Slant Magazine's Scores

For 7,789 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7789 movie reviews
  1. Rather than organically develop its characters, it charts their evolution via silly outfit changes, treating the early '80s as a costume bin for flavor-of-the-week aping gags, with the band going from Gary Numan style shirts and skinny ties to lavish glam-rock costumes.
  2. Gavin Hood relays a vague sense of what it's like to live in duty, and yet at a distance from one's home, but this vision of the future never rouses, never asks to be remembered.
  3. The first half of the film is a virtual compendium of high-culture references, topical concerns addressed almost in passing, and narrative fracturing devices.
  4. A slice of slight character-driven conventionality in which directorial sensitivity and drama rooted in tense conversations and intermittent blow-ups prove incapable of imparting depth to a tale that plays like a series of simplistic stock gestures.
  5. The Tickells' style is a predictable grab bag of interviews with outraged experts and journalists, TV news footage, and scenes in which the filmmakers (and, during one trip, fellow activists Peter Fonda and Amy Smart) make faux-daring journeys into the fray to bring back supposed realities that corporate America seeks to hide.
  6. The apparent byproduct of watching too much Bad Boys II, The Viral Factor is a cops-and-criminals saga slathered in glossy Michael Bay-isms.
  7. Nuri Bilge Ceylan has to be the least kinetic of working filmmakers - and not simply in the sense of static camerawork or lack of narrative momentum.
    • 44 Metascore
    • 38 Critic Score
    This insipidly inspirational biopic of the two-term Brazilian president is a safe, bourgeois vision of proletarian struggle.
  8. A predictable, drawn-out romantic comedy that happens to be set in the shadow of impending apocalypse.
  9. The filmmakers bite off far more than they're able to chew, resulting in an odd blend of touched-upon topics.
  10. Paranormal Activity 4 sadly continues the series' downslide, most drearily with a mid-film twist that enables the filmmakers to go about essentially remaking the second entry.
  11. Tim Burton's sense of playfulness feels forced throughout, and as the film progresses, any humor or inventiveness takes a backseat to tumultuous set pieces that reference Frankenstein.
  12. The icy fatalism of film noir is turned to slush by Thin Ice, a crime saga that reduces its chosen genre to a series of atonal, old-hat clichés.
  13. ATM
    If both good and evil characters don't behave in ways that make sense vis-à-vis their circumstances, any sense of terror quickly dissipates.
  14. It's a road movie of sorts, like the Steve Coogan/Bob Brydon comedy The Trip, only with fewer expert impressions and more inept executions, but lovely scenery just the same.
  15. A coming-of-age tale that, with every landscape cutaway and twinkling note from its xylophone-heavy score, begs to be taken as a dreamy slice of countryside profundity.
    • 43 Metascore
    • 38 Critic Score
    In Bad Fever, Dustin Guy Defa's sad-sack indie drama about loneliness and urban ennui, a stand-up routine becomes an outlet for personal pain, the stage a place to unload baggage.
  16. Yoav Factor can't decide whether he wants to play his broad scenario as an exaggerated farce or as a heartwarming testament to blood ties.
  17. The movie's deathblow is the casting of poet-artist Miss Ming as Mammuth's affectless niece, whose twee verse and sculpture make Miranda July seem like a bearer of gravitas.
  18. Oh, the things that money can buy.
  19. Tina Gordon Chism's film collapses into a series of clumsy improvisatory sketches, tied up in cheap, risibly sentimental catharsis.
  20. Doesn't waste a moment on recognizable reality, consumed as it is with checking off various items from its list of clichés.
  21. Private Romeo feels more like a side project from the producers of Glee than some kind of novel queering of Shakespeare's text.
    • 68 Metascore
    • 38 Critic Score
    What Bullhead ultimately lacks isn't balls but insight and empathy.
  22. A (relatively) tasteful and restrained approach to potentially lurid subject matter isn't necessarily any better than one that gives in freely to what might be seen as a filmmaker's baser impulses.
    • 64 Metascore
    • 38 Critic Score
    The film's cynicism, like everything else, is nothing more than empty posturing, a fashionable pose adopted to ingratiate itself with a disenfranchised public.
  23. A dry dream of postmenopausal-male sexual lethargy, this comedy's least musty ideas are among its worst.
  24. Morgan Spurlock has little to say about Comic-Con other than that its attendees value it on a par with Christmas.
  25. The FP has a one-note joke of a conceit, and when that runs out, it has few actual jokes to fill the humorless void.
  26. The movie is something of a compositional nightmare, worlds away, one might say, from the artistry so associated with Cirque.

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