Even though it doesn’t take its own storyline seriously enough, Smile 2 is entertaining. Don’t expect the horror film to have the best commentary on mental health issues, but be ready for some jump-scare fun.

More Millennial introspection than sci-fi movie, what Save Yourselves! lacks in world-building, it makes up for with charming relatable comedy.

She Dances seems almost scared of its own premise.

Had its story structure been stronger, Worth could have an Oscar contender. As it is, Worth is an interesting testament to a particularly harrowing period of time — one that, for many, still feels a little too raw.

Palestine 36 is beautifully shot and researched, and peppered with historical touches.

With Holland and Mara, the commitment to The Dutchman is apparent and though its ending feels as if things are wrapped up a bit too cleanly, the film succeeds in being an unnerving odyssey over one New York night.

The psychological thriller is clever, sharp, and intoxicating, even in its eeriest moments. There’s a charm and depravity that are all too real, hanging over every scene as it makes us wait with bated breath for the big reveal that comes in glimpses and acts as stark contrasts to the characters’ initial excitement.

Horror movies often have to rely on the stupidity of their characters for the story to work: victims in waiting either make terrible decisions in high-pressure situations or simply lack any survival instincts until the bodies start to rise up. Speak No Evil plays with the audience by subverting those expectations very precisely, posing the question of when exactly you would have walked away from all the red flags.

Brian and Charles is a soothing, lighthearted, and warm story about friendship and connection that is strengthened by its titular characters.

Ultimately, The Kitchen is a film with its heart set on two stories and only succeeds in telling one.

This isn’t a film that relies on gimmicks and shock value. Instead, first-time feature directors Johnson and Merrick masterfully craft a story that relies on social media and technology to the benefit of the script. And thanks to a well-framed story and clever structure, everything comes together by the film’s end, revealing the answers from clues that just may have been there the entire time.

The film's first act makes you think the Japanese forces trying to stop Godzilla will eventually thin out and reveal someone the movie will focus on. But that doesn't happen, and the result is a film without an onscreen focal point.

Despite being a story about a world full of imagination and incredible adventures, the narrative moves slowly, hoping to succeed thanks to the animation.

Devotion soars when least expected and is brought to life by its talented ensemble cast.

While the movie starts off on a pretty straightforward note, one of the things that took me by surprise was just how often I was left guessing how the story was going to play out.

Asleep in My Palm succeeds when it finds the human connection in its message, but gives too much time to moralizing conversations and not enough to character arcs.

Mulan is a perfectly fine live-action adaptation, delivering some Disney magic and gorgeous visuals, but it's ultimately just an average action movie.

The Last Showgirl isn't perfect - it's melodramatic by design, and it wears its heart on its sleeve. But Anderson's raw and unfiltered performance, one clearly tailor-made for her, makes up for the film's weaker elements, as does the chemistry between the cast.

Sure, the film may feel somewhat tepid in places, and it meanders, but the overwhelming wholesomeness of the picture will make one embrace its simplicity.

For those willing to dig deep, there is a lot to be gained from Sasquatch Sunset about what it means to be alive, our connection to nature, and the enduring power of family and resilience.

What You Wish For posits that the cycle of working for an evil, self-righteous entity never stops.

Jennifer Lawrence and Brian Tyree Henry are excellent together. They have great chemistry and their conversations and jabs at each other feel natural.

Because of its powerful, universal themes, terrifying creature, and strong characters, It Feeds delivers a resonant horror experience about the pain of shared trauma.

Cyrano is a magnetic, musical romance that peels back the layers of its title character in new, exciting ways.

Better Nate Than Ever is full of charm, supportive friendships and familial relationships, and a passionate love of musical theater and these elements work together to create a lovely, entertaining viewing experience.

Though it has its merits, an excellent supporting cast & fun musical numbers, Wonka wobbles in its journey & storylines while remaining heartfelt.

The film is full of heart and humor, and the message of self-acceptance in a world where there is pressure to be anyone but oneself is affirming and lovely. Bolstered by a fantastic performance by Verma, Mustache makes for a sweet and wholesome viewing experience.

The script plays out like a mystery that keeps you guessing, but it also works against the film at points. Perpetrator has something important to say but just doesn’t know how to say it.