For 7,789 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,359 out of 7789
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Mixed: 1,496 out of 7789
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Negative: 1,934 out of 7789
7789
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kenji Fujishima
At times throughout this concert film, Kevin Hart’s brash honesty about himself can feel liberating.- Slant Magazine
- Posted Oct 13, 2016
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Reviewed by
Clayton Dillard
The film presents Kitty Genovese's identity as an afterthought, turning her living days and nights into incidental details.- Slant Magazine
- Posted May 31, 2016
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Reviewed by
Chuck Bowen
Underneath the impersonal formal beauty and good acting is a familiar moral about self-imposed limitations.- Slant Magazine
- Posted Aug 22, 2016
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Reviewed by
Chuck Bowen
It infuses an outdoorsy survival tale and a coming-of-age story of friendship with Taika Waititi's penchant for distaff flakiness.- Slant Magazine
- Posted Jun 22, 2016
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Reviewed by
Elise Nakhnikian
The film's ruefully honest tone is periodically drowned out by the blare of stagey coincidences.- Slant Magazine
- Posted Aug 25, 2016
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Reviewed by
Ed Gonzalez
The haphazard blending of fact and clips from disparate films unrelated to Shin Sang-ok and Choi Eun-hee's ordeal confuses an already intricate tale.- Slant Magazine
- Posted Sep 20, 2016
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Reviewed by
Chuck Bowen
The film attains a chilly existential quality as Matt Johnson's character discerns the weight of his actions.- Slant Magazine
- Posted Sep 12, 2016
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Reviewed by
Keith Watson
The film is at its sharpest when Chris Kelly hands scenes over to his main character's family and friends.- Slant Magazine
- Posted Sep 6, 2016
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Reviewed by
Kenji Fujishima
The film may not announce itself as hagiography, but it’s hero-worshipful to its core.- Slant Magazine
- Posted Aug 22, 2016
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Reviewed by
Chuck Bowen
Jordan Galland confidently perches the film right on the razor’s edge separating absurdist comedy from horror.- Slant Magazine
- Posted Feb 28, 2016
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Jake Cole
At its best, F9 delivers the most spatially coherent, dynamic car scenes in the series to date.- Slant Magazine
- Posted Jun 23, 2021
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Chuck Bowen
It offers a wonderful visual reprieve from the cumbersomely mechanized aesthetic of so much contemporary fantasy.- Slant Magazine
- Posted Jul 4, 2016
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Reviewed by
Clayton Dillard
The film mostly functions as a tour of familiar horror tropes for much of its running time.- Slant Magazine
- Posted Mar 21, 2016
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Reviewed by
Matt Brennan
Lion's faults of structure and pacing might limit its power, but in stretches it still roars.- Slant Magazine
- Posted Nov 23, 2016
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Reviewed by
Jake Cole
Even an act of noble sacrifice late in the film has a faintly goofy tone to it, reflective of Shane Black's streak of puckish nihilism. That attitude makes him a perfect fit for this franchise, which lost its thematic viciousness after the anti-imperialist original.- Slant Magazine
- Posted Sep 7, 2018
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Reviewed by
Chuck Bowen
Throughout Alex and Benjamin Brewer's film, Nicolas Cage holds the screen with his distinct timing and expressive force of being.- Slant Magazine
- Posted May 10, 2016
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Reviewed by
Clayton Dillard
The film's larger purpose, be it about the ardor of handmade crafts or artist Tom Sachs's artistic ambitions, never emerges with any consistent focus.- Slant Magazine
- Posted Mar 14, 2016
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Reviewed by
Chuck Bowen
The film offers an oxymoronic parable that’s been utilized countless times by cinema, in loose reiterations of A Christmas Carol: The protagonist must learn humility after learning that the world revolves around him.- Slant Magazine
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Reviewed by
Chuck Bowen
An admirably bizarre and beautiful genre mixtape, but Anders Thomas Jensen's empathy for his characters gradually impedes his imagination.- Slant Magazine
- Posted Apr 19, 2016
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Reviewed by
Ed Gonzalez
The film's sustainment of its corkscrew tension is so elegant and methodical as to feel dance-like.- Slant Magazine
- Posted Aug 21, 2016
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Reviewed by
Oleg Ivanov
It works as both a modern morality play for our globalized world and as an indictment of Europe's ethical bankruptcy.- Slant Magazine
- Posted Jun 29, 2016
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Reviewed by
Kenji Fujishima
Robert Cenedella exudes humility even as he sounds off against the societal forces that anger him and fuel his work.- Slant Magazine
- Posted May 30, 2016
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Reviewed by
Jesse Cataldo
Pedro Almodóvar’s object-oriented approach ends up blocking off the deeper emotional access that Alice Munro's stories so effortlessly attain.- Slant Magazine
- Posted Sep 29, 2016
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Reviewed by
Clayton Dillard
The film's Cuban specificity comes to seem like an opportunistic locale for reenacting a decidedly art-cinematic legacy.- Slant Magazine
- Posted May 2, 2016
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Reviewed by
Matt Brennan
There's no sustained effort to answer the first question any editor or J-school instructor worth his or her salt would ask: So what?- Slant Magazine
- Posted Jun 12, 2016
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Reviewed by
Jake Cole
As with Sicario, the broad strokes of the film's Southwestern stereotypes gradually sharpen into focus as the story pivots to a look at the systemic forces that shape the characters.- Slant Magazine
- Posted Aug 9, 2016
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Reviewed by
Chuck Bowen
The film shrewdly capitalizes on Mel Gibson's off-screen embarrassments and controversies.- Slant Magazine
- Posted Aug 10, 2016
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Reviewed by
Elise Nakhnikian
The film reveals the erudition and shrewd self-awareness that Jim Osterberg drew on to become Iggy Pop.- Slant Magazine
- Posted Oct 24, 2016
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Reviewed by
Derek Smith
Endless Poetry eventually, like young Alejandro, opens itself up to the world in all of its beauty and complexities.- Slant Magazine
- Posted Jul 6, 2017
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- Critic Score
Jaws works as both a horror film and a human drama. The Meg doesn't aspire to the earlier film's pathos (its flagrant callbacks to Jaws draw attention to how grotesquely adolescent it is by comparison), but that's because it's above all else a movie-star vehicle, and it succeeds on that front.- Slant Magazine
- Posted Aug 8, 2018
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