Screen Rant's Scores

For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2002 movie reviews
  1. It’s honest and willing to go to uncomfortable places without ever feeling exploitative. It’s a raw and real portrayal of how sexual assault can happen and the mental and emotional turmoil that comes after.
  2. The feature doesn’t dig any deeper than it has to, leaving us drifting along with Jacqueline without anything to latch onto to keep us afloat.
  3. Bob Marley: One Love won't knock your socks off, but there is enough care put into crafting the narrative that turns it into a lovely viewing experience overall.
  4. It leans into unrealistic territory, and we’re unfortunately left with a trashy story that very few will like. Not even the ever-charming Gina Rodriguez and confident Damon Wayans Jr. could save this film.
  5. Madame Web is boring, unimaginative and dated, despite being one of very few superhero movies centering on female superheroes. All in all, Madame Web is a superhero movie you can absolutely skip.
  6. Marmalade is one wild ride, as long as you're willing to stick with it.
  7. It's almost like Cumming has made two films, one through aesthetics and atmosphere and one through story and theme, that ultimately can't coexist. Neither is a bad film, but the former makes a much greater impression, and I wish it had been seen through to the end.
  8. Thankfully for us, though, a film is not a meal. We can watch The Taste of Things as many times as we'd like.
  9. Perfect Days is engrossing in its monotony and fascinating when something disrupts it, a portrait of a simple but beautiful existence that serves as a life-affirming reminder to value the little moments as much as we do the monumental ones.
  10. Don’t underestimate Upgraded. The script is snappy and entertaining, the characters are colorful, Mendes and Renaux carry the romance very well, and the film is a fun escapist rom-com that gives exactly what it needs to provide us with a good time.
  11. The film is compelling and quietly thought-provoking as it peels back the layers of the relationships at the forefront, while also showcasing the discomfort that follows but isn’t always picked up on.
  12. As Between the Temples reveals more layers to him, Schwartzman deftly uncovers something much deeper. There's grief there, but there's also a profound ability to love without shame and that is perhaps the most revelatory thing of all.
  13. It's a fun, but forgettable movie.
  14. Ultimately, Exhibiting Forgiveness is a movie that spoke to me on a deep level. It’s the type of transcendent experience that could make you confront your own demons and familial traumas you may not even have known existed.
  15. Freaky Tales may not be a perfect film, but it will definitely leave a strong impression on you long after the credits roll.
  16. With a powerful central performance and an occasionally chaotic but nonetheless captivating and moving narrative — helped along by fantastic editing and cinematography — The Outrun is a detailed film strengthened by its connection to nature’s beauty and belonging to it.
  17. With personal and generational trauma at the forefront of the story, Eisenberg delivers a heartwarming film that strengthens family ties and underscores the difficulty in speaking about the pain between its members, no matter how close they used to be.
  18. Suncoast is a strong feature debut from Chinn. It’s heartfelt and filled with warmth and messy emotions that are deeply felt.
  19. There aren’t many films that can capture a character’s feisty spirit while still contending with the struggles and feelings of growing older. To that end, Thelma is a breath of fresh air, a crowd-pleasing film that knows exactly what it is and what it’s trying to accomplish. It does so with style and grace.
  20. The film is funny, but the drama doesn't fully work.
  21. Handling the Under is not an effective horror movie, but its zombie-drama formula allows for a portrait of pain that settles in and stays like an infection.
  22. Badland Hunters may not be a worthy successor to Concrete Utopia, but it is an entertaining zombie actioner.
  23. The concept is no doubt thought-provoking and, occasionally, even creative. But it’s hard to get behind the journey the AIs go on when it’s so detached, the film itself attempting to be a gripping narrative conveying heartfelt emotions that just don’t land.
  24. Thanks to phenomenal camera work and partnership with cinematographer Alejandro Mejía, In the Summers is elevated by an impressive experience both emotionally and visually.
  25. Little Death is two vignettes — one more compelling than the other – that only loosely come together.
  26. Love Lies Bleeding is practically guttural, and the emotions that take hold of each character are raw and unfiltered. With action, crime, and romance mingling and building toward an explosive and engaging finale, the film is a thrilling ride from start to finish.
  27. It's unclear if Stress Positions has arrived "too soon" but its proximity to the pandemic doesn't make it any less hysterical, even if it's hollow in other areas.
  28. From its endearing animation style, which blends a 2D aesthetic with 3D technology, to its poignant and refreshing writing, Orion and the Dark is a true joy to watch.
  29. While A Different Man attempts to be a thought-provoking work some of the time, it’s not as deep or as profound as it aims to be.
  30. Kneecap is a film that shifts expectations. It’s chaotic in the best way, alive with buzzing energy and resistance.

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