Sioux City Journal's Scores

  • TV
For 342 reviews, this publication has graded:
  • 58% higher than the average critic
  • 4% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average TV Show review score: 72
Highest review score: 100 The Bear: Season 4
Lowest review score: 25 Almost Family: Season 1
Score distribution:
  1. Mixed: 0 out of 243
  2. Negative: 0 out of 243
243 tv reviews
  1. While “FUBAR” gets the ‘80s superstar back in the saddle, it should have been attached to a different horse – one that hadn’t already been put out to pasture. This takes too much time to get up to speed.
  2. Danson does a bit of the goofiness we saw to better effect in “The Good Place” and Hunter is so stern it’s surprising someone didn’t pull her aside and point out this is a comedy. Stray bits of information (like a straw ban in Los Angeles) bring a smile; direct steals (how to spell “syzygy” was a plot point in “The 25th Annual Putnam County Spelling Bee”) suggest someone didn’t do due diligence.
  3. More attention to the construction of his set and less to the spontaneity and it might actually be fun. Saturday’s offering suffers from attention deficit.
  4. Dull, sluggish and frequently lost, Walken had none of the spark you’d expect from the “swiniest swine in the world.”... Allison William’s Peter Pan was more successful but only because she took a very straightforward approach to a role that should have been bubbling with life.
  5. “Brave New World” looks like something NBC might have programmed in the 1980s. The sex and swearing are a stretch, of course, but there’s a lot of “Stepford Wives” to this that doesn’t really work.
  6. Modern Dads has an opportunity to enlighten. Now, in a half-hour format, the show barely flips a switch.
  7. “Shifting Gears” plays into the hands of audiences who loved its two stars. Neither goes too far afield from the personalities they helped create. While Dennings often seems like she’s on an uphill climb, Allen seems to be idling.
  8. If you fly often enough, this might hold your interest--but only if you’re strapped in a seat and unable to pay for a movie because you forgot to bring a credit card.
  9. Because “Monarch” (which is the name of the family company) doesn’t really dig beneath its “Dallas”/”Dynasty” trappings, there are plenty of moments that ring false. When the performers are on stage, they seem real. When they’re insulting each other at home, they look phony.
  10. Filled with predictable jokes, stereotypical characters and situations that wouldn’t have been fresh two decades ago, the new comedy wastes its premise and all but deserts star Patrick Warburton, the only one who appears to be making an effort.
  11. This is an odd, odd show.

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