Screen Rant's Scores

For 2,038 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 3.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2038 movie reviews
  1. Mother of the Bride's success rests on the filmmakers' abilities to not oversell anything and trust that the collective charisma of the assembled cast will do what it needs to do — and it does, though a flimsy script and one major miscast can be distracting.
  2. It eludes classification, refusing to commit to being one thing and instead asking us to question our relationship with the world around us.
  3. The fascinating characters that populate the film and the masterful buildup of tension that unexpectedly erupts midway through the story more than compensate for any shortcomings.
  4. When it comes to horror, sometimes originality isn't necessary; what's key are the scares, and how everything unfolds. Unfortunately, Tarot falls flat in the former category, and the latter isn't particularly engaging.
  5. As an actor, Bartholomew has a lot riding on her performance, and for the most part, she nails it. Her physicality stands out above all else, as she expertly telegraphs internal changes and anguish to the audience through her body language.
  6. Kingdom of the Planet of the Apes is a rousing action-adventure in the ruins of the human world – traces of the past remain but this is Noa's story.
  7. It's entertaining, and there are a few chuckles to be had. One can appreciate the referential and situational humor as they are timely and apt for the characters. Lester and Gentry are a winning combo.
  8. Where the film lacks realism and sense, it is made up entirely by Hathaway and Galitzine’s sensational chemistry.
  9. Jeanne du Barry is a beautiful story, but lacks emphasis or innovation, which is essential in a period drama's success.
  10. Underneath its weaker spots, Turtles All the Way Down is bolstered by genuine heart and an excellent central performance from Isabela Merced (Madame Web, Instant Family).
  11. For those willing to dig deep, there is a lot to be gained from Sasquatch Sunset about what it means to be alive, our connection to nature, and the enduring power of family and resilience.
    • 68 Metascore
    • 80 Critic Score
    Fortunately, the wait was absolutely worth it as CODE: White joins some of Spy x Family's best missions as one of the franchise's best outings.
  12. Justice League: Crisis on Infinite Earths - Part Two is a disappointing entry, failing to truly and comprehensively build a bridge between the first film and the third film.
  13. If Infested suffers from anything, it's that Vaniček makes its characters and themes too real, and the monsters can't keep up.
  14. Throughout the film, Arnow takes us on a quiet odyssey that captures the search for real intimacy, as Ann struggles to act on her desires in all parts of her life.
  15. With lots of tongue-in-cheek humor, first-time director Ives has delivered a movie that knows it’s a little bit ridiculous but just runs with it.
  16. Skarsgård and Benjamin make for an odd pair that work well together at every turn. The vision of Mohr is clear and realized, and the resulting work of art will excite audiences around the world.
  17. Writer and director Chris Nash's In A Violent Nature may be the first slasher in a long time to truly deconstruct the genre in a way that feels surprising, even if the results of its experiment are mixed.
  18. While The CW’s Arrowverse brought Crisis to life in its own way, the animated version takes things to the next level in an adaptation that is at once sorrowful and thrilling.
  19. The characters have a myriad of flaws and plights that would have made them compelling, but the film fails to explore them beyond the surface.
  20. The issues from the first installment are still there — and, in some ways, they only get worse.
    • 58 Metascore
    • 40 Critic Score
    Blood for Dust is meant to evoke Fargo vibes, but it fails to live up to the 1996 Academy Award-winning movie and will likely be forgotten by most.
  21. Though not Guy Ritchie's best film, The Ministry of Ungentlemanly Warfare has enough slick style and exhilarating action to be a helluva fun ride.
    • 57 Metascore
    • 30 Critic Score
    Larry Fessenden's Blackout is a frustrating bouillabaisse of two completely different movies that happen to be playing at the same time.
  22. It's dramatic storytelling with blockbuster-levels of energy, a triumph for Guadagnino, and a new all-time great sports movie where the games off the court are just as hot as they are on it.
    • 78 Metascore
    • 80 Critic Score
    It's hilarious, heartbreaking, distinctive, significant, and just what Hollywood needs after countless DC and Marvel projects.
  23. While Hurley’s skill as a filmmaker was in question for the majority of the movie’s runtime, there are around 10 minutes near the end that hint that, with some work, he could hone his skills further.
    • 62 Metascore
    • 80 Critic Score
    The film balances scares and laughs with pitch-perfect timing, creating one of the smartest, most inventive vampire movies in decades.
  24. A roaring achievement for the first-time feature director, In Flames is an intensely vivid tale of survival. Khan’s humanistic approach towards understanding marginalized women is hauntingly beautiful.
  25. There's an aloofness to the violence that gets more morbidly funny as the film goes on, but LaRoy, Texas does not trust its darker sensibilities and the last 15 minutes drift back into a conventional lane and away from the bizarre and fiendish tone that was unexpectedly working up until that point.

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