Slant Magazine's Scores

For 7,775 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7775 movie reviews
  1. Robert Pattinson's stare is almost thousand-yard enough to make the film's sense of tragedy feel downright Greek.
  2. Like an astutely aching ballad, the film—aptly scored with sweet, strumming beats by Jean-Louis Aubert—is pleased to ambiguously infer the interior logic of its irresolute characters without pigeonholing their motivations.
  3. Garrett Hedlund's performance throbs with an anguish that's far more honest than the sentimental euthanasia subplot at the center of the film.
    • 83 Metascore
    • 75 Critic Score
    The decentralized narrative benefits from the film's original conception as a miniseries, with plenty of time to draw us into the morass that was the communist state.
  4. It has the core of a genuine crowd-pleaser, but unfortunately something bigger and more all-consuming keeps getting into its head.
  5. The familiar premise is done with enough intelligence and heartfelt conviction that it rises above its potentially cliché trappings.
  6. The documentary is more interested in covering all its bases than making sure it fully has its foot on each base.
  7. By focusing on the tumultuous friendship between Violette LeDuc and Simone de Beauvoir, Martin Provost creates not so much a dichotomy of femininity as a funhouse mirror of it.
  8. Both film and protagonist are troubled works in progress that shuffle and meander and frequently falter, but occasionally sing.
  9. The film is a testament to the power of video to document resistance to corrupt and abusive regimes, but it's also a witness to the limits of that power.
  10. Álex de la Iglesia has a real flair for wild action sequences that remain exhilaratingly coherent and sensical.
  11. The emotional and political point through all this isn't to be taken lightly, but because the entirety of the film has such a nihilistic temperament, its effect is muted.
  12. Adept as both timely character study and epochal drama, Test wonderfully manages fully formed humanism without sentimentality.
  13. Jan Ole Gerster seems infatuated with his main character, but to little avail beyond reveling in his aimless despair.
  14. As funny and batshit insane as the movie often is, the fact that 22 Jump Street knows it's a tiresome sequel doesn't save it from being a tiresome sequel, even as Lord and Miller struggle to conceal the bitter pill of convention in the sweet tapioca pudding of wall-to-wall jokes.
  15. Israel's fractured psyche is plumbed via narrative splintering in Policeman, Nadav Lapid's compelling drama about his homeland's burgeoning social unrest.
  16. Frontloaded with a surprising amount of plot, the film takes forever to get going, but it's the filmmakers' hypocrisy that really grates.
  17. It takes few chances, frequently using sass as a smokescreen, hiding what's unoriginal and cheaply sentimental about this story behind a veil of witticisms about oblivion and "cancer perks."
  18. Tom Cruise's participation transmutes, as it always does, everything around him, turning the movie's series of false starts, dead ends, and hard lessons into a working metaphor for his own career.
  19. An art-house con destined to make viewers who've ever used the term "mindfuck" as praise rack their brains trying to come up with alternate readings for a film that invites many but convincingly offers none.
  20. Almost none of the film's characters or scenarios escape feeling contrived under writer-director-star Clark Gregg's bizarro tonal shifts and plot developments.
  21. Like their earlier Trouble the Water, Carl Deal and Tia Lessin portray men and women yearning for a simple place in society as they become casualties to the self-involvement of larger forces.
  22. The film is a hybrid of a Lifetime movie focused on a "strong woman," a run-of-the-mill murder mystery, and a yogurt commercial from hell.
  23. The film puts too many elements into play, which means it ends up darting hopelessly between a series of underdeveloped storylines.
  24. A heartfelt retro flashback littered with pop-culture iconography and much slang, it focuses on the importance of friendship and loyalty rather than social standing.
  25. Marc Bauder's documentary quietly detonates the conservative notion that our largest corporations should be allowed to duke it out in metaphorical no-holds-barred cage matches.
  26. Bobcat Goldthwait exposes the characteristic male pursuit of power to which females are often made subservient.
  27. With The Sacrament, director Ti West has bitten off more of a premise than his classically modest barebones approach to horror movies can presently chew.
  28. We may have all wanted to know the story behind those famed horns, but the mystery was far preferable to having Maleficent de-fanged and de-clawed in the process.
  29. All the whiny point-scoring is such an explicit appeal for audience sympathy that the dialogue feels derived from a malnourished stand-up routine.

Top Trailers