Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. Snack Shack
    The movie starts off quickly and provides an in-your-face introduction to the film's intended direction. However, the momentum quickly fizzles out, and the plot begins to meander towards the finish line, taking several unnecessary detours along the way.
  2. Project Power
    While it's far from a refined genre-blending thrill ride, there's enough about Project Power that works to partially offset its fundamental problems.
  3. Dolittle
    It's fun enough to keep audiences mostly entertained for its hour and 45 minute runtime, but there's nothing particularly memorable to latch onto - not the CGI animals, not the fantasy world and not even Downey Jr's performance.
  4. Chip 'n Dale: Rescue Rangers
    Too often, though, the creativity gets bogged down beneath the references and standard mystery. Chip 'n Dale: Rescue Rangers still makes for an entertaining viewing experience, just as long as one doesn't mind the extra baggage.
  5. After Yang
    With such a slow and empty buildup, After Yang often feels as disconnected as most everyone is in the film.
  6. Copshop
    Copshop won't be for everyone, but those looking for some old-fashioned gun-slinging hijinks will get some enjoyment out of it.
  7. Cash Out
    With lots of tongue-in-cheek humor, first-time director Ives has delivered a movie that knows it’s a little bit ridiculous but just runs with it.
  8. All My Puny Sorrows
    While its performances are lovely and tender, with the execution somewhat messy in its handling of themes, All My Puny Sorrows doesn’t dig past the surface enough to make a strong enough case for itself.
  9. Summer Camp
    While the film does win some laughs, and the third act is noticeably better than the first two, Summer Camp won't be for everyone.
  10. House of Gucci
    House of Gucci boasts strong performances and is hammy enough to be occasionally enjoyable, but falls flat in the overall effectiveness of its story.
  11. Redeeming Love
    For what it is, and for who it is for, Redeeming Love is in its own way an effective showing of the power of love. Undoubtedly, however, a more compelling romantic drama about a woman finding peace with herself could have been told.
  12. The Alto Knights
    Fans of De Niro and the gangster movie will have fun with this addition to the genre, but they won't find anything new in its well-tread story.
  13. The Dead Don't Hurt
    Krieps has such a clear vision of who Vivienne is when she isn’t the object of romance, violence or intolerance. Her quirks and quiet dominance ultimately shift the film toward the direction Mortensen thought he was headed.
  14. Treasure
    There are great moments in the quiet of Treasure, the scenes where director Julia von Heinz's camera lingers on a look, an item, or a landscape. But Treasure finds itself stuck in the middle of these tender moments and a heavy-handed way with emotion that has good intentions but doesn't land the same.
    • 49 Metascore
    • 50 Critic Score
    Federer: Twelve Final Days
    Federer: Twelve Final Days is a slightly flavorless digestif after the main course that was the Swiss' inimitable career.
  16. Here Before
    There's a lot to like in this engaging and unnerving drama, but the finale doesn’t come together to deliver on an intriguing and chilling first half.
  17. Tommaso
    Despite a raw performance from Willem Dafoe, Tommaso feels more like a self-indulgent male fantasy than an introspective character study.
  18. Sundown
    Ultimately, Michel Franco’s Sundown feels hollow and too nihilistic for its own good.
  19. The Witcher: Sirens of the Deep
    While the animation may struggle to convey some character nuance, its voice cast is more than up to the task. This is particularly true for Doug Cockle.
  20. Eileen
    As hypnotic as Eileen is, the film ultimately falls short. Its final moments suggest that it could have become a completely different film than what was initially presented. Had there been enough time to flesh out the story and build up the tension, the final Rebecca twist would have worked a lot better.
  21. It Ends with Us
    For a story centered on childhood trauma, domestic violence, and the cycle of abuse, these themes feel like afterthoughts when they could have been its strength. It’s certainly lacking, but hearts were in the right place.
  22. You & I
    There are flashes of cleverness here, but they are concealed by the arms-length approach.
    • 57 Metascore
    • 50 Critic Score
    Pedro Páramo
    Prieto also does manage to craft some beautiful images in the flashback sequences. While he doesn't harness his cinematography experience often enough to push the story forward visually, it is impossible to deny the power of certain images.
  24. Retribution
    Retribution is comically familiar, yet that familiarity breeds a sense of comfort for the average movie watcher who wants something not too complicated or tedious.
  25. The Killgrin
    Its strong characters and performances can only do so much to elevate a lackluster, unfocused story that often feels stuck waiting for the third act to kick in.
  26. When You Finish Saving the World
    When You Finish Saving the World is filled with interesting ideas and scenes, yet is hindered by character development that feels incomplete.
  27. Night Shift
    Night Shift blows by characters and sequences on its way to the twist; the movie could have used a little longer runtime.
  28. The Silencing
    The Silencing is a decently exhilarating thriller movie, even if the twists in the story aren't always well-earned or well thought out.
    • 49 Metascore
    • 50 Critic Score
    None But the Brave
    Sadly, None But The Brave suffers from numerous cliches with the characters, including Clint Walker (The Dirty Dozen) as Captain Bourke, mostly being archetypes instead of fleshed-out human beings. The message is also painfully on the nose, but at least it's earnest.
  30. Hurry Up Tomorrow
    Hurry Up Tomorrow isn’t awful. It stays at the surface, really afraid to interrogate any deeper than required, but it has its moments and aesthetic flair.
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