San Francisco Chronicle's Scores
- Movies
- TV
For 9,302 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
|---|---|---|
| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,160 out of 9302
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Mixed: 2,656 out of 9302
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Negative: 1,486 out of 9302
9302
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mick LaSalle
The Devil All the Time is really a portrait of a place, told through the lives of several people across a span of about a dozen years, and the thing that makes it interesting — from start to finish — is that this place is so brutal and appalling and unexpected in its various cruelties that we cannot stop watching.- San Francisco Chronicle
- Posted Sep 15, 2020
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- San Francisco Chronicle
- Posted Sep 10, 2020
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Reviewed by
G. Allen Johnson
The issues of aging and familial relationships and the appealing nature of this family would make “Our Time Machine” worthy of a look in any case, but what puts it over the top is Maleonn’s fascinating visual inventions.- San Francisco Chronicle
- Posted Sep 10, 2020
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Reviewed by
G. Allen Johnson
Still, I Am Woman, while it doesn’t roar, effectively tells Reddy’s story and speaks strongly about the women’s movement and the struggle that continues.- San Francisco Chronicle
- Posted Sep 9, 2020
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Reviewed by
Mick LaSalle
The Social Dilemma should be mandatory viewing for everyone who has a social media account. After seeing it, you may look at your phone differently, as something that isn’t really your friend.- San Francisco Chronicle
- Posted Sep 9, 2020
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Reviewed by
Mick LaSalle
Sibyl is for people who like French movies even when they’re a little ridiculous.- San Francisco Chronicle
- Posted Sep 7, 2020
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- Critic Score
Jones uses Furie’s story, and some gorgeous animation, as a wonderfully succinct window into the way social media has changed the country. By letting 4channers speak for themselves, the film also puts a face to the bad actors without ever letting them off the hook.- San Francisco Chronicle
- Posted Sep 3, 2020
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Reviewed by
Mick LaSalle
The movie asks us to wonder what’s real and what’s false, and what it all means. But it goes on for 134 minutes without ever giving viewers a reason to keep watching. Few Netflix customers will make it all the way to the end, and even fewer will be glad they did.- San Francisco Chronicle
- Posted Sep 3, 2020
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Cary Darling
It all makes for a very different type of summer-movie experience, one far removed from superheroes and special effects. Best of all, you need not have read a word of Dickens to be captivated by the world that Iannucci has created.- San Francisco Chronicle
- Posted Sep 3, 2020
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Reviewed by
Mick LaSalle
Mulan is a spirit lifter, and though it doesn’t arrive as planned, it could not arrive at a better time.- San Francisco Chronicle
- Posted Sep 3, 2020
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Reviewed by
David Lewis
Robin’s Wish, of course, can’t lessen the tragedy of Williams’ death, but it helps us better reconcile the suicide of such a joyous, irrepressible soul.- San Francisco Chronicle
- Posted Sep 2, 2020
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Reviewed by
Bob Strauss
Any movie that celebrates the power of music, friendship, family and all of that scientific stuff Kid Cudi keeps jabbering about has got to be somewhat welcome at this particular point in the space-time continuum, right?...Oh, and stay past the closing credits for a little extra excellence.- San Francisco Chronicle
- Posted Aug 27, 2020
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There is a “Good Will Hunting” vibe to the film, a gifted young person sliding toward obscurity who is helped by the intervention of friends and colleagues. And the film may end with all the lose ends tied up into fancy bows, but its heart is pure.- San Francisco Chronicle
- Posted Aug 26, 2020
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Reviewed by
Bob Strauss
Doff is a music video guy who’s made a deceptively well-crafted feature debut here. While Get Duked! may lean on stupidity too much for some tastes, it’s nevertheless that rarest of movie creatures: a smart dumb comedy. Perhaps they can only be spotted in the Scottish Highlands these days.- San Francisco Chronicle
- Posted Aug 26, 2020
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Cary Darling
With its bigger budget and wider scope but less gripping story, “Peninsula” is much more of a generic, CGI-reliant action movie that often feels like a video game coupled with a few pages ripped from the scripts of “Mad Max” and “Escape From New York.”- San Francisco Chronicle
- Posted Aug 20, 2020
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Reviewed by
G. Allen Johnson
What makes Chemical Hearts so good is it’s unafraid of its feelings. It tackles complicated emotional issues such as depression, suicide, sex and love with a straightforward honesty. For once, a film about young people is completely free of snark and irony.- San Francisco Chronicle
- Posted Aug 20, 2020
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G. Allen Johnson
The One and Only Ivan has within it a much more interesting film waiting to break out that really could have been for the whole family, but alas it is trapped within the cement walls of Disney’s cookie-cutter formula.- San Francisco Chronicle
- Posted Aug 19, 2020
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Reviewed by
Bob Strauss
It’s a simple, sick, ridiculous story told with relentless tension and forward thrust.- San Francisco Chronicle
- Posted Aug 19, 2020
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G. Allen Johnson
Hawke is effectively brooding, which recalls his first collaboration with Almereyda, a 2000 adaptation of “Hamlet” set in modern-day New York City.- San Francisco Chronicle
- Posted Aug 19, 2020
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Carla Meyer
Bachelder’s fly-on-the-wall approach reveals great details, and she picked compelling subjects.- San Francisco Chronicle
- Posted Aug 13, 2020
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Reviewed by
Mick LaSalle
Boys State is the most depressing film about boys since “Lord of the Flies.” If anything, it’s even more bleak, because it’s not fiction and it’s not allegory. No, this is a documentary about actual boys.- San Francisco Chronicle
- Posted Aug 11, 2020
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Reviewed by
Mick LaSalle
That none of this seems snarky, but sweetly human, is largely thanks to Rogen, who never makes Herschel ridiculous, but aspirational, as if he has a vision he’s working toward.- San Francisco Chronicle
- Posted Aug 5, 2020
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Reviewed by
Bob Strauss
Things get quite Gothic in the film’s final stretch, with genre add-ons that “Garden” purists may also find distasteful. The extra melodrama can feel unnecessary. However, it leads to moments of life-restoring beauty (core theme here again) and love.- San Francisco Chronicle
- Posted Aug 5, 2020
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Reviewed by
Mick LaSalle
As the documentary shows, while it lasted, it was really something.- San Francisco Chronicle
- Posted Aug 4, 2020
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Reviewed by
Mick LaSalle
The film is deadly slow and uneventful, with brilliant scenes bursting to life, here and there, like roses in a wasteland.- San Francisco Chronicle
- Posted Aug 4, 2020
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- Critic Score
Shot primarily in Africa over the past year (primarily before the coronavirus pandemic swept the world), the big-budget film plays out like a collection of opulent music videos. It’s not a live concert film, but it does take cues from the theatrical pacing of Beyoncé’s tour performances.- San Francisco Chronicle
- Posted Jul 31, 2020
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Reviewed by
Carla Meyer
Despite most everything else in the movie being predictable, Bray’s mystery is hard to guess.- San Francisco Chronicle
- Posted Jul 31, 2020
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Reviewed by
Mick LaSalle
An occasionally powerful, yet occasionally frustrating documentary.- San Francisco Chronicle
- Posted Jul 30, 2020
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Reviewed by
G. Allen Johnson
It’s a well-made film in many ways but also frustratingly skin-deep for a news junkie like me.- San Francisco Chronicle
- Posted Jul 29, 2020
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