For 7,779 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,353 out of 7779
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Mixed: 1,493 out of 7779
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Negative: 1,933 out of 7779
7779
movie
reviews
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Reviewed by
Chris Cabin
Offers all the ingredients for a great feast of enticing visions and thematic concerns, only to have them be prepared, plated, and served with the grace of Elmer Fudd.- Slant Magazine
- Posted Apr 26, 2013
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Chuck Bowen
The filmmakers allow their characters to learn the usual humanist lessons, in the process eliding the ramifications of their scenario.- Slant Magazine
- Posted Feb 10, 2020
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Reviewed by
Kenji Fujishima
At which point does a superficially "nonjudgmental" approach simply seem coy rather than sincerely evenhanded?- Slant Magazine
- Posted Sep 18, 2012
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Reviewed by
Peter Goldberg
Throughout Caniba, there’s a singularly disquieting relationship between the filmmakers’ formal experimentation and their subject.- Slant Magazine
- Posted Oct 15, 2018
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Derek Smith
The film quickly reveals that the only angle it’s interested in is the one that most sympathizes with Gary Hart.- Slant Magazine
- Posted Nov 7, 2018
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Reviewed by
Chris Cabin
So Yong Kim's direction remains ruminative, even poetic, in its pacing, its sense of place, and its approach to intimacy, but this is her most unsuitable script.- Slant Magazine
- Posted Sep 1, 2012
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Rocco T. Thompson
Just as Stanley Kramer’s Judgement at Nuremberg explored the Nuremberg trials against the backdrop of the emerging Cold War, James Vanderbilt’s film holds the trials up as a mirror to our current era of authoritarianism.- Slant Magazine
- Posted Nov 1, 2025
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Chuck Bowen
The film fails to lift off from this sturdy aesthetic launching pad; it never allows the characters, however stock, to evolve in their respective dealings with one another, which is the primary source of tension and escalation for a thriller set in a confined place.- Slant Magazine
- Posted Jul 15, 2016
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David Lee Dallas
The title of Scott Coffey's new film is a pretty obvious double entendre, but it does efficiently convey the good intentions behind this scattershot production.- Slant Magazine
- Posted Feb 10, 2014
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Reviewed by
Steven Scaife
It comes across like yet another casualty in the long line of stories about men having their eyes opened by their angelic girlfriends.- Slant Magazine
- Posted Mar 9, 2020
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Justin Clark
Blue Beetle plays out with all the revelry of a contractual obligation, hitting every note of the hero’s journey with no variation, murky action sequences, and little in the way of imagination, despite the titular object itself granting Jaime the ability to manifest anything that he imagines.- Slant Magazine
- Posted Nov 14, 2023
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Keith Watson
The documentary provides little sense of intimacy with its subject, but it gives an in-depth look at the master chef's uniquely obsessive work habits.- Slant Magazine
- Posted Jun 4, 2018
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Reviewed by
Jeremiah Kipp
It has the unfortunate effect of being a movie that seems stuck on a Broadway stage.- Slant Magazine
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Reviewed by
Chris Cabin
The songs still sound great here, but the instruments aren't amplified nearly as much as the nostalgia and vanity of the men who wield them.- Slant Magazine
- Posted Sep 24, 2013
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Ed Gonzalez
One doesn't have to look too closely at Carnage's final shot to marvel at the way Polanski refuses to haughtily indict his audience in the pettiness of his characters' behavior.- Slant Magazine
- Posted Sep 28, 2011
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- Critic Score
The film draws out Danny Boyle's less dazzling commercial side, not to mention his penchant for whirling excess.- Slant Magazine
- Posted Mar 27, 2013
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- Critic Score
As a film stupefied by its exotic setting, Oka! almost drops its walking stick of a plot as it wanders through the Central African Republic's jungle, getting blissed out on the sensuous delights of the surrounding wildlife and local Bayaka music.- Slant Magazine
- Posted Oct 17, 2011
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Reviewed by
Kenji Fujishima
For all the heartbreaking depth with which the filmmakers explore the horrors of human trafficking, the film still leaves one with a sense of a larger story just beyond their grasp.- Slant Magazine
- Posted Dec 9, 2013
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Reviewed by
Chuck Bowen
Zeros and Ones is the unwelcome spectacle of a bad boy attempting to apologize for his badness.- Slant Magazine
- Posted Nov 17, 2021
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William Repass
The film has little to add on the subject of the interplay of politics and infectious disease, then or now.- Slant Magazine
- Posted Jul 30, 2024
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Steven Scaife
There’s a riveting story somewhere here about the crumbling of the Soviet Union and the stranglehold of capitalism on ’80s culture, but Tetris never quite locates it.- Slant Magazine
- Posted Mar 27, 2023
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Reviewed by
Wes Greene
The film refuses to shy away from the unvarnished honesty of Blind Melon frontman Shannon Hoon during his brief moment of fame.- Slant Magazine
- Posted Jun 25, 2020
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Reviewed by
Justin Clark
The things that elevate Chiwetel Ejiofor’s film are those that elevated Rob Peace’s life overall.- Slant Magazine
- Posted Jan 29, 2024
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Reviewed by
Chuck Bowen
With its silvery sheen and sexy lure of celebrity actors being naughty, the film recalls the decadent, self-consciously chic art it parodies.- Slant Magazine
- Posted Jan 31, 2019
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Reviewed by
Wes Greene
The documentary advances its cause through an intimately diaristic depiction of hard work done well.- Slant Magazine
- Posted Jan 16, 2017
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Reviewed by
Chris Barsanti
Jesse Eisenberg’s satire hits its targets dead on, but he flattens his mother-and-son narcissists to the point of caricature.- Slant Magazine
- Posted Jan 23, 2022
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Reviewed by
Gregory Nussen
It simply picks up the baton from the previous film, relying on a series of increasingly nasty, and at times exciting, kills to thrill audiences, while leaving everything in between to feel as fake as its vision of the Big Apple.- Slant Magazine
- Posted Mar 8, 2023
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Reviewed by
Andrew Schenker
Alternates between business-world morality play, family drama, and portrait of a local community without ever comfortably integrating these disparate elements into his messy stew.- Slant Magazine
- Posted Apr 6, 2013
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Reviewed by
Jaime N. Christley
One successful set piece in 135 minutes, and it involves very little running, no parkour, and no genetically enhanced superheroes from clandestine government projects.- Slant Magazine
- Posted Aug 7, 2012
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Reviewed by
Chris Cabin
A cheekily gruesome and genuinely urgent entertainment, Blomkamp's latest nevertheless can't help but beg the question: Where's Snake Plissken when you need him?- Slant Magazine
- Posted Aug 2, 2013
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