Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,931 reviews, this publication has graded:
  • 64% higher than the average critic
  • 3% same as the average critic
  • 33% lower than the average critic
On average, this publication grades 1 point higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Peter Pan
Lowest review score: 0 Mindhunters
Score distribution:
2931 movie reviews
  1. Absurdly over the top and not especially funny.
  2. Condon's direction is steady and fearless, Neeson and Linney are individually excellent and together they create an inspiring chemistry for a truly adventurous marriage.
  3. A slow, sometimes difficult film, Bright Future offers little immediate payoff to the patient viewer.
  4. For most of the way, it's indeed quite a ride: a cumulatively exhilarating, visually mouth-dropping, somberly stylish odyssey crammed full of virtuoso animation sequences.
  5. More than simply a raw-nerve success-gone-sour story. It's a revenge tale, and the directors come out on top.
    • 49 Metascore
    • 75 Critic Score
    Ultimately though, this remake doesn't stand up to the original. And it's precisely because this new Alfie is more likeable and thus less challenging.
  6. Her (Ardant's) diva-in-decline is funny, lightly campy and dead-on in the way it encapsulates the sadness at the end of a selfish life lived only for art.
  7. In a movie era when brand names mean very little, it shows once again that Pixar is a stamp of quality.
  8. Ray
    An extraordinary piece of biography.
  9. Saw
    The filmmakers piece it together with almost clockwork perfection and deliver it with masterful misdirection, creating the most ingenious, eccentric and brazenly jaundiced psycho-thriller to come along in years.
  10. Kidman's performance is the best thing in the movie, but it's not at all appealing.
  11. There's something flat and obscure about this well-acted stalker movie.
  12. Wise, entertaining and often very funny.
  13. There is no "why" in The Grudge, at least not an explanation that provides comfort or cure. It simply is. That's what makes it really scary.
  14. This is pseudo-cynical comedy, however, not social satire. All the sharp corners are smoothed over and what's left is little more than a big screen sitcom.
  15. Despite some iffy moments, Lighting is the closest one to get to the music from which, as Hubert Sumlin notes, "there is no retiring. You stay with it until the end."
  16. Bale is totally convincing, if not especially endearing.
  17. Despite picturesque episodes and nicely observed characters, the film lacks suspense.
  18. An acid movie flashback a la Oliver Stone.
  19. It feels too self-satisfied, but the prickly personalities and relationships have the ring of experience.
  20. The first hour of the movie struck me as being truly inspired, and I haven't laughed so hard all year.
  21. A warm-hearted and understated entertainment that's blissfully free of the heavy-handed crudity and other elements that have ravaged 21st-century Hollywood comedy.
  22. The supporting performers all shine, especially Irons in the thankless role of the clueless cuckold husband.
  23. Wanders off on story tangents that can't be called anything other than bizarre, but nevertheless oddly engages.
  24. As empowering and triumphant a film as you'll see this or any year.
  25. It's no earthshaker, but the indie film is refreshingly different from the current movie norm, it's won more than 15 awards on the festival circuit, and war-movie aficionados will find it well worth the journey.
  26. One of the year's few sci-fi films that actually takes itself seriously, and a movie that goes a long way on the strength of its unique premise, steady performances and impressive visual style.
  27. What it lacks in melodramatic punch it makes up for in unexpected shadings in the characters, predator and victim alike.
  28. There's nothing harder for an actor to play than a thoroughly good character, and Staunton does it with a dowdy, sublime originality.
  29. The film goes for a grainy, fast-cut, documentary look that is both a blessing and a curse.

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