Slant Magazine's Scores

For 7,789 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7789 movie reviews
  1. Writer-director Steven Caple Jr.'s social-realist tendencies run up against some unconvincing genre elements.
  2. The film stagnates by restricting camera mobility and focusing more on capturing dimensions of the performances in close-up.
    • 77 Metascore
    • 63 Critic Score
    Director Alex Gibney does this vital material a disservice, giving it an air of deflated pomposity.
  3. Andrzej Zulawski's film experiment ranks somewhere between captivatingly off the wall and utterly exhausting.
  4. Nocturnal Animals gets close to a double-barreled satirical thriller commenting on the historic rift between city and country.
  5. It has an irritating habit of depending on our natural reactions, letting the subject matter do the heavy lifting.
  6. It resonates as a portrait of artists trying to figure out their own paths toward making valuable contributions to the world.
  7. The filmmakers are thankfully willing to render, with unremitting vigor, how grief can batter the human heart.
  8. Oz Perkins exhibits a committed understanding of the cinematic value of silence and of vastly underpopulated compositions.
  9. It's a shame that the José Luis Guerín film's verbal qualities far outpace its formal attributes.
  10. The film slightly reorients our perspective on the familiar tropes of both the teen and apocalyptic genres.
  11. Wicked’s frequent patches of sluggishness are particularly frustrating because so much of the film—especially the songs—is glorious.
  12. The film's searching images counterpoint the hyper-articulate methodology of its characters' sense of imbalance and uncertainty.
  13. Catherine Corsini depicts feminists in lighthearted ways, at once humorously caricatured and sensitively human.
  14. The film complements its goose-pimply frights with an unabashedly naked emotional gravitas.
  15. The Nanfu Wang film's noble aims are mirrored in its more frustrating and conventional qualities.
  16. When divorced of message-mongering, the film’s scare tactics are among the most distinctive that the zombie canon has ever seen.
  17. Elite Zexer weaves an impressively terse narrative of distinctly motivated characters, but the film’s core remains somewhat shapeless due to the routine dramatization.
  18. Even if Long Way North's narrative makes for a bland frame, there’s no denying the beauty of the picture it holds.
  19. It ends on a muted whimper of a note that one doesn't expect given that the film's subject is such an immensely entertaining raconteur.
  20. While it offers ample opportunity to admire Benson's body of work, it provides few aesthetic delights of its own.
  21. The Thomas Vinterberg film's sentimentality is suspect, laced with an intriguing but vague strain of bitterness.
  22. Ana Lily Amirpour has learned a few lessons from QT about the disreputable joys of blending kitsch and ultraviolence.
  23. Una
    The film gives Una a little more agency, but director Benedict Andrews often invalidates such empowerment.
  24. There’s a tough and mysterious film within Strange Weather, though it doesn’t quite escape the strictures of a busy and studiously weird narrative that’s governed by formula screenwriting.
  25. Intimately focusing on its main character's personal triumphs, its refusing to fall into heavy-handed polemicism.
  26. It's emotionally manipulative, but its two leads find a core of humanity even in the most calculating plot machinations.
  27. What tends to right Moonlight, even when Barry Jenkins's filmmaking drifts into indulgence, is the strength of its actors.
  28. The central characters' dogged refusal to cede their places on a team that keeps trying to reject them is a moving display of heroism.
  29. The screenplay's enigmatic nature holds one's interest throughout, even as the film veers into pat moralism.

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