Screen Rant's Scores

For 2,004 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2004 movie reviews
  1. The action isn't elegant. It's erratic and loud and ugly. . . it's a symphony of chaos. It's also a damn good time, even if Kurosawa leaves us with the haunting notion that we're all too connected, just one click away from finding opportunity or something much more dangerous.
  2. Flora and Son is energetic, easygoing, and charming. With a great cast, lovely musical numbers, and a stupendous lead performance by Hewson, Carney doesn’t disappoint.
  3. Rebel Ridge is consistently precise in tone, theme, and pacing throughout.
  4. It is Baig’s vision that makes We Grown Now sing in a way that is totally incomparable. Every shot, every musical choice, everything that makes a riveting movie is on display and at its very best here.
  5. Amrum doesn't fully confront all the questions it poses, instead serving as a meditation on the ways a child might respond to a world he doesn't fully understand.
  6. Talk to Me is an assured directorial debut, serving up plenty of terror, gore, and emotional beats in a story that is well-developed and carefully crafted. Audiences will be hooked to the screen, impatiently awaiting what comes next in this unsettling, thrilling horror.
  7. The Vourdalak is an indication of where modern horror movies should be headed. I was moved not by the gruesome violence of the story but by the devastating tragedy akin to a Greek drama. The Vourdalak doesn't need graphic cruelty to get its point across, as the movie and filmmaker understand that there is even more devastation to be found in the dark.
  8. Hokum is a refinement of what came before, not a rehash: a terrifically composed throwback that knows when to play things grounded and when to embrace the horror for its full potential.
  9. Son of Monarchs is an expertly crafted visual experience that weaves disparate themes and images.
  10. Something in The Dirt is a wild ride that will take one to the limits of reality and test one's patience.
  11. For a film that clocks in at around only 90 minutes and doesn't tackle any one subject outright, Wasteman effortlessly makes you think about many issues.
  12. It’s a mind-bending visual odyssey wrapped around a grounded, relatable human story.
  13. Heavy-handed and unnecessarily long, Spencer explores Diana as a prisoner of the royal family in heart-wrenching and beautifully haunting fashion.
  14. Ultimately, Cassandro is a touching tale of a remarkable person who paved the path for others to find liberation and acceptance through their chosen art.
  15. No Sudden Move is a tautly-paced noir thriller prepped with a never-ending carousel of twists and betrayals that culminate in a satisfying denouement.
  16. In some ways, the film's hollowness allows it to circle back upon itself and become a pure expression of adrenaline.
  17. It's a riveting film, but one that left me feeling hollow and ultimately frustrated with the continued way in which much of American cinema tackles crises like the one at the center of September 5.
  18. Bolstered by a solid performance by Will Smith, King Richard is a feel-good, charming sports biopic that uplifts but never reaches its full potential.
  19. While it can be too elliptical for its own good, Shirley is a frequently spellbinding blend of fiction and memoir anchored by a mesmerizing Moss.
  20. A fascinating character study that shows us the dangers of finding fulfillment in all the wrong places.
  21. Minor hiccups aside, The Woman King is a blockbuster with a lot of heart and a clear story that is tightly written; it’s well worth the watch.
  22. From its close-up shots to its wide framing of characters against the barren Texas desert, there is a sense of immediacy that makes the film's thriller elements all the more enrapturing.
  23. For those who may not have seen X, Pearl may be intriguing enough for them to go watch the original film. As both a prequel and standalone horror film, however, Pearl comes up short.
  24. The Fire Inside manages to accomplish a lot in its nearly two-hour runtime. It’s a sports drama that encapsulates the experience of living in Flint and a powerful, character-driven story that isn’t afraid to show the gritty aspects as they actually are.
  25. Though it can't quite break out of the Disney mold, Encanto is greatly aided by a unique story, a delightful cast of characters, and a vital message.
  26. Poignant in parts, sharp and thrilling in others, Emily the Criminal satisfyingly delivers on many levels.
  27. The Naked Gun makes up for its lack of story with a complete commitment to the bit and uproarious performance from Liam Neeson and the cast.
  28. Kurzel's film can be watched at face value, and anyone inclined to like this type of movie will enjoy it. But as it chugs along, it also shows us what hate can look like and what it can do. Like Husk's story, it is a warning, and it leaves us with the chilling sense that the events depicted haven't, or maybe can't, come to an end.
  29. The Count of Monte Cristo is as much a swashbuckling adventure as it is a warning about the dangers of letting yourself get lost in the desire for things that don't matter. With a gorgeous score that uplifts every scene, making them more tense, romantic, and devastating, and sets and costumes on par with the best period pieces of the 21st century, everything about the movie is planned and carefully executed.

Top Trailers