For 7,775 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,349 out of 7775
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Mixed: 1,493 out of 7775
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Negative: 1,933 out of 7775
7775
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Steve Macfarlane
Robert Pattinson's stare is almost thousand-yard enough to make the film's sense of tragedy feel downright Greek.- Slant Magazine
- Posted Jun 13, 2014
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Reviewed by
Nick McCarthy
Like an astutely aching ballad, the film—aptly scored with sweet, strumming beats by Jean-Louis Aubert—is pleased to ambiguously infer the interior logic of its irresolute characters without pigeonholing their motivations.- Slant Magazine
- Posted Jun 11, 2014
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Reviewed by
Nick Prigge
Garrett Hedlund's performance throbs with an anguish that's far more honest than the sentimental euthanasia subplot at the center of the film.- Slant Magazine
- Posted Jun 11, 2014
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- Critic Score
The decentralized narrative benefits from the film's original conception as a miniseries, with plenty of time to draw us into the morass that was the communist state.- Slant Magazine
- Posted Jun 10, 2014
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Reviewed by
Eric Henderson
It has the core of a genuine crowd-pleaser, but unfortunately something bigger and more all-consuming keeps getting into its head.- Slant Magazine
- Posted Jun 10, 2014
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Kenji Fujishima
The familiar premise is done with enough intelligence and heartfelt conviction that it rises above its potentially cliché trappings.- Slant Magazine
- Posted Jun 10, 2014
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Reviewed by
Nick McCarthy
The documentary is more interested in covering all its bases than making sure it fully has its foot on each base.- Slant Magazine
- Posted Jun 10, 2014
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Reviewed by
David Lee Dallas
By focusing on the tumultuous friendship between Violette LeDuc and Simone de Beauvoir, Martin Provost creates not so much a dichotomy of femininity as a funhouse mirror of it.- Slant Magazine
- Posted Jun 9, 2014
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Reviewed by
David Lee Dallas
Both film and protagonist are troubled works in progress that shuffle and meander and frequently falter, but occasionally sing.- Slant Magazine
- Posted Jun 9, 2014
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Elise Nakhnikian
The film is a testament to the power of video to document resistance to corrupt and abusive regimes, but it's also a witness to the limits of that power.- Slant Magazine
- Posted Jun 9, 2014
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Chuck Bowen
Álex de la Iglesia has a real flair for wild action sequences that remain exhilaratingly coherent and sensical.- Slant Magazine
- Posted Jun 9, 2014
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Tomas Hachard
The emotional and political point through all this isn't to be taken lightly, but because the entirety of the film has such a nihilistic temperament, its effect is muted.- Slant Magazine
- Posted Jun 9, 2014
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Reviewed by
Clayton Dillard
Adept as both timely character study and epochal drama, Test wonderfully manages fully formed humanism without sentimentality.- Slant Magazine
- Posted Jun 9, 2014
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Reviewed by
Clayton Dillard
Jan Ole Gerster seems infatuated with his main character, but to little avail beyond reveling in his aimless despair.- Slant Magazine
- Posted Jun 9, 2014
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Jaime N. Christley
As funny and batshit insane as the movie often is, the fact that 22 Jump Street knows it's a tiresome sequel doesn't save it from being a tiresome sequel, even as Lord and Miller struggle to conceal the bitter pill of convention in the sweet tapioca pudding of wall-to-wall jokes.- Slant Magazine
- Posted Jun 9, 2014
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Reviewed by
Nick Schager
Israel's fractured psyche is plumbed via narrative splintering in Policeman, Nadav Lapid's compelling drama about his homeland's burgeoning social unrest.- Slant Magazine
- Posted Jun 8, 2014
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Reviewed by
Chuck Bowen
Frontloaded with a surprising amount of plot, the film takes forever to get going, but it's the filmmakers' hypocrisy that really grates.- Slant Magazine
- Posted Jun 8, 2014
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Reviewed by
David Lee Dallas
It takes few chances, frequently using sass as a smokescreen, hiding what's unoriginal and cheaply sentimental about this story behind a veil of witticisms about oblivion and "cancer perks."- Slant Magazine
- Posted Jun 4, 2014
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Reviewed by
Eric Henderson
Tom Cruise's participation transmutes, as it always does, everything around him, turning the movie's series of false starts, dead ends, and hard lessons into a working metaphor for his own career.- Slant Magazine
- Posted Jun 4, 2014
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Reviewed by
Clayton Dillard
An art-house con destined to make viewers who've ever used the term "mindfuck" as praise rack their brains trying to come up with alternate readings for a film that invites many but convincingly offers none.- Slant Magazine
- Posted Jun 3, 2014
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Reviewed by
Clayton Dillard
Almost none of the film's characters or scenarios escape feeling contrived under writer-director-star Clark Gregg's bizarro tonal shifts and plot developments.- Slant Magazine
- Posted Jun 3, 2014
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Reviewed by
Wes Greene
Like their earlier Trouble the Water, Carl Deal and Tia Lessin portray men and women yearning for a simple place in society as they become casualties to the self-involvement of larger forces.- Slant Magazine
- Posted Jun 3, 2014
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Reviewed by
Diego Semerene
The film is a hybrid of a Lifetime movie focused on a "strong woman," a run-of-the-mill murder mystery, and a yogurt commercial from hell.- Slant Magazine
- Posted Jun 2, 2014
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Reviewed by
Jesse Cataldo
The film puts too many elements into play, which means it ends up darting hopelessly between a series of underdeveloped storylines.- Slant Magazine
- Posted Jun 2, 2014
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Glenn Heath Jr.
A heartfelt retro flashback littered with pop-culture iconography and much slang, it focuses on the importance of friendship and loyalty rather than social standing.- Slant Magazine
- Posted Jun 2, 2014
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Reviewed by
Chuck Bowen
Marc Bauder's documentary quietly detonates the conservative notion that our largest corporations should be allowed to duke it out in metaphorical no-holds-barred cage matches.- Slant Magazine
- Posted Jun 1, 2014
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Reviewed by
Ed Gonzalez
Bobcat Goldthwait exposes the characteristic male pursuit of power to which females are often made subservient.- Slant Magazine
- Posted Jun 1, 2014
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Reviewed by
Chuck Bowen
With The Sacrament, director Ti West has bitten off more of a premise than his classically modest barebones approach to horror movies can presently chew.- Slant Magazine
- Posted Jun 1, 2014
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R. Kurt Osenlund
We may have all wanted to know the story behind those famed horns, but the mystery was far preferable to having Maleficent de-fanged and de-clawed in the process.- Slant Magazine
- Posted May 29, 2014
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Reviewed by
Steve Macfarlane
All the whiny point-scoring is such an explicit appeal for audience sympathy that the dialogue feels derived from a malnourished stand-up routine.- Slant Magazine
- Posted May 28, 2014
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