For 7,776 reviews, this publication has graded:
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33% higher than the average critic
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3% same as the average critic
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64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: | Mulholland Dr. | |
|---|---|---|
| Lowest review score: | Jojo Rabbit |
Score distribution:
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Positive: 4,350 out of 7776
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Mixed: 1,493 out of 7776
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Negative: 1,933 out of 7776
7776
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Keith Watson
This is cinema’s most comprehensive look at the gruesome business of necropsy since Stan Brakhage's The Act of Seeing with One’s Own Eyes.- Slant Magazine
- Posted Dec 16, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
In Sing, musical theater is simply an excuse for the filmmakers to deliver an animated version of American Idol.- Slant Magazine
- Posted Dec 16, 2016
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Reviewed by
Jesse Cataldo
Martin Scorsese crafts a versatile, multifaceted work that encourages serious reflection and contemplation.- Slant Magazine
- Posted Dec 15, 2016
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Reviewed by
Chuck Bowen
Danzel Washington honors the manna of the play's being: the micro of romantic longing, self-loathing, and nostalgia.- Slant Magazine
- Posted Dec 15, 2016
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Reviewed by
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Reviewed by
Eric Henderson
David Frankel's film argues that the power of miracles can be manufactured by those who can fund them.- Slant Magazine
- Posted Dec 14, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
The film is surprisingly amiable, thanks to the commitment of its lead actors and its refusal to condescend to its characters.- Slant Magazine
- Posted Dec 13, 2016
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Reviewed by
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Reviewed by
Sam C. Mac
Rogue One is less the fetish object that The Force Awakens is because it at least has the ambitions to create its own character dynamics and plot routes rather than coast on existing ones.- Slant Magazine
- Posted Dec 13, 2016
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Reviewed by
Chuck Bowen
Gonzalo López-Gallego's direction isn't confident enough to allow us to ignore The Hollow Point's contrivances.- Slant Magazine
- Posted Dec 13, 2016
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Reviewed by
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Reviewed by
Oleg Ivanov
The film seems more interested in its art design then in fully developing the story's underlying sexual ethics.- Slant Magazine
- Posted Dec 12, 2016
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Reviewed by
Clayton Dillard
The film’s nagging representational problem stems from its reductive sense of place and portraiture of emotional displacement, which gradually phases out the possibility of thornier revelations.- Slant Magazine
- Posted Dec 11, 2016
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Reviewed by
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Reviewed by
Derek Smith
It joylessly coopts the hoariest stylistic tics and narrative tropes from your run-of-the-mill 1990s thriller.- Slant Magazine
- Posted Dec 11, 2016
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Reviewed by
Elise Nakhnikian
The central characters' dogged refusal to cede their places on a team that keeps trying to reject them is a moving display of heroism.- Slant Magazine
- Posted Dec 11, 2016
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Reviewed by
Elise Nakhnikian
Michael Keaton's powerful performance in The Founder is marooned in a wishy-washy story.- Slant Magazine
- Posted Dec 7, 2016
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Reviewed by
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Reviewed by
Chuck Bowen
The film occasionally benefits from the weird energy shared between Michael Shannon and Imogen Poots.- Slant Magazine
- Posted Dec 7, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
Josh Gordon and Will Speck's Office Christmas Party generally smacks of trying too hard to earn its laughs.- Slant Magazine
- Posted Dec 7, 2016
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Reviewed by
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Reviewed by
Diego Semerene
At first, the film’s dark humor is amusing, only for it to wear off once an actual plot kicks into motion.- Slant Magazine
- Posted Dec 6, 2016
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Reviewed by
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Reviewed by
Oleg Ivanov
It captures how sports can bring wholly disparate people together to accomplish feats that change the destiny of nations.- Slant Magazine
- Posted Dec 5, 2016
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Reviewed by
Christopher Gray
Every element of La La Land is bound up in a referentiality that largely precludes the outpourings of emotion we come to musicals for.- Slant Magazine
- Posted Dec 5, 2016
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Reviewed by
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Reviewed by
Keith Watson
While it offers ample opportunity to admire Benson's body of work, it provides few aesthetic delights of its own.- Slant Magazine
- Posted Dec 4, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
For a film that warns against believing in a mirage, Burn Country seems all too comfortable perpetuating one.- Slant Magazine
- Posted Dec 4, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
Katie Holmes's feature-length directorical debut is more earnest than remarkable, but with its heart in the right place.- Slant Magazine
- Posted Dec 4, 2016
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Reviewed by
Chuck Bowen
Johnny Ma's Old Stone is a lean, nasty entry in a subgenre that could be termed the bureaucratic noir.- Slant Magazine
- Posted Dec 3, 2016
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Reviewed by
Keith Watson
The screenplay quickly loses this moral clarity as the plot twists pile up and the power balances shift.- Slant Magazine
- Posted Dec 1, 2016
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Reviewed by
Diego Semerene
What the film embodies, unfortunately, the listlessness of its slacker characters.- Slant Magazine
- Posted Nov 30, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
When he's not busy lamenting a bygone past, Marcello more broadly and usefully reminds us of a world beyond our own and a time beyond the present, all of which can be easy to forget in a country as full of political and economic turmoil as present-day Italy.- Slant Magazine
- Posted Nov 30, 2016
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Reviewed by
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Reviewed by
Christopher Gray
As long as Patriots Day is concerned with recreating the sense of ambient chaos among sparring investigators and an anxious community, it’s immersive and thrilling.- Slant Magazine
- Posted Nov 28, 2016
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Reviewed by
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Reviewed by
Kenji Fujishima
Dito Montiel's silly plot machinations waste a solid performance from Shia LaBeouf.- Slant Magazine
- Posted Nov 28, 2016
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Reviewed by
Christopher Gray
Pablo Larraín's film bluntly hammers home the notion that history is framed by perception rather than reality.- Slant Magazine
- Posted Nov 28, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
It believes that the avenue to proving humanity is through banalizing gestures of quotidian significance.- Slant Magazine
- Posted Nov 27, 2016
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Reviewed by
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Reviewed by
Clayton Dillard
Sam Pollard's documentary teeters on reaching a higher plane of meaning simply through the efficiency of its information.- Slant Magazine
- Posted Nov 27, 2016
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Reviewed by