Full of action sequences and an incredibly moving score to pair, this could be the kind of war drama that audiences have been missing. It’s heavy on the violence and anti-war messaging, and contains a beautiful story about survival, humanity, and doing the right thing even when there are countless obstacles in the way.

While it doesn't quite reach the horrific highs of the 2013 remake, it rips through other splatter-fests with the finesse of a freshly whetted chainsaw blade.

Beau is Afraid will make one feel alongside its title character in a way few films do, and it's a torturous and glorious ride.

The film is far from perfect, but also does not attempt to be. Accents aside, the jokes are solid and don’t require a great plot to land. Quasi won’t blow anyone away, but it has its moments.

Thankfully, Craig captures the magic that so many have fallen in love with over the decades. The story explores the uncertainties of religion, sex education, and girlhood with incredible sincerity and without judgment of any option. What's more, it beautifully reveals the side to humanity that society often tries to hide with these concepts — but does so with genuineness and care.

It is heartfelt in its embrace of silliness, and for that reason alone, it is worth a watch.

Renfield is goofy, with fantastic action sequences and a few comedic beats that land, but it could have also been so much more.

It is a richly layered work of art.

Woodley and Mendelsohn do everything they can to convert the weak story to something worth watching.

While it might've been nice for Mafia Mamma to reveal more details about Kristin's ascension as a mob boss, its humor and Collette's performance make it a solid ride anyway.

Paint could’ve been funny; it could’ve had more heart; it could have even been more fun and ridiculous, with something interesting to say. But it's a mess from start to finish.

Praise This is wildly uneven but not entirely unenjoyable. There is enough here that makes the film perfectly fine. It is formulaic, but its earnestness and impactful narrative will touch many.

One True Loves may not be Reid's most popular novel, but its adaptation is nevertheless handled with genuine care. The soapy premise won't be for everyone, and its heavy-handed approach can alienate. Still, those willing to join Emma on this (mostly) complicated journey may very well find themselves charmed by the end.

From its close-up shots to its wide framing of characters against the barren Texas desert, there is a sense of immediacy that makes the film's thriller elements all the more enrapturing.

On a Wing and a Prayer will certainly find its audience and pays respect to a man who did the impossible, but as a viewing experience, it misses the mark at every turn.

Jenkin doesn't leave the audience without any puzzle pieces; there are enough for multiple stories to be constructed, should the viewer wish to understand Enys Men on that level. At a certain point, however, it becomes so difficult to disentangle the real from the unreal that to try feels pointless, and the last act suffers for it.

The film is certainly worth a watch simply for the music and the entertaining aspect of its storytelling.

If one is wanting something substantive, with big laughs and surprising twists, Murder Mystery 2 should be avoided at all costs.

It’s a lovely, heartfelt movie that is also gritty and deep and evocative, with outstanding performances that ground the story in every possible way.

The problem is one of focus, and had the movie trusted its protagonist enough to let her be the true center, it might have provided a viewing experience worth recommending.

The stellar cast, in particular, is reason enough to run to the theater to see Air.

The Super Mario Bros. Movie is chock-full of Nintendo Easter eggs—to the detriment of the story and its characters, which lack any real substance.

Appendage is a solid outing by Zlokovic, and the horror elements complement the story’s message about self-doubt, even if it doesn’t push the envelope any more than it has to.

The film has no easy answers for Celestina’s questions, but her journey throughout is all the more powerful because of it.

Late Bloomers offers a nice take on the coming-of-age story that is endearing and gives its characters the attention they deserve.

The film is full of heart and humor, and the message of self-acceptance in a world where there is pressure to be anyone but oneself is affirming and lovely. Bolstered by a fantastic performance by Verma, Mustache makes for a sweet and wholesome viewing experience.

Self Reliance doesn’t take itself too seriously, and it’s exactly the kind of directorial debut one would expect from Johnson — and he certainly delivers a wild, energetic, funny story that still works despite a lukewarm ending.