Slant Magazine's Scores

For 7,789 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7789 movie reviews
  1. At times throughout this concert film, Kevin Hart’s brash honesty about himself can feel liberating.
  2. The film presents Kitty Genovese's identity as an afterthought, turning her living days and nights into incidental details.
  3. Underneath the impersonal formal beauty and good acting is a familiar moral about self-imposed limitations.
  4. It infuses an outdoorsy survival tale and a coming-of-age story of friendship with Taika Waititi's penchant for distaff flakiness.
  5. The film's ruefully honest tone is periodically drowned out by the blare of stagey coincidences.
  6. The haphazard blending of fact and clips from disparate films unrelated to Shin Sang-ok and Choi Eun-hee's ordeal confuses an already intricate tale.
  7. The film attains a chilly existential quality as Matt Johnson's character discerns the weight of his actions.
  8. The film is at its sharpest when Chris Kelly hands scenes over to his main character's family and friends.
  9. The film may not announce itself as hagiography, but it’s hero-worshipful to its core.
  10. Jordan Galland confidently perches the film right on the razor’s edge separating absurdist comedy from horror.
  11. At its best, F9 delivers the most spatially coherent, dynamic car scenes in the series to date.
  12. It offers a wonderful visual reprieve from the cumbersomely mechanized aesthetic of so much contemporary fantasy.
  13. The film mostly functions as a tour of familiar horror tropes for much of its running time.
  14. Lion's faults of structure and pacing might limit its power, but in stretches it still roars.
  15. Even an act of noble sacrifice late in the film has a faintly goofy tone to it, reflective of Shane Black's streak of puckish nihilism. That attitude makes him a perfect fit for this franchise, which lost its thematic viciousness after the anti-imperialist original.
  16. Throughout Alex and Benjamin Brewer's film, Nicolas Cage holds the screen with his distinct timing and expressive force of being.
  17. The film's larger purpose, be it about the ardor of handmade crafts or artist Tom Sachs's artistic ambitions, never emerges with any consistent focus.
  18. The film offers an oxymoronic parable that’s been utilized countless times by cinema, in loose reiterations of A Christmas Carol: The protagonist must learn humility after learning that the world revolves around him.
  19. An admirably bizarre and beautiful genre mixtape, but Anders Thomas Jensen's empathy for his characters gradually impedes his imagination.
  20. The film's sustainment of its corkscrew tension is so elegant and methodical as to feel dance-like.
  21. It works as both a modern morality play for our globalized world and as an indictment of Europe's ethical bankruptcy.
  22. Robert Cenedella exudes humility even as he sounds off against the societal forces that anger him and fuel his work.
  23. Pedro Almodóvar’s object-oriented approach ends up blocking off the deeper emotional access that Alice Munro's stories so effortlessly attain.
  24. The film's Cuban specificity comes to seem like an opportunistic locale for reenacting a decidedly art-cinematic legacy.
  25. There's no sustained effort to answer the first question any editor or J-school instructor worth his or her salt would ask: So what?
  26. As with Sicario, the broad strokes of the film's Southwestern stereotypes gradually sharpen into focus as the story pivots to a look at the systemic forces that shape the characters.
  27. The film shrewdly capitalizes on Mel Gibson's off-screen embarrassments and controversies.
  28. The film reveals the erudition and shrewd self-awareness that Jim Osterberg drew on to become Iggy Pop.
  29. Endless Poetry eventually, like young Alejandro, opens itself up to the world in all of its beauty and complexities.
    • 46 Metascore
    • 63 Critic Score
    Jaws works as both a horror film and a human drama. The Meg doesn't aspire to the earlier film's pathos (its flagrant callbacks to Jaws draw attention to how grotesquely adolescent it is by comparison), but that's because it's above all else a movie-star vehicle, and it succeeds on that front.

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