A Tiny Sticker Tale is a short and sweet game. It will never get too challenging, aside from a situation where timing and a small object might be involved. The concept is fun enough, and the character direction is adorable. It also never wears out its welcome, providing the perfect amount of time to enjoy its adventure. As long as you don’t go in expecting complexity from its puzzles or story, I think you’ll have a good time.

The rare in-engine cutscenes during epic fights show promise, but they are so few and far between. This game could have been more broadly appealing and intriguing with its frenetic and exhilarating action RPG gameplay but ultimately loses itself with its lackluster presentation choices.

Detective Pikachu Returns is a charming Pokemon mystery adventure that is anchored by a heartfelt story.

While I adore the mood, vibes, and look of Assassin’s Creed Mirage, it is also one of my least favorite games in the series in recent memory. It is a step backwards in pretty much every sense of the word, for better and for worse. I admire the idea of going back to the roots with inspiration from games I enjoyed more than a decade ago, but it creates mixed results because of this.

It took some time for me to warm up to Mega Man X Dive Offline, but it’s reached a point where I have a hard time putting it down.

Cocoon is a strange game but one that’s worth the experience for those willing to accept that. The visual design is a treat of surreal imagery, and the puzzle design is superb. If you like unfathomable narratives and journeys through alien worlds, it’s highly recommended.

By setting the story in real life and in a time period that most players are familiar with, Fate/Samurai Remnant presents its fantastical plot in a grounded reality. It doesn’t bring anything new to the table in terms of gameplay or story. But when you’re making a musou game based on an IP with an established setting and lore, simplicity is the best answer. Even though I finished the game, I’m still looking forward to seeing Iori and the others in future DLC, and hopefully, in Grand Order.

While Silent Hope does rely in a very specific sort of routine that may (or may not) click with a player, I had a lot more fun with it than I expected. It was really satisfying to go on excursions into the Abyss. So much so that I got caught up in making sure my Caster and Farmer felt “right” to use, rather than focused on progression and heading deeper for a while. That said, it is a very repetitive game that relies on a certain kind of feedback loop, and those who don’t get invested probably won’t learn all of the game’s secrets.

Playing Disgaea 7 is a heartening experience. While Disgaea 6 may have shaken some people’s faith, this entry should restore the confidence that the team knows what they’re doing. It’s more in line with what a longtime fan of the series would expect to see. Like hey, they got it right this time. It made me glad to not only return to the Netherworld again, but keep coming back for the supplemental challenges.

Curse Crackers: For Whom the Belle Toils is one of those sorts of platformers that I didn’t expect to be as charming and rich as it is. It perfectly captures the ambiance of an era. Likewise, it manages to blend its story and personality well into the experience, giving it a more distinct identity.

There is absolutely a fun and maybe even great experience somewhere in Mineko’s Night Market, but right now it is hidden behind balancing issues and Switch performance problems. I could absolutely see Meowza perhaps patching it and making any criticism I have for the title irrelevant over the coming weeks and months. But at launch, it can end up feeling a little too tedious and costly.

Mortal Kombat 1 looks incredible, has several fun play types depending on what you want to do, constantly rewards you for the time you spend on it, and offers so much customization to the combat through the Kameo system. While I might gripe about sitting through a Fatal Blow, I spend far more time just taking in the near-infinite possibilities that come from each character and Kameo combination. I feel like the ideas that come out of these systems are going to keep this game exciting for some time, and have made something that will be extremely rewarding for players to experiment with.

There’s clearly a lot of passion on display here, but I can’t help but feel there is a clash due to the enormity of their ambitions. The end result is a messy, occasionally frustrating and often tedious game that fails to live up to its many influences. Moonstone Island has the potential to be genuinely great, and it’s a genuine that it isn’t.

Simply put, Mon-Yu is an enjoyable adventure and exactly what people familiar with Experience will expect. It’s handled well and offers a lot of strategic options and challenge, if you’re looking for it. Likewise, the pleasant atmosphere, occasional silliness, and quality of life options like easier difficulty and ability to save anywhere make it more inviting to a newcomer. It’s generally a solid entry in a genre that either attracts people who expect specific sorts of challenges or are looking for an approachable entry point.

