Seattle Post-Intelligencer's Scores
- Movies
- TV
For 2,931 reviews, this publication has graded:
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64% higher than the average critic
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3% same as the average critic
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33% lower than the average critic
On average, this publication grades 1 point higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Peter Pan | |
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| Lowest review score: | Mindhunters |
Score distribution:
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Positive: 1,824 out of 2931
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Mixed: 872 out of 2931
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Negative: 235 out of 2931
2931
movie
reviews
- By Date
- By Critic Score
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Reviewed by
William Arnold
Many will find the subject matter disturbing, but it's clearly one of the holiday season's richest and most daring movie entries.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
It's an interesting and likably ambitious movie with an ensemble of mostly engaging character vignettes, but, sadly, it misses its mark.- Seattle Post-Intelligencer
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Reviewed by
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- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
An insufferably insipid comedy with a cruel subtext.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
As dreary an hour-and-a-half as you could ever want to spend at the movies.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
(Bacon's) most believable, heart-wrenching and charismatic lead performance in many years.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
Anges has nothing but affection for its characters and fondness for their quirkiness.- Seattle Post-Intelligencer
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Reviewed by
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- Seattle Post-Intelligencer
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Reviewed by
William Arnold
What makes this film truly chilling is the fact first-time feature filmmaker Scott Elliott and his writers somehow make every step of this descent harrowingly believable.- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
It's a funny, insightful film whose feminist undertones don't overwhelm the story and characters.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
A real showcase for Penn, who seems to positively delight in playing a slimy, hateful character that most stars would not go near.- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
An indie film that was lavishly praised and won the Filmmakers Trophy at the Sundance Film Festival earlier this year, rolls along in the well-rutted, dusty tire tracks of other mother-and-daughter road trip- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
William Arnold
It not only pushes the computer-generated film envelope to the very edge, it's every bit as charming, funny and exciting as the original. In fact, I enjoyed it quite a bit more.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
William Arnold
Despite a few places where the air of déjà vu is a bit too thick, it's a class act, with a textured script, one of the series' more stunning title sequences.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
As dark as a Greek tragedy yet it has a vibrance and joie de vivre that can't be contained by grief.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
William Arnold
As good as the film is in so many ways, it also altogether rings a bit false and contrived.- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
Difficult to weigh and rate precisely because it deals with real life and real people.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
Has difficulty reaching a resolution. In the final half-hour, the film becomes almost hysterically out of sync with its prior quiet reserve.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
Susan Sarandon has never been more outrageously appealing. Natalie Portman is simply exquisite.- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
Attempts to do for "The Big Sleep"-type detective movie and film-noir genre what "Blair Witch" did for horror films.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
The horror and spectacle of medieval battle has never been re-created on film before with such ghastly beauty.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
It has moments of effectiveness, some of the performances -- especially Whitaker and Robert Ri'chard -- are moving.- Seattle Post-Intelligencer
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Reviewed by
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- Seattle Post-Intelligencer
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