Seattle Post-Intelligencer's Scores
- Movies
- TV
For 2,931 reviews, this publication has graded:
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64% higher than the average critic
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3% same as the average critic
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33% lower than the average critic
On average, this publication grades 1 point higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Peter Pan | |
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| Lowest review score: | Mindhunters |
Score distribution:
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Positive: 1,824 out of 2931
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Mixed: 872 out of 2931
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Negative: 235 out of 2931
2931
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Sean Axmaker
In Wonderland, Winterbottom has found a script worthy of his passion.- Seattle Post-Intelligencer
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Sean Axmaker
A celebration of the human spirit nothing short of sublime.- Seattle Post-Intelligencer
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Sean Axmaker
The film is inoffensive, and Baldwin is fun and engaging.- Seattle Post-Intelligencer
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Reviewed by
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- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
Sean Axmaker
Techine has a delicate touch and these lovely moments flow with a life that Martin's heavy, stumbling psychodrama can't match.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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William Arnold
The granddaddy of all caper/heist movies. The work that defined the genre for the subsequent four decades of filmmakers, none of whom was able to surpass it for style or suspense.- Seattle Post-Intelligencer
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Sean Axmaker
It's a passionate vision thick with eroticism, but the musky atmosphere gets a little thick and murky.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
If you can forgive some plot artifice and gloss, there's a seductively intuitive and resonant theme resting at the core of Jeremy Podeswa's haunting new film.- Seattle Post-Intelligencer
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Paula Nechak
The lapses in logic make a weak subplot about a serial killer on the loose just plain silly instead of provocative.- Seattle Post-Intelligencer
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Sean Axmaker
Singer deftly crafts a sleek, unusually tight film that balances comic-book adventure, pulp opera and the fear of being different.- Seattle Post-Intelligencer
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Sean Axmaker
Dark farce, a four-handed game of sexual trumps.- Seattle Post-Intelligencer
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Paula Nechak
(Arteta's) yanked an eerily accomplished performance out of his lead actor.- Seattle Post-Intelligencer
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Sean Axmaker
Willis and Breslin are stuck in a charmless, predictable picture they can't escape.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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William Arnold
It's a beautifully crafted, almost perfectly sustained little drama that skillfully makes a subtle, bittersweet point.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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- Critic Score
There are a number of funny and unexpected moments in the film, but they are ultimately swamped by the mean-spirited tone and increasingly over-the-top raunch and drug humor.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
Not terrible, but distinctly disappointing, not nearly as engaging or thrilling as its premise seems to promise.- Seattle Post-Intelligencer
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William Arnold
It's often surprisingly clever, dripping with respect for its model, and done with considerable wit and style.- Seattle Post-Intelligencer
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Sean Axmaker
In a summer of cardboard figures in splashy spectacles, that makes for a refreshing change, an intriguing, entertaining and altogether sweetly mystifying misfire. In other words, another quintessentially Alan Rudolph picture.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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William Arnold
It's by far the worst comedy either he (Carrey) or the Farrelly Brothers have ever made.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
Sean Axmaker
It moves so fast you almost forget it leaves the characters in its wake.- Seattle Post-Intelligencer
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William Arnold
Essentially works, even though the script is a mess and John Singleton's direction is often clumsy and heavy-handed to an annoying degree.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Sean Axmaker
Densely layered, demanding and beautiful, Ruiz has found the perfect venue for his passions and created the most cinematically breathtaking film of the new millennium.- Seattle Post-Intelligencer
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