Pocket Bravery is an impressive fighter that shows some wonderful detail with its combat motions. The varied characters and their vast movelists give you many options on how to mangle foes, and you’ll need to use them skillfully if you’re to hope to win. An Accessible mode goes a long way to making that possible, although it unfortunately does not do much for the empty online modes at this time. It’s a great game that is finding its feet right now, so if you can get past the character art style (or if it doesn’t bug you), then you’ll want to get in on the ground floor with this sharp title.

Basically, it feels like Doinksoft really went as far as possible to ensure it makes Gunbrella feel like it is taking part in a cohesive, connected world filled with ambiance, rather than some loose arrangement of levels. It made me feel like paying attention to different characters and exploring every possible house and area mattered. Especially since it often rewarded me for doing so. It’s a novel game that seems well-supported.

Chants of Sennaar feels like more than a video game sometimes. Aside from some stealth sections and moments that involved evading hostile opponents that occasionally took me out of the moment, I found myself completely immersed in its world. Every new area accessed was a triumph. Every new word I learned felt like an accomplishment. It’s lovely.

Lies of P is a game that draws inspiration from a handful of things that have remained within the popular consciousness for good reason, and at the very least attempts to set out and build upon the foundations set by those inspirations. And while it will more than likely please those looking to scratch the itch Bloodborne left behind, its lackluster localization and generally narrow playstyle may leave some wanting. Especially after the release of Armored Core VI, which is hard to hold a candle to by comparison. That said it’s a game that has a lot of ideas, some that manage to hit and others that sort of slide off. Ultimately, Lies of P is an interesting spin on an age-old fairy tale and attempts to fill the hole Bloodborne left behind, and it really tries its best to do so.

It is in these social aspects that the ideas of Eternights start to shine, even if it is a bit too derivative and occasionally shallow. I only wish the combat and exploration nailed this aspect as well. The game could have been so much more.

Goodbye Volcano High is going to be an acquired taste. When it really gets going, it’s a meaningful exploration of finding meaning in friendship and the present moment, backed with a killer soundtrack. You just need to wade through a lot of technical problems and pacing issues to get to that heart.

With pank0’s Usagi Shiima, it really feels like the developer understood why people loved Neko Atsume and designed the game to build on that.

Grace and the rest of the Greek pantheon in Stray Gods are brought to life by expert voice over performances, great art direction, and an affecting story that is intriguing from start to finish, and, but the game is brought down by its performance on the Nintendo Switch. The game tries to harmonize musical elements with choice-driven mechanics, and fails to hit that note well due to an awkward soundtrack. Nevertheless, I had a blast with Stray Gods: The Roleplaying Musical and visual novel fans looking for something unique will absolutely find this a charming game worth experiencing.

I won’t say Fae Farm isn’t satisfying in some ways. Ticking boxes in many of the main and side quest checklists did prompt a response in me that made me want to keep playing. I did enjoy the ambiance and some of the ideas and concepts are sound. But the best way I can describe it is that it feels like Phoenix Labs decided it wanted to make a farming game, but then somehow made it feel like farming, ranching, and connecting with the community aren’t the focus of Fae Farm. I often felt it seemed like an action game that just so happens to include these farming elements as you’re engaging in crafting to head into the next dungeon.

Rune Factory 3 Special is a great farming game and one of the best, most memorable entries in the series. The Switch and PC versions simply take a strong title and make it possible for a larger audience to enjoy it. It’s well executed, with a satisfying gameplay loop and story that makes it easy to lose a few hours farming and fighting.

With a solid localization and a gripping story, Anonymous;Code is definitely a game I would recommend to basically anyone who enjoys visual novels or sci-fi. Very few games had me Googling terms and events with the fervor I had when playing this. It simultaneously made me feel like the biggest idiot and the smartest person in the room. You just can’t put a price on that feeling.

Norn9 Last Era is very clearly a game made for a particular audience. If you enjoyed Norn9 Var Commons, this is definitely an otome fan disc you will enjoy. All of the characters get their due. Aside from a bizarre requirement to force people through the Prelude, it’s well executed. Perhaps that love for the original game will even make it possible to overlook the formatting issues that still come up in the follow-up.

In a lot of ways, Starfield is the game that I always wanted Mass Effect to be. It truly captures the awe-inspiring scope of space exploration while being packed with a galaxy full of unique characters and stories for players to uncover.

Sea of Stars feels like something special. It lovingly honors RPGs that came before it, while also setting its own course. I kept happening upon NPCs, design decisions, and even lines of dialogue that stuck with me. Everything flows together so well and is paired with a heartfelt story that feels innovative while building upon a classic kind of adventure.