Screen Rant's Scores

For 2,004 reviews, this publication has graded:
  • 46% higher than the average critic
  • 6% same as the average critic
  • 48% lower than the average critic
On average, this publication grades 4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Turning Red
Lowest review score: 10 The Strangers: Chapter 3
Score distribution:
2004 movie reviews
  1. Written and directed by Mike Cahill, Bliss has strong ideas about economic inequality and it ambitiously works to pull off being a sci-fi thriller that is layered with social commentary. However, the film falls short of delivering something more compelling and complex, primarily because it's trying to do too much at once.
  2. Where there could have been thoughtful, poignant commentary about life’s regrets and the turmoil that can continue to permeate a father-son relationship over time, Mortensen drops the ball completely. Without a cohesive story, Falling spirals and offers little beyond good performances.
  3. While the film could have spent more time specifically exploring Margaret’s life, The Map of Tiny Perfect Things is a thoughtful, charming, and heartwarming film that utilizes the time loop aspects to great effect.
  4. Ultimately, First Blush works as an engaging, compelling exploration of how a change in a relationship can also wake up unresolved personal issues. However, while the first half is incredibly strong, Neumark struggles with bringing it all together in the end by rushing to bring the characters into conflict with one another.
  5. Earwig and the Witch has all the parts needed to be a fun and memorable film, but seems to lack the manual for how to bring it all together.
  6. Quietly immersive and poignant, Supernova excels as a showcase for leads Tucci and Firth, even when the story can't quite match them.
  7. Masterfully written and directed, Saint Maud is a captivating, compelling, and disquieting horror film that is distinct and incredibly intense.
  8. Although helmed by Washington’s visceral performance & nostalgia-addled slow-burn, The Little Things eventually falters due to its own clichéd tropes.
  9. Finding ‘Ohana continues the tradition of balancing heartwarming family bonding time with genuine humor and wondrously exciting escapades.
  10. Often ridiculous, yet perennially fun, Psycho Goreman is a clever, schlocky genre-mash with characters one cannot help but ultimately root for.
  11. Notturno is sometimes beautiful and Rosi makes good use of private spaces. But, the film comes off as an exploitation of the region and its people’s pain.
  12. Malcolm & Marie serves as a powerful showcase for its two stars, with Washington and Zendaya elevating the script to compelling results.
  13. No Man’s Land is largely uninterested in exploring the Mexican characters’ stories, which transforms the film into an unbalanced drama that lacks nuance.
  14. The film is actress Regina King's directorial debut and it's a timely, wonderfully resplendent exploration of the men behind the renown, stripped of their titles while among friends and ready for the next stage in their lives.
  15. The Ultimate Playlist of Noise has some lovely and heartwarming moments, but it lacks a strong central relationship and is often too formulaic.
  16. Brothers by Blood is an incomprehensible, frustrating mess that barely touches on its narrative themes and completely wastes the talents of its actors.
  17. Locked Down is an average drama that relies on the strengths of its two lead actors to help elevate it above its various shortcomings.
  18. Bloody Hell inexplicably combines two elements that shouldn't work and yet do: high-octane action with a creepy, sadistic family of murderers.
  19. Hunter Hunter's atmospheric, woodland nightmare barrels through like a boulder down a hillside and depicts a ferocious battle between man and beast.
  20. The Midnight Sky is a well-made and ambitious piece of sci-fi filmmaking, but it lacks the proper emotional punch it needed to truly connect.
  21. Despite the pedigree of Hanks and Greengrass, this effort doesn't quite get there - but it's still well-made. News of the World is a standard Western with a predictable story, though it's elevated by Hanks and Helena Zengel's performances.
  22. Ray still overcomes adversity, but writers Rick Santora and Randy McKinnon sidestep the stereotypes that so often plague sports films to do so, making it one of the better sports films to be released in some time.
  23. Breach has its moments of B- movie fun, stemming more from utterly ridiculous execution than a sincere effort to create a gripping space horror.
  24. As a celebration of love and music, Sylvie's Love is a comforting and sweet movie that, while not breaking ground, is noteworthy in its earnestness.
  25. Promising Young Woman is a wildly thrilling revenge story, taking an unflinching look at rape culture, but errs more pessimistic than triumphant.
  26. Tenet is a fascinating and exciting sci-fi thriller bolstered by Nolan's grand vision for action and strong performances from the cast.
  27. Led by two powerhouse performances, Ma Rainey's Black Bottom soars when it lets its stars shine, hitting the audience with a gut punch of emotions.
  28. Lacking narrative direction and even pacing, Monster Hunter is yet another soulless video game adaptation that drowns in its own inadequacy.
  29. Wonder Woman 1984 is filled with hope, love and optimism, offering impressively cinematic superhero action with beautifully sentimental heart.
  30. Despite featuring a few well-executed, tense gore sequences towards the end, Smiley Face Killers is mostly uninspiring and makes for a tedious watch.
  31. Wander, the latest collaboration between director April Mullen and writer Tim Dorton, straddles the thin line between paranoia and truth, yet emerges as a compelling thriller with a genuine thirst for exposing what lies beneath.
