San Francisco Chronicle's Scores
- Movies
- TV
For 9,302 reviews, this publication has graded:
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52% higher than the average critic
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2% same as the average critic
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46% lower than the average critic
On average, this publication grades 2.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Mansfield Park | |
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| Lowest review score: | Speed 2: Cruise Control |
Score distribution:
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Positive: 5,160 out of 9302
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Mixed: 2,656 out of 9302
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Negative: 1,486 out of 9302
9302
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mick LaSalle
What could have been a brilliant short becomes deadly, stretched to feature length. The last hour of Nadja takes on the pace of a stranger's vacation video. In a sure sign of desperation, the careful tone of the opening is abandoned in scattershot attempts at cheap laughs. The film's world is undermined, and Nadja gets as precious, smirky and as boring as a Hal Hartley picture.- San Francisco Chronicle
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Edward Guthmann
None of the advance hype on Kids can prepare you for the raw, stripped-down reality that Larry Clark captures in his astonishing first film. Nothing can prepare you, because no other film has ever caught the recklessness, sweat and tingly heat of teenage sexuality so effectively.- San Francisco Chronicle
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Reviewed by
Mick LaSalle
For all its goofiness, director Widen has made a film with some genuinely creepy moments.- San Francisco Chronicle
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Mick LaSalle
Search for some independent inspiration, and you'll be looking for a long time.- San Francisco Chronicle
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Peter Stack
Burns has created an endearing gathering of people we all know, and every one of them is so much fun that leaving the theater at the end elicits a touch of regret.- San Francisco Chronicle
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Mortal Kombat the movie has everything a teenage boy could want: snakes that jut out of a villain's palms, acrobatic kung- fu fighting and a couple of battling babes. Everything, that is, but an interesting plot, decent dialogue and compelling acting- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Mayron, who directed a remake of the Disney comedy Freaky Friday for TV, took on a lot with The Baby-Sitters Club, and the strain shows. She's got too many characters to establish -- several adults besides the girls -- and her movie feels under-rehearsed, as if she hadn't been given the benefit of preparation and wasn't allowed to get as many takes as she needed of most scenes.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
Dangerous Minds doesn't drop the sentimental conventions of the good-teacher Hollywood drama but reconstitutes them with strong performances, sensitive direction by Canadian film maker John N. Smith ("The Boys of St. Vincent") and a firm belief that teachers can and will make a difference in a person's life.- San Francisco Chronicle
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Mick LaSalle
The fuzziness is suddenly and definitely gone, and Reeves emerges as a mature, charismatic movie star.- San Francisco Chronicle
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Mick LaSalle
There's nothing particularly wrong with A Kid in King Arthur's Court and nothing right with it, either. Parents will take their kids to see it and suffer, but the pain is mild.- San Francisco Chronicle
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Peter Stack
The all-time great talking-pig movie, a lovely, intelligent gem of G-rated entertainment that is also rib-tickling funny.- San Francisco Chronicle
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Mick LaSalle
The presence of Washington lends the picture a much-needed dose of authenticity. But in the end Virtuosity is disconnected and uninvolving, despite -- or maybe because of -- a climax that comes in three distinct waves. One section seems to be a half-hour sound-and-light show.- San Francisco Chronicle
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Mick LaSalle
Something to Talk About never goes bad, though it does get corny in places, and it hits a couple of dull patches near the finish. The last half-hour contains two completely different scenes involving two completely different horseback riding contests. Yet despite the braying insistence of the sound track, the audience doesn't care about either one.- San Francisco Chronicle
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Mick LaSalle
It's really not bad... It's a genuine vault at greatness that misses the mark -- but survives.- San Francisco Chronicle
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Mick LaSalle
The Net is a scary film that could have been terrifying but for something slightly earnest and plodding in director Irwin Winkler's attack.- San Francisco Chronicle
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Peter Stack
Fortunately, the people save Operation Dumbo Drop, and it's their determinedly good-natured performances that keep the film moving through several well-paced misadventures.- San Francisco Chronicle
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Mick LaSalle
Living in Oblivion is a rarity, a dark comedy that takes place almost entirely on a film set. Written and directed by Tom DiCillo, this is a very funny picture that presents the world of independent film making as a nightmare of conflicting egos, budgetary squalor and incompetence.- San Francisco Chronicle
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Peter Stack
Though the dialogue is laced with the colloquial, the film has an inviting tone that even stuffiest of old fogies may find refreshing. Everybody gets put down, but with affection.- San Francisco Chronicle
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Edward Guthmann
The Indian in the Cupboard is such a sweet film, and so lacking in the bloodthirstiness and violence that parents dread in children's films, that its mere existence seems worthy of praise. Too bad, then, that it turned out so dull and lifeless.- San Francisco Chronicle
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Edward Guthmann
Murphy, who started directing movies in his native Australia, does a good job of locomoting Under Siege 2 at a lively, muscular clip.- San Francisco Chronicle
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Peter Stack
Good for a few laughs but soon turns tiresome, veering incongruously between slapstick antics and mushy sentimentality.- San Francisco Chronicle
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Mick LaSalle
If Species sounds ridiculous, it is -- though as ridiculous science fiction films go, this one has its moments. As usual, these moments come early.- San Francisco Chronicle
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Reviewed by
Edward Guthmann
I just wish that "Apollo 13" worked better as a movie, and that Howard's threshold for corn, mush and twinkly sentiment weren't so darn wide.- San Francisco Chronicle
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Mick LaSalle
There's an appeal here, for sure, but if you're not 8 years old you may never figure it out.- San Francisco Chronicle
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Peter Stack
Disney's 33rd animated feature, and its first with characters based on real people, is a stunning movie with clever twists, vivid characterizations, insightful songs and a surprising harvest of revisionist history that manages to ring smartly as pure entertainment.- San Francisco Chronicle
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Edward Guthmann
For all its flaws and vagueness, Safe is smart, challenging and provocative -- a film that gives you plenty to chew on, long after Carol's sad tale has wound down.- San Francisco Chronicle
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Mick LaSalle
It's an art-direction, Dolby-sound, special-effects extravaganza, a grand-scale effort that's more awe-inspiring than completely successful as entertainment.- San Francisco Chronicle
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Peter Stack
An unforgettable, poetic romance from Italy whose disarming humor, blushing encounters and bittersweet flavors are certain to set off a groundswell of smiles, tears and regret.- San Francisco Chronicle
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