Slant Magazine's Scores

For 7,779 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7779 movie reviews
  1. Offers all the ingredients for a great feast of enticing visions and thematic concerns, only to have them be prepared, plated, and served with the grace of Elmer Fudd.
  2. The filmmakers allow their characters to learn the usual humanist lessons, in the process eliding the ramifications of their scenario.
  3. At which point does a superficially "nonjudgmental" approach simply seem coy rather than sincerely evenhanded?
  4. Throughout Caniba, there’s a singularly disquieting relationship between the filmmakers’ formal experimentation and their subject.
  5. The film quickly reveals that the only angle it’s interested in is the one that most sympathizes with Gary Hart.
  6. So Yong Kim's direction remains ruminative, even poetic, in its pacing, its sense of place, and its approach to intimacy, but this is her most unsuitable script.
  7. Just as Stanley Kramer’s Judgement at Nuremberg explored the Nuremberg trials against the backdrop of the emerging Cold War, James Vanderbilt’s film holds the trials up as a mirror to our current era of authoritarianism.
  8. The film fails to lift off from this sturdy aesthetic launching pad; it never allows the characters, however stock, to evolve in their respective dealings with one another, which is the primary source of tension and escalation for a thriller set in a confined place.
  9. The title of Scott Coffey's new film is a pretty obvious double entendre, but it does efficiently convey the good intentions behind this scattershot production.
  10. It comes across like yet another casualty in the long line of stories about men having their eyes opened by their angelic girlfriends.
  11. Blue Beetle plays out with all the revelry of a contractual obligation, hitting every note of the hero’s journey with no variation, murky action sequences, and little in the way of imagination, despite the titular object itself granting Jaime the ability to manifest anything that he imagines.
  12. The documentary provides little sense of intimacy with its subject, but it gives an in-depth look at the master chef's uniquely obsessive work habits.
  13. It has the unfortunate effect of being a movie that seems stuck on a Broadway stage.
  14. The songs still sound great here, but the instruments aren't amplified nearly as much as the nostalgia and vanity of the men who wield them.
  15. One doesn't have to look too closely at Carnage's final shot to marvel at the way Polanski refuses to haughtily indict his audience in the pettiness of his characters' behavior.
    • 61 Metascore
    • 75 Critic Score
    The film draws out Danny Boyle's less dazzling commercial side, not to mention his penchant for whirling excess.
    • 61 Metascore
    • 50 Critic Score
    As a film stupefied by its exotic setting, Oka! almost drops its walking stick of a plot as it wanders through the Central African Republic's jungle, getting blissed out on the sensuous delights of the surrounding wildlife and local Bayaka music.
  16. For all the heartbreaking depth with which the filmmakers explore the horrors of human trafficking, the film still leaves one with a sense of a larger story just beyond their grasp.
  17. Zeros and Ones is the unwelcome spectacle of a bad boy attempting to apologize for his badness.
  18. The film has little to add on the subject of the interplay of politics and infectious disease, then or now.
  19. There’s a riveting story somewhere here about the crumbling of the Soviet Union and the stranglehold of capitalism on ’80s culture, but Tetris never quite locates it.
  20. The film refuses to shy away from the unvarnished honesty of Blind Melon frontman Shannon Hoon during his brief moment of fame.
  21. The things that elevate Chiwetel Ejiofor’s film are those that elevated Rob Peace’s life overall.
  22. With its silvery sheen and sexy lure of celebrity actors being naughty, the film recalls the decadent, self-consciously chic art it parodies.
  23. The documentary advances its cause through an intimately diaristic depiction of hard work done well.
  24. Jesse Eisenberg’s satire hits its targets dead on, but he flattens his mother-and-son narcissists to the point of caricature.
  25. It simply picks up the baton from the previous film, relying on a series of increasingly nasty, and at times exciting, kills to thrill audiences, while leaving everything in between to feel as fake as its vision of the Big Apple.
  26. Alternates between business-world morality play, family drama, and portrait of a local community without ever comfortably integrating these disparate elements into his messy stew.
  27. One successful set piece in 135 minutes, and it involves very little running, no parkour, and no genetically enhanced superheroes from clandestine government projects.
  28. A cheekily gruesome and genuinely urgent entertainment, Blomkamp's latest nevertheless can't help but beg the question: Where's Snake Plissken when you need him?

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