For 7,772 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,346 out of 7772
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Mixed: 1,493 out of 7772
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Negative: 1,933 out of 7772
7772
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Nick McCarthy
Treva Wurmfeld's documentary addresses, and acutely analyzes, the way friendship can bend, and occasionally snap, over time.- Slant Magazine
- Posted Sep 21, 2013
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Reviewed by
Ed Gonzalez
The film is beholden to a strange internal logic that gives primacy not to its protagonist's suffering, but to its maker's thirst for fun.- Slant Magazine
- Posted Sep 21, 2013
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Jesse Cataldo
Even if Hayao Miyazaki's career is complete, a work like this serves to remind us of the shining beacons he's left behind him, the testaments to pursuing beauty in the face of so much ugliness, themselves lasting reminders of the quiet rewards of determination.- Slant Magazine
- Posted Sep 21, 2013
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Chuck Bowen
Jim Mickle plays the scenario deadly straight and unintentionally exposes all of its attendant absurdities, leaving the cast stranded.- Slant Magazine
- Posted Sep 21, 2013
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Reviewed by
Ed Gonzalez
Abdellatif Kechiche reveals through his sense of composition, and collaboration with his remarkable actresses, a sensitivity to emotional nuance that's striking.- Slant Magazine
- Posted Sep 21, 2013
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Reviewed by
Ed Gonzalez
This window into the world of youthful competition almost entirely disposes of social awareness in favor of routine drama.- Slant Magazine
- Posted Sep 19, 2013
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- Critic Score
As an adaptation of Davis Sedaris's short essay from his acclaimed 1997 compilation, Naked, it's a letdown, as it doesn't exude the pop of the author's trademark humor.- Slant Magazine
- Posted Sep 18, 2013
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Reviewed by
Chris Cabin
Enough can't be said about how the late James Gandolfini comes so close to saving writer-director Nicole Holofcener's latest articulation of white suburban anxieties.- Slant Magazine
- Posted Sep 18, 2013
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Reviewed by
Ed Gonzalez
Remarkably, the highlight of Benson Lee's film, essentially a fiction reboot of his Planet B-Boy, isn't the scene where Chris Brown gets punched in the face.- Slant Magazine
- Posted Sep 18, 2013
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Andrew Schenker
The film scores all of its thematic points early, commenting intriguingly, if ultimately rather obviously, on the demands of Japanese patriarchy.- Slant Magazine
- Posted Sep 17, 2013
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Going neither in the direction of Reefer Madness nor a Cheech and Chong movie, it's both funny and serious, and its depictions of pot-smoking could be read as either promotional or cautionary.- Slant Magazine
- Posted Sep 16, 2013
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Reviewed by
R. Kurt Osenlund
Greedily tries to cram every dystopian curse into one misbegotten plot, resulting in something wildly disjointed, even if its pieces arguably connect.- Slant Magazine
- Posted Sep 16, 2013
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Despite their supposedly good intentions, the comedian-filmmakers broach the doc's central subject with crass and offensive standup routines that wouldn't be out of place on the Blue Collar Comedy Tour.- Slant Magazine
- Posted Sep 16, 2013
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- Critic Score
Yet another limp spy spoof that fails to make any interesting critiques about the genre, let alone construct a humorous gag.- Slant Magazine
- Posted Sep 16, 2013
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- Critic Score
The documentary's lack of a cohesive thesis may frustrate at times, but its power lies in its exposition of the mundane.- Slant Magazine
- Posted Sep 15, 2013
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Reviewed by
Diego Semerene
Alain Guiraudie's film portrays cruising as a danger-seeking and astoundingly repetitive affair, intimately linked to death itself.- Slant Magazine
- Posted Sep 15, 2013
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Kenji Fujishima
Anthony Wong does a creditable job of conveying Ip Man's reflectiveness through his twilight years, occasionally cutting through the hagiographic nature of the enterprise.- Slant Magazine
- Posted Sep 15, 2013
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Tomas Hachard
It misfires in tone, depth, and political tact, dumbing down rather than providing new insights into the Israel-Palestine conflict.- Slant Magazine
- Posted Sep 15, 2013
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Reviewed by
Ed Gonzalez
Possibly year's most immaculate-looking drivel, a prismatically shot whodunit abundant in red herrings, but lacking in moral contemplation.- Slant Magazine
- Posted Sep 15, 2013
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Wes Greene
While the real-time aesthetic approach sporadically enthralls, it also reveals the narrow worldview that burdens the film.- Slant Magazine
- Posted Sep 14, 2013
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Andrew Schenker
Is an exploration of sex addiction, in all its different manifestations, the new flavor of the week in contemporary American cinema?- Slant Magazine
- Posted Sep 14, 2013
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Andrew Schenker
It gives a true sense of how the forces of a hypocritically religious country has burdened countless young women with a lifetime of misplaced guilt.- Slant Magazine
- Posted Sep 14, 2013
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Steve Macfarlane
Dorothy Vogel is less the soft-spoken housewife from the first film than a businesswoman both shrewd and mousy, and her trajectory affords the film its closest semblance to a story.- Slant Magazine
- Posted Sep 14, 2013
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Reviewed by
Ed Gonzalez
Steve McQueen's film practically treats Solomon Norhtup as passive observer to a litany of horrors that exist primarily for our own education.- Slant Magazine
- Posted Sep 13, 2013
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Jesse Cataldo
A film whose only distinguishing characteristic is how big a mess it makes of its already meager ambitions.- Slant Magazine
- Posted Sep 12, 2013
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Chris Cabin
A full realization of the very worst fears one could imagine when its director, James Wan, unexpectedly emerged from the torture-porn murk with its original, spiritedly directed predecessor.- Slant Magazine
- Posted Sep 12, 2013
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R. Kurt Osenlund
Beautiful, poetic, and hard-hitting without the use of excessive force and deeply layered with evolving and regional nuances of feminine experience- Slant Magazine
- Posted Sep 12, 2013
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Reviewed by
Chuck Bowen
It ambitiously parodies and mourns the implications of the one coherent message that mass media manages to convey to all of its consumers in all its endlessly proliferating, ever-shifting permutations.- Slant Magazine
- Posted Sep 11, 2013
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Reviewed by
Bill Weber
An overmatched star and a scarcity of eccentricity sink this hip-lit origin story from director John Krokidas.- Slant Magazine
- Posted Sep 11, 2013
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Andrew Schenker
Joseph Gordon-Levitt's directorial debut does for porn-dependence what Shame did for sex addiction by offering a surface-level look at the effects of its specific pathology on its lead male character.- Slant Magazine
- Posted Sep 11, 2013
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