizable reality, consumed as it is with checking off various items from its list of clichés.- Slant Magazine
- Posted Feb 7, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Diego Semerene
Private Romeo feels more like a side project from the producers of Glee than some kind of novel queering of Shakespeare's text.- Slant Magazine
- Posted Feb 8, 2012
- Read full review
-
Reviewed by
-
- Slant Magazine
- Posted Feb 15, 2012
- Read full review
-
-
Reviewed by
Andrew Schenker
A (relatively) tasteful and restrained approach to potentially lurid subject matter isn't necessarily any better than one that gives in freely to what might be seen as a filmmaker's baser impulses.- Slant Magazine
- Posted Feb 14, 2012
- Read full review
-
Reviewed by
-
- Critic Score
The film's cynicism, like everything else, is nothing more than empty posturing, a fashionable pose adopted to ingratiate itself with a disenfranchised public.- Slant Magazine
- Posted Nov 11, 2012
- Read full review
-
-
Reviewed by
Bill Weber
A dry dream of postmenopausal-male sexual lethargy, this comedy's least musty ideas are among its worst.- Slant Magazine
- Posted Feb 27, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
Morgan Spurlock has little to say about Comic-Con other than that its attendees value it on a par with Christmas.- Slant Magazine
- Posted Mar 29, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
Nick Schager
The FP has a one-note joke of a conceit, and when that runs out, it has few actual jokes to fill the humorless void.- Slant Magazine
- Posted Mar 11, 2012
- Read full review
-
Reviewed by
-
-
Reviewed by
R. Kurt Osenlund
The movie is something of a compositional nightmare, worlds away, one might say, from the artistry so associated with Cirque.- Slant Magazine
- Posted Dec 20, 2012
- Read full review
-
Reviewed by