  32. The Prom is a bright yet flawed musical extravaganza that, while holding a vital message about acceptance, sometimes gets lost in its own celebrity.
  33. The movie's superhero-laden backbone is meant to support a deeper message. Adam Egypt Mortimer's Archenemy is a painful reminder of how society fails people, and bleeds colorful nuance and thematic messaging in every frame.
  34. What Lies Below offers a twist on two underrated sub-genres, but its identity crisis causes this aquatic horror creature feature to sink, not swim.
  35. Godmothered is a campy and heartfelt family-friendly Christmas flick, but ends up feeling like an adult rom-com shoehorned into a kids movie.
  36. Mank is a wonderfully crafted and well-acted ode to a bygone era carried by Fincher's vision and Gary Oldman's standout performance.
  37. Bolstered by the sweet chemistry of its attractive leads, All My Life doesn't listen to its central message: Make the most of the time you have.
  38. Soul isn't Pixar's finest or most resonant film, but its beautiful animation and soundtrack, paired with fun characters make for an enjoyable watch.
  39. While the indecision of the plot reflects the hapless existential angst of Hana’s mid-life crisis, Luxor moves further away from meaningful rumination as the film progresses, and ends not with a bang, but a whimper.
  40. Full of repetitive flashbacks and constant yelling, Hillbilly Elegy strives to be the next great domestic drama, but falls short in several ways.
  41. Run
    Run showcases the whiplash intensity and cold calculation of Sarah Paulson at her peak, with intense moments that will leave you breathless.
  42. The New Mutants tries to offer a compelling blend of teen drama, horror and X-Men mythos, but ultimately fails to deliver a good entry in any genre.
  43. Kindred is packed with significant talent, but the slow pace and tedious script leaves the audience looking for the exit before the movie gets going.
  44. Dreamland is a fairly straightforward crime saga that doesn't reinvent the wheel, but is still enjoyable thanks to Robbie and its production values.
  45. Happiest Season is a cheesy, fun and heartfelt romantic comedy, with a sweetly genuine queer love story at the center of this holiday tale.
  46. Director Christopher Landon's Freaky is breathlessly stolen by Vince Vaughn, who delivers a character both terrifying and lovable in equal measure.
  47. Thematically rich and visually arresting, Wolfwalkers is an enchanting adventure into the very heart of nature, helmed by a classic, robust narrative that tugs at the heartstrings.
  48. The Craft: Legacy excels when reveling in its girl power witchcraft, but falls apart in the third act without a well-developed villain.
  49. Synchronic is an interesting, if standard, drama that gets by on the strength of Anthony Mackie's performance and a strong third act.
  50. After We Collided is riddled with cliches and tired young adult tropes, but its dramatic romance and laughable dialogue offers some escapist fun.
  51. Unflinching in its bold lack of subtlety that's contained within a nudge and a wink to the movie's primary audience, Borat Subsequent Moviefilm doesn't hesitate to abruptly kick open the door on polite boundaries, social taboos, and tough talking points that are keeping an entire country at odds.
  52. The Witches is certainly bolstered by its performances and visuals (which is to be expected of a Zemeckis production), and while its speedy story will win over young audiences, it could've reached new heights had Zemeckis, del Toro, and Barris dared to add a bit more padding.
  53. The Trial of the Chicago 7 makes for an entertaining and compelling courtroom drama, bolstered by Sorkin's script and strong performances.
  54. An explosion of wonder, color and magic, Over the Moon tells a beautifully sentimental story of family and love, with super catchy songs mixed in.
  55. At its core, The Kid Detective is also just a plain, entertaining mystery - that has a satisfying conclusion both for the case itself and Abe's journey. Anyone interested in the premise or in Brody's performance would do well with giving The Kid Detective a watch.
  56. Love and Monsters may not be a wholly fresh concept, but a clever script and Dylan O'Brien's charm make for a super fun adventure comedy.
  57. More Millennial introspection than sci-fi movie, what Save Yourselves! lacks in world-building, it makes up for with charming relatable comedy.
  58. Bloody, fun and achingly heartfelt, Spontaneous presents a clever and original story about life, love and how suddenly things can change.
  59. Secret Society of Second-Born Royals is pure family-friendly fun, combining princesses and superheroes for a delightful, if unoriginal, adventure.
  60. Enola Holmes is a little overwrought, but Millie Bobby Brown's charming heroine and Henry Cavill's fun Sherlock pull off all the twists and turns.
  61. The Devil All the Time is a slow, sprawling thriller, unfurling with creeping tension, but the cast's performances are more rewarding than the story.
  62. The Babysitter: Killer Queen is junk food entertainment at its most mediocre, delivering barely enough blood and fun without anything truly memorable.
  63. Unpregnant delivers a fun and entertaining road trip comedy about female friendship and abortion, with compelling performances from its two leads.
  64. The Broken Hearts Gallery is overflowing with charm and personality, making it exactly the kind of fun, feel-good romantic comedy needed right now.
