Seattle Post-Intelligencer's Scores
- Movies
- TV
For 2,931 reviews, this publication has graded:
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64% higher than the average critic
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3% same as the average critic
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33% lower than the average critic
On average, this publication grades 0.9 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Peter Pan | |
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| Lowest review score: | Mindhunters |
Score distribution:
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Positive: 1,824 out of 2931
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Mixed: 872 out of 2931
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Negative: 235 out of 2931
2931
movie
reviews
- By Date
- By Critic Score
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Reviewed by
William Arnold
Henry and June may be as sexually explicit as any major Hollywood production since the early '70s, but it is also intelligent, well-acted and expertly crafted. [05 Oct 1990]- Seattle Post-Intelligencer
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Sean Axmaker
Long for an animated feature and too demanding for very young children, but it's also filled with delights.- Seattle Post-Intelligencer
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Reviewed by
Sean Axmaker
Shooting with a respectful remove that captures an intimacy by sheer doggedness, Finkiel creates a rich atmosphere by simply looking, listening and peering past the surfaces.- Seattle Post-Intelligencer
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William Arnold
Though it seems long and its pace occasionally lags, it certainly struck me as a well-mounted, gloriously eye-filling and often exhilarating entertainment that brings back some of the delicious excitement of the great movie musicals.- Seattle Post-Intelligencer
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William Arnold
Forget "Raising Helen" and "The Notebook," this is the movie summer's most touching young romance.- Seattle Post-Intelligencer
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Paula Nechak
Istanbul-born director Ferzan Ozpetek has outdone himself with this wise and ruminative mystery about memory, unfulfillment and yearning.- Seattle Post-Intelligencer
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Paula Nechak
John Cameron Mitchell credits Plato as the inspiration for his rock musical Hedwig and the Angry Inch. Now Mitchell has turned his play into a raucous, touching celebration of a film.- Seattle Post-Intelligencer
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William Arnold
Like all great film noir, however, the real delight of this film is in its mood and atmosphere.- Seattle Post-Intelligencer
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Bill White
Most political films involving children are vicious or sentimental. The Year My Parents Went on Vacation, set in 1970 when Brazil was under the military dictatorship of General Emilio Medici, is neither.- Seattle Post-Intelligencer
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William Arnold
And the movie stands as a fitting memorial to River Phoenix, whose performance lingered in my mind for days after seeing it. [12 Nov 1993]- Seattle Post-Intelligencer
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William Arnold
It's an exciting action spectacle and a thoughtful, cumulatively moving family drama.- Seattle Post-Intelligencer
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William Arnold
This is still a director's movie and the real success belongs to Redford, whose overall confidence and command as a director have never been this impressive. He gets a little extra out of every scene and every performance, and he brings the film's diverse themes and story strands together with the special touch of the master filmmaker he has clearly become. [16 Sept 1994]- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
William Arnold
Broad and funny, its sensibility is very campy and it's out to be loved by everyone.- Seattle Post-Intelligencer
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William Arnold
There's no denying the skill and flair with which director Paul Greengrass has restaged this unhappy event, creating an uncanny sense of immediacy and allowing us to be a fly on the wall at a seminal '70s tragedy.- Seattle Post-Intelligencer
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Sean Axmaker
Beautifully observed tale of high-school kids in the projects outside Paris.- Seattle Post-Intelligencer
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- Critic Score
This delightful piece of whimsy uses its simple premise effectively to gain and keep our attention and to remind us simply that, while this world appears ordinary, it is still unbounded by reality.- Seattle Post-Intelligencer
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- Critic Score
The movie's biopic aspect is multiplied by the sheer number of players who made Chess the first family of Chicago blues, R&B and rock 'n' roll...That all of them were later inducted into the Rock and Roll Hall of Fame attests to their enormous influence on popular music and culture.- Seattle Post-Intelligencer
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William Arnold
It is purely and fearlessly a girl-and-her-horse movie that isn't trying to be all things for all audiences.- Seattle Post-Intelligencer
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William Arnold
In his first role since turning 40, Cruise displays a likable new maturity, and an unexpected willingness to look weak and foolish.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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William Arnold
Control Room is even more effective in showing the dilemma of the people who make up Al-Jazeera. In a sense, these are "our" Arabs, in that they're Western-educated, conduct their business in English and seem to believe in the basic American principles.- Seattle Post-Intelligencer
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William Arnold
It's impossible to praise too highly the verve, skill and authenticity with which Spielberg brings off his alien invasion.- Seattle Post-Intelligencer
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Sean Axmaker
A delight, a vigorous, vibrant romantic comedy that mines emotional desperation and frustration for all its comic potential, but never at the expense of its temperamental heroine.- Seattle Post-Intelligencer
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Sean Axmaker
There's nothing messy or unkempt about the beautifully, quietly heartbreaking story of unconditional love and emotional sacrifice.- Seattle Post-Intelligencer
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William Arnold
It's an absorbing, progressively unsettling and ultimately very inspiring biographical reflection that, in the interest of creating its subject's internal landscape, plays some chilling tricks on its audience.- Seattle Post-Intelligencer
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Sean Axmaker
It makes for one of the best and most haunting of the recent Asian horror films.- Seattle Post-Intelligencer
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William Arnold
Although it's often uneven and rambling, its sum conveys an unusual richness and satisfaction. While most films these days are about nothing, this film seems to be about everything that's plaguing the human spirit in a relentlessly globalizing world.- Seattle Post-Intelligencer
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- Seattle Post-Intelligencer
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Reviewed by
Sean Axmaker
It becomes a dreamy study in stillness broken by suicide fantasies, flashbacks, and the hired killers, but even the violence has a meditative even melancholy quality to it, as if it's all been processed through the eyes of its Zen hero.- Seattle Post-Intelligencer
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