Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,931 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Peter Pan
Lowest review score: 0 Mindhunters
Score distribution:
2931 movie reviews
    • 33 Metascore
    • 42 Critic Score
    An awkward and sometimes confused thing fraught with overwrought emotions and misguided ideals.
  1. Writer/director Jordan Roberts aims for heartwarming drama and settles for tepid entertainment.
  2. Every frame of the way, it's eminently clear that Primer is the work of an engineer, not a film- maker.
  3. Whether Mann's film will make a difference, however, is another question. He devotes little time to really exploring the issues, leaving the film a patchwork of assertions that, while they may be true, have to be taken on faith.
  4. There's an enjoyably literate style here and some humorous moments.
  5. In its best moments, the film works as both an exciting and formula-breaking action-adventure and as an enjoyably sappy tearjerker.
  6. It's overblown and greedy and feels like more of a merchandizing scheme than a movie.
  7. Despite a consistent tone of all-out absurdity, it's a very demanding movie, and its goofiness is never inspired or laugh-out-loud funny enough to carry us along on its leap of imagination.
  8. Captures the infantile fantasies of rock 'n' roll's self-made messiahs with an honesty that is rare in today's MTV world of promotional entertainment.
  9. It's a partisan campaign film, of course, but a subtle one.
  10. For all the tough-minded talk and frank portraits of inner-city life, however, the film is not altogether convincing.
  11. It's bloody brilliant.
    • 31 Metascore
    • 42 Critic Score
    Though First Daughter delivers a nice twist about midway through and Keaton lights up the screen every time he's on it, Holmes fails to deliver the kind of nuanced performance "Pieces of April" suggests she's capable of.
  12. It struck me as the most exciting and original Hollywood thriller, occult or otherwise, since "The Sixth Sense."
  13. Captures the lovely, heart-and-eye-opening ode to youthful possibility with affection and compassion.
  14. Baldwin and Broderick each click in their roles and consistently rise above their material in every scene. But the movie around them falls flat and can't begin to sustain its premise.
  15. It may not be art, but A Dirty Shame is shameless fun.
  16. Fascinates by its very premise: the fact that, on the basis of a Web site logo, these two bozos could so easily pass themselves off as important officials.
  17. Ultimately a primer. Without actually putting it in direct terms, it proposes a revolutionary solution, not just in Argentina but everywhere that the corporate culture has failed its workers and their communities.
  18. As fresh as a highlight reel of day-after replays, Mr. 3000 is a case of major-league talent stuck in a minor-league story.
  19. Surprisingly, the weak link is Dunst, who's previously been the delight of all her movies.
  20. For 12-year-old boys, period.
  21. An exceedingly dull retro-weepie.
  22. There is a heart-warming familiarity to much of its 2 1/2-hour tale, but the surprises around its edges gives Zelary a refreshing perspective.
  23. An effective political lampoon.
  24. A modest but amiable comedy.
  25. The impressive marriage of CGI backgrounds and traditional hand-drawn characters gives Oshii more tools to sculpt his vision in color and light.
  26. At once an elegy for the communal experience of cinema-going and another quintessentially Tsai portrait of loneliness and isolation.
  27. In its final scenes, when truth and superstition collide, the film becomes more preposterous than anything Penn may have contrived earlier.
  28. Less offensive than embarrassing, at least for the chagrined performers.

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