Slant Magazine's Scores

For 7,776 reviews, this publication has graded:
  • 33% higher than the average critic
  • 3% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mulholland Dr.
Lowest review score: 0 Jojo Rabbit
Score distribution:
7776 movie reviews
  1. This is cinema’s most comprehensive look at the gruesome business of necropsy since Stan Brakhage's The Act of Seeing with One’s Own Eyes.
  2. In Sing, musical theater is simply an excuse for the filmmakers to deliver an animated version of American Idol.
  3. Martin Scorsese crafts a versatile, multifaceted work that encourages serious reflection and contemplation.
  4. Danzel Washington honors the manna of the play's being: the micro of romantic longing, self-loathing, and nostalgia.
  5. David Frankel's film argues that the power of miracles can be manufactured by those who can fund them.
  6. The film is surprisingly amiable, thanks to the commitment of its lead actors and its refusal to condescend to its characters.
  7. Rogue One is less the fetish object that The Force Awakens is because it at least has the ambitions to create its own character dynamics and plot routes rather than coast on existing ones.
  8. Gonzalo López-Gallego's direction isn't confident enough to allow us to ignore The Hollow Point's contrivances.
  9. The film seems more interested in its art design then in fully developing the story's underlying sexual ethics.
  10. The film’s nagging representational problem stems from its reductive sense of place and portraiture of emotional displacement, which gradually phases out the possibility of thornier revelations.
  11. It joylessly coopts the hoariest stylistic tics and narrative tropes from your run-of-the-mill 1990s thriller.
  12. The central characters' dogged refusal to cede their places on a team that keeps trying to reject them is a moving display of heroism.
  13. Michael Keaton's powerful performance in The Founder is marooned in a wishy-washy story.
  14. The film occasionally benefits from the weird energy shared between Michael Shannon and Imogen Poots.
  15. Josh Gordon and Will Speck's Office Christmas Party generally smacks of trying too hard to earn its laughs.
  16. At first, the film’s dark humor is amusing, only for it to wear off once an actual plot kicks into motion.
  17. It captures how sports can bring wholly disparate people together to accomplish feats that change the destiny of nations.
  18. Every element of La La Land is bound up in a referentiality that largely precludes the outpourings of emotion we come to musicals for.
  19. While it offers ample opportunity to admire Benson's body of work, it provides few aesthetic delights of its own.
  20. For a film that warns against believing in a mirage, Burn Country seems all too comfortable perpetuating one.
  21. Katie Holmes's feature-length directorical debut is more earnest than remarkable, but with its heart in the right place.
  22. Johnny Ma's Old Stone is a lean, nasty entry in a subgenre that could be termed the bureaucratic noir.
  23. Pet
    The screenplay quickly loses this moral clarity as the plot twists pile up and the power balances shift.
  24. What the film embodies, unfortunately, the listlessness of its slacker characters.
  25. When he's not busy lamenting a bygone past, Marcello more broadly and usefully reminds us of a world beyond our own and a time beyond the present, all of which can be easy to forget in a country as full of political and economic turmoil as present-day Italy.
  26. As long as Patriots Day is concerned with recreating the sense of ambient chaos among sparring investigators and an anxious community, it’s immersive and thrilling.
  27. Dito Montiel's silly plot machinations waste a solid performance from Shia LaBeouf.
  28. Pablo Larraín's film bluntly hammers home the notion that history is framed by perception rather than reality.
  29. It believes that the avenue to proving humanity is through banalizing gestures of quotidian significance.
  30. Sam Pollard's documentary teeters on reaching a higher plane of meaning simply through the efficiency of its information.

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