  65. Mulan is a perfectly fine live-action adaptation, delivering some Disney magic and gorgeous visuals, but it's ultimately just an average action movie.
  66. Face the Music is clearly a passion project for the minds behind Bill & Ted, and it results in a sequel that coasts by on its goofy humor and heart.
  67. Despite its fair amount of positives, All Together Now feels both too safe and too distant when it comes to its grittier subject matter.
  68. I'm Thinking of Ending Things is a suitably eerie and creepy psychological thriller that ultimately never comes together as a comprehensible whole.
  69. The Binge is as ridiculous as its premise implies, which can be fun at times, while others it's a bit like a wild ride you wish you could get off.
  70. Words on Bathroom Walls deftly balances being part romcom and part mental illness drama, offering a uniquely compelling coming-of-age story.
  71. Between its concise action and Crowe's scenery-chewing, Unhinged makes for an amusingly trashy B-movie, even if its social commentary never congeals.
  72. The One and Only Ivan has a good heart at the center of this mediocre animal tale, which never quite delivers on the requisite Disney magic.
  73. The Silencing is a decently exhilarating thriller movie, even if the twists in the story aren't always well-earned or well thought out.
  74. While it's far from a refined genre-blending thrill ride, there's enough about Project Power that works to partially offset its fundamental problems.
  75. This film was made to introduce Burnett's classic novel to a new generation, and it's easy to imagine young viewers will be entranced by Mary's story. And, truthfully, some older ones might be as well. That's just the magic of the garden.
  76. Netflix's Work It is bogged down by its trite and wholly unoriginal underdog story, but its charismatic young leads help the movie limp to the end.
  77. There's a sense of respect for both the L.A. gang codes and Latinx cultural traditions on display, but they're let down by the the film's plot and characters. Combined with Ayer's continued storytelling missteps, The Tax Collector amounts to a lot of blood and brutality without the soulfulness to match.
  78. An American Pickle is a fun, fleeting buddy comedy that spreads its humorous premise a bit too thin, minimizing the story's impact.
  79. Between its familiar premise and genuine performances, Summerland is occasionally hindered by melodrama, but is overall a very sweet film.
  80. The Kissing Booth 2 has some fun moments, especially for fans, but is ultimately an overwrought, overstuffed and overlong teen romcom sequel.
  81. Yes, God, Yes is an achingly honest and entertaining-as-hell journey through one teen's burgeoning sexuality and personal reckoning with Catholicism.
  82. Along with a sharp sense of humor and compelling performances, Palm Springs delivers an absolutely charming rom-com with a fun sci-fi twist.
  83. The Beach House has some suitably creepy moments, but it's ultimately hamstrung by an underdeveloped script that fails to connect with the audience.
  84. While the movie's sea battles are elegantly staged by cinematographer-turned director Aaron Schneider (helming his second feature here, more than ten years after his acclaimed debut with Get Low), the absence of a compelling character throughline makes it difficult to become emotionally invested in their outcome.
  85. The Hamilton filmed stage production is a stunning showcase of one of Broadway's biggest hits, maintaining all the heart and energy of the musical.
  86. What The Old Guard lacks in well-paced, tightly plotted story, it more than makes up for with compelling characters and slick, thrilling fight scenes.
  87. The Outpost finds success in its thrilling, white-knuckling battle sequence, but rarely digs below the surface of the ones who fought in it.
  88. In Eurovision Song Contest: The Story of Fire Saga, Ferrell's typical schtick is on full display, but wears incredibly thin in this overlong comedy.
  89. You Should Have Left often feels like a watered-down version of The Shining, but Koepp still manages to maintain interest in its mind-bending story.
  90. Despite the clever setup for this (almost) single-setting B-movie, some half-baked plotting and unfortunate stereotyping keep 7500 grounded.
  91. Infamous has a good balance of fun thrills and compelling drama that make for an entertaining watch.
  92. Even with a nuanced performance from Coster-Waldau and beautiful cinematography, Exit Plan is a slow-burn drama that fizzles out in the end.
  93. Davidson is a triumph in The King of Staten Island, delivering plenty of fun R-rated humor in an emotionally compelling story about growing up.
  94. Despite a raw performance from Willem Dafoe, Tommaso feels more like a self-indulgent male fantasy than an introspective character study.
  95. While it can be too elliptical for its own good, Shirley is a frequently spellbinding blend of fiction and memoir anchored by a mesmerizing Moss.
  96. The Vast of Night is a captivating sci-fi thriller that's elevated by its rich script, stunning cinematography, and incredibly charming leads.
  97. The High Note is an enjoyable, if not particularly inventive, rom-com that's more infatuated with the music industry than developing its romance.
  98. Although it makes for a better rom-com than murder-mystery, The Lovebirds is an entertaining romp powered to life by Nanjiani and Rae's chemistry.
  99. Despite great performances from Lily Collins and Simon Pegg, Inheritance is weighed down by heavy exposition and its overly ambitious story.
  100. Those looking for classic Scooby-Doo or anything more than superficial entertainment can skip Scoob! - even with the dearth of new movies.

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