Screen Rant's Scores

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For 2,002 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
  1. Positive: 875 out of 2002
  2. Mixed: 967 out of 2002
  3. Negative: 160 out of 2002
2002 movie reviews
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  1. The Prom
    The Prom is a bright yet flawed musical extravaganza that, while holding a vital message about acceptance, sometimes gets lost in its own celebrity.
  2. Monica
    The narrative of Monica is scant, but this makes way for a poignant examination of trans identity and loneliness through the lens of one family.
  3. The Call of the Wild
    Though it lacks the grit and gristle of the best London adaptations, The Call of the Wild is elevated by Harrison Ford and a very good CGI doggo.
  4. Secret Headquarters
    Aided by an excellent young cast, Secret Headquarters is a fun adventure for all ages, even if certain elements feel superficial in the end.
  5. Salem's Lot
    As a vampire movie, Salem's Lot is refreshingly old-school.
  6. Resistance
    Led by a charismatic performance from Jesse Eisenberg, Resistance is a harrowing story but often feels as if it bit off more than it could chew.
  7. Thirteen Lives
    All told, Thirteen Lives is a solid and compelling watch that stands as a testament to people's resilient spirits.
  8. Mother Mary
    While Lowery's film is ripe for interpretation, and will no doubt be better received by those who enjoy that style of filmmaking, those wanting actual answers will find frustratingly little satisfaction. Mother Mary is, at heart, more about vibes and style than anything else.
  9. The Damned
    The Damned has been made to a high standard. The film is extremely well-crafted; the cast, the period setting, and the eerie and isolated fishing village where the story plays out all help to create a tense and believable story.
  10. The Thing with Feathers
    With certainty, Cumberbatch put his all into this role. So, if for nothing else, it’s worth it to see him.
  11. Not Okay
    There is a great deal of cringe comedy in Not Okay and the actors all pull it off well. Shephard's social media black comedy is an entertaining film that may leave audiences thinking about their own relationship to social media.
  12. Strange Darling
    Strange Darling is an effectively disturbing movie, labeled as an erotic thriller, which visualizes some interesting themes even if it distracts from them.
  13. Tornado
    The film does a serviceable job of creating a revenge story, but leaves some meat on the bone in terms of narrative and visuals. Scenes come to a standstill and make a very short movie drag in places it shouldn’t. That being said, the final showdown makes it all worth it.
  14. Minions: The Rise of Gru
    While Minions: The Rise of Gru still can't entirely justify itself, it does provide a far more heartfelt and fun outing than its predecessor.
  15. Animale
    Pieces of exposition and backstory are dropped sparingly throughout Animale. While this is a strength, the movie could've done with a little more exploration of Nejma's past and relationship with her mother.
  16. Next Exit
    Elfman’s directorial feature debut has enough to hold it together, including a tremendous cast and character dynamics that are thoughtful, interesting, and complicated.
  17. The Forgiven
    Given some time to think on it later, viewers might have trouble pinning down what it actually had to say about all those thorny subjects it seemed to be about.
    • 40 Metascore
    • 50 Critic Score
    Bloat
    There are good bones here, but there's just not enough meat on them to make it a satisfying horror movie.
    • 52 Metascore
    • 50 Critic Score
    Amelia's Children
    Unfortunately, Amelia's Children seems content to coast on the most generic possible avenues the genre can provide, with little to no variation.
  20. The Choral
    It's far from a poorly-constructed movie, but the tonal issues and refusal to invest in its strongest personalities make it a frustrating watch.
  21. Night of the Zoopocalypse
    Despite its fun concept and novel creature designs, Night of the Zoopocalypse ultimately finds itself weighed down by its lackluster script.
  22. Seven Veils
    Seven Veils still falls prey to its own expansive focus, making it a compelling yet unsatisfying drama.
  23. Locked Down
    Locked Down is an average drama that relies on the strengths of its two lead actors to help elevate it above its various shortcomings.
  24. Asleep in My Palm
    Asleep in My Palm succeeds when it finds the human connection in its message, but gives too much time to moralizing conversations and not enough to character arcs.
  25. Spaceman
    The most glaring issue with Spaceman is that the leap from page to screen leaves quite a bit of the story behind and saddles its lead actor with much of the heavy lifting.
  26. The Demon Disorder
    Even once the movie elects to deal away with its ambiguity and get right to its demonic horror, The Demon Disorder still feels largely too familiar and predictable.
  27. I Love My Dad
    Is it a well-made film? Absolutely, and Morosini has a strong vision for how to shape a story and characters right out of the gate. Unfortunately, that doesn’t turn I Love My Dad into a must-watch.
  28. Squeal
    It never digs deep enough which, when looked at through the fairy tale lens, is appropriate, but ultimately seems like a missed opportunity for the film.
  29. Delicious
    While Delicious presents plenty of interesting ideas, powerful themes, and compliments it with memorable cinematography, the weak story and characters ultimately drag the film down.
  30. Gigi & Nate
    Whether that be through exploring mental abolition versus determination or even activism versus an individual’s special needs, Hamm’s latest had the potential to say a lot more than what was accomplished. Instead, he doesn’t do much with either, and he relies a little too heavily on his actors to take this uninspiring script towards sincerity.
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