Seattle Post-Intelligencer's Scores
- Movies
- TV
For 2,931 reviews, this publication has graded:
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64% higher than the average critic
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3% same as the average critic
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33% lower than the average critic
On average, this publication grades 0.9 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Peter Pan | |
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| Lowest review score: | Mindhunters |
Score distribution:
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Positive: 1,824 out of 2931
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Mixed: 872 out of 2931
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Negative: 235 out of 2931
2931
movie
reviews
- By Date
- By Critic Score
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Reviewed by
William Arnold
The film has an exciting visual texture that gives body to Brown's bestseller-ese prose, and uniformly strong performances that give dimension, depth and interest to characters that the author never entirely brought to life. In this sense, I found it much more entertaining and satisfying than the novel.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
Sean Axmaker
Hot Fuzz is something all too rare in movie comedies: a story rather than a string of disjointed skits, with hearty characters behind its caricatures.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
In a Fuller film, you're never quite sure where you're going. Whether Fuller was an authentic artist may be open to debate, but it's impossible to deny he was a first-rate storyteller. [15 May 1998]- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
It's compelling, poetic, rebellious, funny and one of the few movies that feels like it's been culled from another time and place yet broodingly bends modern societal taboos.- Seattle Post-Intelligencer
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It may seem strange to contemplate the possibility that sharks are more victim than vicious. Yet after Stewart makes his case you may find them and their cause, as he does, all-consuming.- Seattle Post-Intelligencer
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Reviewed by
Paula Nechak
The film manages to make the ordinary extraordinary. It takes visual risks, tells its story subjectively through images and moves confidently to a stunning, imaginative climax.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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William Arnold
It's not so much a sequel or even a remake for a new generation of moviegoers as it's a retranslation for the old one: an irresistible statement that "Yo, life ain't over till it's over."- Seattle Post-Intelligencer
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Sean Axmaker
It's messy and unsettled, but Bellocchio's distaste for the cynicism and mendacity is potent and sincere.- Seattle Post-Intelligencer
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William Arnold
It's a beautifully crafted, almost perfectly sustained little drama that skillfully makes a subtle, bittersweet point.- Seattle Post-Intelligencer
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William Arnold
Yet, as good as it is in so many ways, there's no getting around the fact that this briefest Harry and first directed by an unknown filmmaker (David Yates) is the least substantial of the bunch.- Seattle Post-Intelligencer
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Sean Axmaker
A rousing celebration of a genuine people's hero and a timely reminder that a free press is the greatest weapon in the arsenal of democracy and freedom.- Seattle Post-Intelligencer
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William Arnold
For all of its genre awkwardness, "I Am Cuba" has to be considered as one of the most striking visual epics of the 1960s - in the same imaginative league as "Spartacus," "Lawrence of Arabia" and "Dr. Zhivago." [23 Jun 1995]- Seattle Post-Intelligencer
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William Arnold
Flies so gallantly in the face of what's supposed to work at the movies these days that you just have to love it.- Seattle Post-Intelligencer
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William Arnold
Skillfully crafted, flawlessly paced, intellectually challenging tension of classics like "Bad Day at Black Rock."- Seattle Post-Intelligencer
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Sean Axmaker
The impressive marriage of CGI backgrounds and traditional hand-drawn characters gives Oshii more tools to sculpt his vision in color and light.- Seattle Post-Intelligencer
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Sean Axmaker
The three stars communicate the fears and dreams and frustrations of teenage girls with subtlety, sensitivity and dignity.- Seattle Post-Intelligencer
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William Arnold
The film's added enigma makes the play's title even more appropriate, but it results in a more ambiguous and perhaps less satisfying dramatic experience.- Seattle Post-Intelligencer
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William Arnold
The supporting performers all shine, especially Irons in the thankless role of the clueless cuckold husband.- Seattle Post-Intelligencer
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Sean Axmaker
Michell captures the awkwardness of real-world behavior with gentle, unforced humor.- Seattle Post-Intelligencer
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Bill White
Even without the oral history, this trippy exploration of Cobain's earthy habitations would be worth seeing as a "Koyaanisqatsi" for the Puget Sound area.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Sean Axmaker
It's smart, instructive political cinema that tackles complex issues of the globalization with practical examples and vivid images and presents its effects in immediate human terms.- Seattle Post-Intelligencer
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William Arnold
The film is downright repulsive in places, and otherwise pushes the envelope for an art film, but it's a dazzling piece of filmmaking that wins us over with its boldness and artistry.- Seattle Post-Intelligencer
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William Arnold
It's not an instant classic, but it's imaginatively drawn, full of charming characters, alive with action sequences and blissfully free of the snickering scatology and endless pop-culture references.- Seattle Post-Intelligencer
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William Arnold
Gradually and inexorably, the small crises of the children assume a poignant dramatic profluence, and the soothing patience of the teacher begins to have an almost hypnotically balming effect on the viewer.- Seattle Post-Intelligencer
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Sean Axmaker
Doyle's handheld camerawork is intimate and curious and his hazy colors radiate off the screen.- Seattle Post-Intelligencer
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The result is a cathartic hoot, relishing its own carefully doled out carnage.- Seattle Post-Intelligencer
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Reviewed by
William Arnold
It's bleak, credulity straining and often stomach-turning, but it definitely works as a heart-tugging character study, and Rourke's performance as the has-been title character is golden.- Seattle Post-Intelligencer
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