For 7,789 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,359 out of 7789
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Mixed: 1,496 out of 7789
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Negative: 1,934 out of 7789
7789
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Keith Watson
Writer-director Steven Caple Jr.'s social-realist tendencies run up against some unconvincing genre elements.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Clayton Dillard
The film stagnates by restricting camera mobility and focusing more on capturing dimensions of the performances in close-up.- Slant Magazine
- Posted Jun 12, 2016
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- Critic Score
Director Alex Gibney does this vital material a disservice, giving it an air of deflated pomposity.- Slant Magazine
- Posted Jul 7, 2016
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Reviewed by
Jesse Cataldo
Andrzej Zulawski's film experiment ranks somewhere between captivatingly off the wall and utterly exhausting.- Slant Magazine
- Posted Jun 13, 2016
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Reviewed by
Jesse Cataldo
Nocturnal Animals gets close to a double-barreled satirical thriller commenting on the historic rift between city and country.- Slant Magazine
- Posted Nov 14, 2016
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Reviewed by
Chuck Bowen
It has an irritating habit of depending on our natural reactions, letting the subject matter do the heavy lifting.- Slant Magazine
- Posted Jul 25, 2016
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Reviewed by
Kenji Fujishima
It resonates as a portrait of artists trying to figure out their own paths toward making valuable contributions to the world.- Slant Magazine
- Posted Jun 6, 2016
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Reviewed by
Wes Greene
The filmmakers are thankfully willing to render, with unremitting vigor, how grief can batter the human heart.- Slant Magazine
- Posted Jul 12, 2016
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Reviewed by
Chuck Bowen
Oz Perkins exhibits a committed understanding of the cinematic value of silence and of vastly underpopulated compositions.- Slant Magazine
- Posted Mar 28, 2017
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Reviewed by
Carson Lund
It's a shame that the José Luis Guerín film's verbal qualities far outpace its formal attributes.- Slant Magazine
- Posted Aug 26, 2016
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Reviewed by
Ed Gonzalez
The film slightly reorients our perspective on the familiar tropes of both the teen and apocalyptic genres.- Slant Magazine
- Posted Jul 25, 2016
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Dan Rubins
Wicked’s frequent patches of sluggishness are particularly frustrating because so much of the film—especially the songs—is glorious.- Slant Magazine
- Posted Nov 19, 2024
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Reviewed by
Sam C. Mac
The film's searching images counterpoint the hyper-articulate methodology of its characters' sense of imbalance and uncertainty.- Slant Magazine
- Posted Nov 8, 2016
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Reviewed by
Diego Semerene
Catherine Corsini depicts feminists in lighthearted ways, at once humorously caricatured and sensitively human.- Slant Magazine
- Posted Jul 19, 2016
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Reviewed by
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Reviewed by
Ed Gonzalez
The film complements its goose-pimply frights with an unabashedly naked emotional gravitas.- Slant Magazine
- Posted Oct 18, 2016
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Reviewed by
Christopher Gray
The Nanfu Wang film's noble aims are mirrored in its more frustrating and conventional qualities.- Slant Magazine
- Posted Jul 10, 2016
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Reviewed by
Ed Gonzalez
When divorced of message-mongering, the film’s scare tactics are among the most distinctive that the zombie canon has ever seen.- Slant Magazine
- Posted Jul 17, 2016
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Reviewed by
Clayton Dillard
Elite Zexer weaves an impressively terse narrative of distinctly motivated characters, but the film’s core remains somewhat shapeless due to the routine dramatization.- Slant Magazine
- Posted Sep 20, 2016
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Reviewed by
Keith Watson
Even if Long Way North's narrative makes for a bland frame, there’s no denying the beauty of the picture it holds.- Slant Magazine
- Posted Sep 27, 2016
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Reviewed by
Wes Greene
It ends on a muted whimper of a note that one doesn't expect given that the film's subject is such an immensely entertaining raconteur.- Slant Magazine
- Posted Sep 25, 2016
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Reviewed by
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Reviewed by
Keith Watson
While it offers ample opportunity to admire Benson's body of work, it provides few aesthetic delights of its own.- Slant Magazine
- Posted Dec 4, 2016
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Reviewed by
Christopher Gray
The Thomas Vinterberg film's sentimentality is suspect, laced with an intriguing but vague strain of bitterness.- Slant Magazine
- Posted May 15, 2017
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Reviewed by
Chuck Bowen
Ana Lily Amirpour has learned a few lessons from QT about the disreputable joys of blending kitsch and ultraviolence.- Slant Magazine
- Posted Jun 18, 2017
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Reviewed by
Henry Stewart
The film gives Una a little more agency, but director Benedict Andrews often invalidates such empowerment.- Slant Magazine
- Posted Oct 2, 2017
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Reviewed by
Chuck Bowen
There’s a tough and mysterious film within Strange Weather, though it doesn’t quite escape the strictures of a busy and studiously weird narrative that’s governed by formula screenwriting.- Slant Magazine
- Posted Jul 26, 2017
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Reviewed by
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Reviewed by
Kenji Fujishima
Intimately focusing on its main character's personal triumphs, its refusing to fall into heavy-handed polemicism.- Slant Magazine
- Posted Apr 2, 2017
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Reviewed by
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Reviewed by
Keith Watson
It's emotionally manipulative, but its two leads find a core of humanity even in the most calculating plot machinations.- Slant Magazine
- Posted Sep 26, 2016
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Reviewed by
Sam C. Mac
What tends to right Moonlight, even when Barry Jenkins's filmmaking drifts into indulgence, is the strength of its actors.- Slant Magazine
- Posted Sep 25, 2016
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Reviewed by
Elise Nakhnikian
The central characters' dogged refusal to cede their places on a team that keeps trying to reject them is a moving display of heroism.- Slant Magazine
- Posted Dec 11, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
The screenplay's enigmatic nature holds one's interest throughout, even as the film veers into pat moralism.- Slant Magazine
- Posted Nov 17, 2016
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Reviewed by